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IMDbPro

Notte e dì

Titolo originale: Night and Day
  • 1946
  • T
  • 2h 8min
VALUTAZIONE IMDb
6,1/10
3372
LA TUA VALUTAZIONE
Cary Grant, Eve Arden, Mary Martin, Ginny Simms, Alexis Smith, and Jane Wyman in Notte e dì (1946)
A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.
Riproduci trailer2: 18
1 video
59 foto
Period DramaBiographyDramaMusical

Aggiungi una trama nella tua linguaA fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.

  • Regia
    • Michael Curtiz
  • Sceneggiatura
    • Charles Hoffman
    • Leo Townsend
    • William Bowers
  • Star
    • Cary Grant
    • Alexis Smith
    • Monty Woolley
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    3372
    LA TUA VALUTAZIONE
    • Regia
      • Michael Curtiz
    • Sceneggiatura
      • Charles Hoffman
      • Leo Townsend
      • William Bowers
    • Star
      • Cary Grant
      • Alexis Smith
      • Monty Woolley
    • 67Recensioni degli utenti
    • 13Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 2 candidature totali

    Video1

    Official Trailer
    Trailer 2:18
    Official Trailer

    Foto59

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    + 52
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    Interpreti principali99+

    Modifica
    Cary Grant
    Cary Grant
    • Cole Porter
    Alexis Smith
    Alexis Smith
    • Linda Lee Porter
    Monty Woolley
    Monty Woolley
    • Monty
    Ginny Simms
    Ginny Simms
    • Carole Hill
    Jane Wyman
    Jane Wyman
    • Gracie Harris
    Eve Arden
    Eve Arden
    • Gabrielle
    Victor Francen
    Victor Francen
    • Anatole Giron
    Alan Hale
    Alan Hale
    • Leon Dowling
    Dorothy Malone
    Dorothy Malone
    • Nancy
    Tom D'Andrea
    Tom D'Andrea
    • Tommy
    Selena Royle
    Selena Royle
    • Kate Porter
    Donald Woods
    Donald Woods
    • Ward Blackburn
    Henry Stephenson
    Henry Stephenson
    • Omar Cole
    Paul Cavanagh
    Paul Cavanagh
    • Bart McClelland
    Sig Ruman
    Sig Ruman
    • Wilowski
    Carlos Ramírez
    Carlos Ramírez
    • Specialty Singer of Song 'Begin the Beguine' Number
    Milada Mladova
    Milada Mladova
    • Specialty Dancer in 'Begin the Beguine' Number
    George Zoritch
    George Zoritch
    • Specialty Dancer in 'Begin the Beguine' Number
    • Regia
      • Michael Curtiz
    • Sceneggiatura
      • Charles Hoffman
      • Leo Townsend
      • William Bowers
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti67

    6,13.3K
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    Recensioni in evidenza

    Enrique-Sanchez-56

    Hollywood Loves to Fictionalize

    The only reason to watch this is:

    COLE PORTER'S MUSIC COLE PORTER'S MUSIC

    Hey.....I am a big fan of Cary Grant, but the only reason to watch this is:

    COLE PORTER'S MUSIC COLE PORTER'S MUSIC

    The musical productions are pretty, the musical arrangements are enjoyable. And the only reason to watch this is:

    COLE PORTER'S MUSIC COLE PORTER'S MUSIC

    Most of this story was completely fabricated because Hollywood just didn't deal with gay life then. It was verbotten...everything had to be glazed over. Hollywood made such an industry of Fictionalized Biographies that I must choose my favorite of these genre: the George Gershwin "story" called RHAPSODY IN BLUE.

    So, if you haven't guessed yet what the only reason to watch this movie is...it's:

    COLE PORTER'S MUSIC!!!
    7kenandraf

    Porter!Grant!

    Good musical that could have been even better if it had better editing.Starts slow and then builds momentum.The directing style was inconsistent where in there are scenes that are top quality and then there are scenes that are just done in a rushed and sloppy way which is weird because those bungled scenes are those that are easily done.Despite these faults,the MUSIC here to any big music fan will certainly encourage you to forgive and enjoy.Grant is very stiff here but this is due to his capturing Porter's mannerisms.The biography is toned down/adjusted to Porter's version for the mainstream audience,so if one really wishes to dig into his real life which is very x-rated stuff,read his bio books instead.The production of this film coupled with it's great music will be great for one who wants uncontroversial musical entertertainment.I love the 1940's color technique here too.Only for early 2oth century POP music fans and big fans of the lead actors......
    8bobilene

    Skip Delovely and Catch this One again

    After suffering through "Delovely", I had to feel good again about Cole Porter's music. Where Delovely focuses on Porters Homosexuality, a subject that Night and day ignores, Night and day performs his music in brilliant fashion. Forget the corny fictionalized screenplay and just sit back and enjoy:

    Mary Martins version of My Heart Belongs to Daddy.

