Rapsodia in blu

As with most Hollywood biopics (particularly back in the 1930s, 40s, and 50s), this account of the life of George Gershwin is somewhat fictionalized. As just one example, in real life he also had two sisters, who are not even mentioned in the film. And, the romantic angles here (with two women) apparently are fictionalized. But, so what. This is a surprisingly entertaining film, and a number of Gershwin's pieces are faithfully executed, including "Rhapsody In Blue". I watched this quite a long time ago and remembered it as one of the better movie biopics...plus, I rather like Gershwin's music. I think I liked this film better the second time around.

Robert Alda is fine in the lead role, as are others in supporting roles, including Charles Coburn as a mentor on the pop side of things. Particularly interesting are the many "cameo" appearances by real associates of Gershwin -- Al Jolson ("Swanee"; although so clearly too old to play a young Jolson!), George White (of the famous "Scandals"), and Paul Whiteman. Supporting players are good here -- Joan Leslie, Alexis Smith, especially Albert Bassermann, Rosemary DeCamp, Oscar Levant, and Herbert Rudley (as Ira Gershwin).

At just over 2:20, it's a long movie, but that length allows so much of the Gershwin music to be played. I can't help but compare this to the Cole Porter biopic starring my favorite actor -- Cary Grant; but this is so much better a film. A good movie worth watching at least once for the acting and to revel in the music.

This film presents many Gershwin tunes in great fashion with several great settings and great production numbers. Yes, it's unfortunate that the story line is so heavily fictionalized and even misleading. But, the sets are honest to the periods covered, several sequences are very tastefully done and fun, the show excerpts are good, and did I mention the music? As several other commentators have indicated, the music is faithfully recreated in long segments that bring you much or all of the tune.

If you come to this film to hear some wonderful Gershwin performed by some great artists staged with a lot of character and splash (my favorite set is Hazel Scott's Paris show), you won't be disappointed. The story line is simply a convenient string to tie together the thread of music.

This is a fabulous movie tracing the life and times, struggles and successes of composer George Gershwin. Fictional characters and events are used to move the story along; and the music is wonderful. This is a very easy to watch movie. A classic in black & white.

Beginning with childhood, this movie shows the closeness of the family and especially with brother Ira. Major compositions are featured: Swanee; The Cuban Overture; Somebody Loves Me; Fascinatin' Rhythm; An American in Paris and several versions of the title masterpiece, Rhapsody in Blue. Max Steiner proves his own greatness.

Robert Alda is excellent as George Gershwin and Herbert Rudley as Ira. Also in the cast are Rosemary DeCamp, Alexis Smith and Joan Leslie. Playing themselves are Paul Whiteman, Oscar Levant and Al Jolson. Levant is refreshing, comical and talented.

The music is the main attraction; this film is well worth multiple viewings.

George Gershwin was perhaps, America's greatest composer. Judging by his output of popular songs, as well as some of the serious music he left behind. George Gershwin was a man that got his inspiration by a lot of the popular and black music he heard when he was growing up and mixed it with some of the classical music that he learned as a young piano student. The result is a body of work that is not easy equaled by any of his contemporaries.

In "Rhapsody in Blue", his biographical picture, director Irving Rapper has recreated that period in the young composer's life with the help of the screen play writers, Howard Koch, Sonya Levien, and the uncredited Clifford Odets, as he takes us along to witness a account on this original music man.

We get to see the ambitious George, who could play anything on the piano his parents intended for his brother Ira to study music. It was clear from the start George was a natural who had no problem composing some of the best melodies that became standards during the 20th century and continue to delight us after so many years.

Along the way there is the story of the man who falls in love with the lovely and sophisticated Christine Gilbert, who he met in France. Julie Adams, the girl who was to become the star in many of his shows, loved George in silence. Of course, these two women are a product of the writers imagination, or a composite for the real women in his life.

We are also shown the world in which George lived. There is Prof. Frank, who taught the young man the best of the classical piano repertoire. His parents, Morris and Rose, who adored their sons. We also meet some of the men that shaped his life like Max Dreyfus, his manager, Oscar Levant, his friend and best interpreter, along with some real figures like Paul Whiteman, George White, Al Jolson, Hazel Scott, among others.

Robert Alda resembled the real George Gershwin; his take on the man rings true. Joan Leslie is Julie Adams, and Alexis Smith is Christine Gilbert, the women in George life. Charles Coburn plays Max Dreyfus. Morris Carnovsky and Rosemary DeCamp are seen as the parents.

The best excuse to watch the film is the glorious music one hears in it. The movie is easy on the eye, and while it might not be accurate, it still makes for a pleasant view of this genius of some of the best American popular music of all times.

The music was wonderful, I enjoyed watching the father of Alan Alda in the title role & I got one "mini surprise"! That was the solo song of a very young, enchanting Hazel Scott, accompanying herself on the piano. She was a musical prodigy on the piano from the age of 4 and the youngist student admitted to the Julliard School of Music at age 16. This was the last of her early film appearances, as she focused more on musical recordings and a TV series, until the late 50s. She also married Adam Clayton Powell Jr., noted congressman from Harlem & civil rights activist. Her 1955 album, "Relaxed Piano Moods," recorded with Charles Mingus and Max Roach was recently reissued on CD & named Album of the Month by National Public Radio.