Nel mar dei Caraibi

Previous comments have said nearly all, but I thought this film was a good effort for 1945. As always with films of this date, I wonder why some of the fit-looking men weren't in the armed services. (I realise that Paul Henreid was an Austrian who had fled his country before the war; and I note a lot of the supporting cast have Hispanic names, suggesting they may have been from countries not directly involved in the fighting.) Though Henreid made a number of swashbucklers, he appears a just a little effete, almost a not-quite-so sensitive version of Leslie Howard. I couldn't quite believe Maureen O'Hara finding him fascinating at first glance (as always, she looks marvellous). Errol Flynn or Tyrone Power would have been more convincing.

The battling ships sequences look good, though it would be churlish to note that the model vessels show no signs of human life. I agree with the comments that Walter Slezak makes a fine villain.

I had foolishly missed out quite recently on this one on late-night Italian TV and, consequently, was very glad now to get acquainted with it (albeit via a slightly washed-out print on DivX) – especially since I was surprised by its quality, making the film an underrated entry in the swashbuckling genre. Borzage was an unusual choice for this type of film – despite being a distinguished Oscar-winning director, he has become with time a largely forgotten figure but his reputation has deservedly soared of late among film connoisseurs and is now generally comparable to that of Douglas Sirk. To be sure, he is more renowned for movies like THREE COMRADES (1938) and THE MORTAL STORM (1940) rather than fluff pieces like THE Spanish MAIN, but that only goes to show how versatile he was, equally capable of handling personal projects and genre pictures.

Equally unlikely was the film’s choice of leading man: Paul Henreid, playing an honest man who turns buccaneer in the face of injustice, his character is similar to that of Captain Blood (in spite of an obvious lack of emphasis on the actor’s agility) but also to Henried’s signature role of French Resistance leader Victor Laszlo in CASABLANCA (1942). This alone makes it interesting viewing but, thankfully, they’re supported by solid talent on both sides of the camera (the actors – Maureen O’Hara in her prime, an unusually but effectively cast Binnie Barnes as a hardened lady buccaneer and O’Hara’s romantic rival, splendid villainy from Walter Slezak, John Emery and Barton MacLane being equally dastardly, J.M. Kerrigan, Curt Bois and Mike Mazurki as Henreid’s sidekicks, a script co-written by CITIZEN KANE [1941]’s Herman J. Mankiewicz, magnificent color photography by George Barnes, etc).

While the plot offers no real surprise or undue complexity – coming at the tail-end of WWII, it must have provided just the right dose of escapism – it’s professionally-handled entertainment (at which Hollywood excelled during its golden age) of the kind ‘they don’t make anymore’…despite the best intentions of today’s exponents!

Not Maureen Ohara's strongest role but she does play the fem fatal very well.This is a good family movie. Also being the first full color project by R.K.O. a very historical movie and they went with the queen of Technicolor for this very historical movie. Ohara's beauty along with her strong presence alone make this movie a must see for all.The love story love lost and found again makes for mild drama but a good story line. It is a shame that the ending the writer wanted at first could not be done but due to the cost it is understandable but with Ohara and Henreid is this film I feel it would have been Worth while.So sit down with the family with a Good coke and pop corn and watch an original action movie with a worth while story line.

I really must say how much i enjoy this movie a great deal. It has the gorgeous Paul Henreid as the romantic hero and Beautiful Maureen O'Hara ( as two reviewers are clearly blind for one, in Hollywood of the 1940's women always looked older due to the amount of makeup and hairstyles they have and for the second, manly Jaw i have yet to see anything manly about Maureen O'Hara in any of her films. Rude just Rude.) I am now finished with my rant only to say how much i adore this movie and Walter Slezak as the baddie he always seemed to play in films of the 4o's.If Swashbuckle films of the 1930's and 1940's are your thing them make sure to check this out.

I thought this movie was a lot of fun, with some memorably witty lines (mostly delivered by Walter Slezak) that are referred to elsewhere on this site. I wonder if these were from Herman J Mankiewicz, who co-contributed to the screenplay - he certainly was talented enough.

All of the criticisms of it that are mentioned in other comments are true - it does have a familiar story line, obvious sets / model shots / backgrounds and some clunky dialogue and acting.

However these criticisms to me they don't really matter - it is a movie designed to entertain and provide enjoyment and it succeeds perfectly well at doing this.

By the way - the 'real' shot of the coastline I'm sure I've seen in other movies. Must have been close to Hollywood.