    Cary Grant singing "Your The Tops".

    Cole Porter's stirring "Night and Day", "Begin the Beguine". A song that Delovely totally butchers.

    "It was Just One of Those Things" The Haunting "In the Still of the Night"

    And so many more.

    This is strictly for Cole Porter's music. If your interested in how he enjoyed his spare time, Delovey is for you. For me, I just enjoy his music.
    5gftbiloxi

    Music is the High Point

    One of Broadway's most brilliant songwriters, Cole Porter (1891-1964) worked hard to present an unflappable image to the world--but in truth he was a tremendously complex man, a homosexual who lived with wife Linda Lee Thomas in a marriage of convenience, subject fits of depression, and suffering horrific pain in the wake of a horseback riding accident which left him crippled at the peak of his career. Add to this the fact that his lyrics were often censored for film, radio, and records and it seems very odd that 1940s Hollywood would attempt a biography. What they did, of course, was fictionalize it to the max, reducing the story of his life to a mix of backstage musical and domestic drama--and transforming the tiny and waspish Porter and his icy bride Linda into handsome Cary Grant and lovely Alexis Smith. The result is pure nonsense, of course, but when you tack in a host of Porter classics--fantasy it might be, but it is entertaining enough to watch.

    Grant is no singer, but he has considerable charm, and Smith is as always extremely attractive. The supporting cast is remarkably strong, featuring the likes of Jane Wyman, Eve Arden, Dorothy Malone, and Alan Hale--and rare screen appearances by Monty Woolley and Mary Martin, who deliver knockout performances of "Miss Otis Regrets" and "My Heart Belongs To Daddy" respectively. The DVD transfer is reasonable, and although the bonuses are pure fluff they are amusing. While it may be short on fact with a story little more than pure melodrama, the music and performers make NIGHT AND DAY a reasonably pleasant way to spend a rainy afternoon.

    Gary F. Taylor, GFT, Amazon Reviewer
    Doylenf

    Short on fact and long on great music...

    If you want a biography of Cole Porter you better go to the library, you won't find it here. This is a highly entertaining but strictly fictional version of his life--played by no less than Cary Grant, in his usual debonair style, perhaps just a shade understated so as to appear more like Porter. Whatever, he's still Cary Grant (playing himself in a minor key) and since the music is what makes this film tick, you'll forgive whatever liberties the scriptwriters have taken. It all looks wonderful in glowing technicolor.

    Alexis Smith never was able to make a warm presence on the screen despite her talent and striking good looks. She seems even more remote here as the woman Porter woos and marries. Monty Woolley has a fine time playing himself. The musical moments are handled nicely by some talented people: Ginny Simms, Eve Arden, Jane Wyman and Mary Martin doing her "My Heart Belongs to Daddy" routine. All of the Porter standards are nicely done.

    Interesting tidbit: Was Oscar nominated for "Best Scoring of a Musical" but lost to "The Jolson Story".

    Relaxing entertainment. Just don't expect a truthful bio.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      After attending the premiere of the film, Cole Porter supposedly remarked to his wife, Linda, "if I could survive that, I can survive anything."
    • Blooper
      When in England, there are street performers singing "Rosalie". The accordion player's hands never press the keys; in fact, his right hand is static throughout the whole scene.
    • Citazioni

      Monty Woolley: Haven't you ever wanted to be alone?

      Gracie Harris: Yes, but with somebody.

    • Connessioni
      Edited from Don't Fence Me In (1945)
    • Colonne sonore
      Night and Day
      (1932) (uncredited)

      Written by Cole Porter

      Played during the opening credits and often in the score

      Sung by Bill Days

      Reprised by passengers on a train

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    Domande frequenti17

    • How long is Night and Day?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 12 agosto 1948 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Night and Day
    • Luoghi delle riprese
      • George Lewis Mansion - Benedict Canyon Drive, Bel Air, Los Angeles, California, Stati Uniti
    • Azienda produttrice
      • Warner Bros.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 4.445.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 8 minuti
    • Proporzioni
      • 1.37 : 1

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