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6,1/10
3372
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.A fictionalized biopic of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 2 candidature totali
Recensioni in evidenza
The only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Hey.....I am a big fan of Cary Grant, but the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
The musical productions are pretty, the musical arrangements are enjoyable. And the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Most of this story was completely fabricated because Hollywood just didn't deal with gay life then. It was verbotten...everything had to be glazed over. Hollywood made such an industry of Fictionalized Biographies that I must choose my favorite of these genre: the George Gershwin "story" called RHAPSODY IN BLUE.
So, if you haven't guessed yet what the only reason to watch this movie is...it's:
COLE PORTER'S MUSIC!!!
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Hey.....I am a big fan of Cary Grant, but the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
The musical productions are pretty, the musical arrangements are enjoyable. And the only reason to watch this is:
COLE PORTER'S MUSIC COLE PORTER'S MUSIC
Most of this story was completely fabricated because Hollywood just didn't deal with gay life then. It was verbotten...everything had to be glazed over. Hollywood made such an industry of Fictionalized Biographies that I must choose my favorite of these genre: the George Gershwin "story" called RHAPSODY IN BLUE.
So, if you haven't guessed yet what the only reason to watch this movie is...it's:
COLE PORTER'S MUSIC!!!
Good musical that could have been even better if it had better editing.Starts slow and then builds momentum.The directing style was inconsistent where in there are scenes that are top quality and then there are scenes that are just done in a rushed and sloppy way which is weird because those bungled scenes are those that are easily done.Despite these faults,the MUSIC here to any big music fan will certainly encourage you to forgive and enjoy.Grant is very stiff here but this is due to his capturing Porter's mannerisms.The biography is toned down/adjusted to Porter's version for the mainstream audience,so if one really wishes to dig into his real life which is very x-rated stuff,read his bio books instead.The production of this film coupled with it's great music will be great for one who wants uncontroversial musical entertertainment.I love the 1940's color technique here too.Only for early 2oth century POP music fans and big fans of the lead actors......
After suffering through "Delovely", I had to feel good again about Cole Porter's music. Where Delovely focuses on Porters Homosexuality, a subject that Night and day ignores, Night and day performs his music in brilliant fashion. Forget the corny fictionalized screenplay and just sit back and enjoy:
Mary Martins version of My Heart Belongs to Daddy.
Cary Grant singing "Your The Tops".
Cole Porter's stirring "Night and Day", "Begin the Beguine". A song that Delovely totally butchers.
"It was Just One of Those Things" The Haunting "In the Still of the Night"
And so many more.
This is strictly for Cole Porter's music. If your interested in how he enjoyed his spare time, Delovey is for you. For me, I just enjoy his music.
Mary Martins version of My Heart Belongs to Daddy.
Cary Grant singing "Your The Tops".
Cole Porter's stirring "Night and Day", "Begin the Beguine". A song that Delovely totally butchers.
"It was Just One of Those Things" The Haunting "In the Still of the Night"
And so many more.
This is strictly for Cole Porter's music. If your interested in how he enjoyed his spare time, Delovey is for you. For me, I just enjoy his music.
One of Broadway's most brilliant songwriters, Cole Porter (1891-1964) worked hard to present an unflappable image to the world--but in truth he was a tremendously complex man, a homosexual who lived with wife Linda Lee Thomas in a marriage of convenience, subject fits of depression, and suffering horrific pain in the wake of a horseback riding accident which left him crippled at the peak of his career. Add to this the fact that his lyrics were often censored for film, radio, and records and it seems very odd that 1940s Hollywood would attempt a biography. What they did, of course, was fictionalize it to the max, reducing the story of his life to a mix of backstage musical and domestic drama--and transforming the tiny and waspish Porter and his icy bride Linda into handsome Cary Grant and lovely Alexis Smith. The result is pure nonsense, of course, but when you tack in a host of Porter classics--fantasy it might be, but it is entertaining enough to watch.
Grant is no singer, but he has considerable charm, and Smith is as always extremely attractive. The supporting cast is remarkably strong, featuring the likes of Jane Wyman, Eve Arden, Dorothy Malone, and Alan Hale--and rare screen appearances by Monty Woolley and Mary Martin, who deliver knockout performances of "Miss Otis Regrets" and "My Heart Belongs To Daddy" respectively. The DVD transfer is reasonable, and although the bonuses are pure fluff they are amusing. While it may be short on fact with a story little more than pure melodrama, the music and performers make NIGHT AND DAY a reasonably pleasant way to spend a rainy afternoon.
Gary F. Taylor, GFT, Amazon Reviewer
Grant is no singer, but he has considerable charm, and Smith is as always extremely attractive. The supporting cast is remarkably strong, featuring the likes of Jane Wyman, Eve Arden, Dorothy Malone, and Alan Hale--and rare screen appearances by Monty Woolley and Mary Martin, who deliver knockout performances of "Miss Otis Regrets" and "My Heart Belongs To Daddy" respectively. The DVD transfer is reasonable, and although the bonuses are pure fluff they are amusing. While it may be short on fact with a story little more than pure melodrama, the music and performers make NIGHT AND DAY a reasonably pleasant way to spend a rainy afternoon.
Gary F. Taylor, GFT, Amazon Reviewer
If you want a biography of Cole Porter you better go to the library, you won't find it here. This is a highly entertaining but strictly fictional version of his life--played by no less than Cary Grant, in his usual debonair style, perhaps just a shade understated so as to appear more like Porter. Whatever, he's still Cary Grant (playing himself in a minor key) and since the music is what makes this film tick, you'll forgive whatever liberties the scriptwriters have taken. It all looks wonderful in glowing technicolor.
Alexis Smith never was able to make a warm presence on the screen despite her talent and striking good looks. She seems even more remote here as the woman Porter woos and marries. Monty Woolley has a fine time playing himself. The musical moments are handled nicely by some talented people: Ginny Simms, Eve Arden, Jane Wyman and Mary Martin doing her "My Heart Belongs to Daddy" routine. All of the Porter standards are nicely done.
Interesting tidbit: Was Oscar nominated for "Best Scoring of a Musical" but lost to "The Jolson Story".
Relaxing entertainment. Just don't expect a truthful bio.
Alexis Smith never was able to make a warm presence on the screen despite her talent and striking good looks. She seems even more remote here as the woman Porter woos and marries. Monty Woolley has a fine time playing himself. The musical moments are handled nicely by some talented people: Ginny Simms, Eve Arden, Jane Wyman and Mary Martin doing her "My Heart Belongs to Daddy" routine. All of the Porter standards are nicely done.
Interesting tidbit: Was Oscar nominated for "Best Scoring of a Musical" but lost to "The Jolson Story".
Relaxing entertainment. Just don't expect a truthful bio.
Lo sapevi?
- QuizAfter attending the premiere of the film, Cole Porter supposedly remarked to his wife, Linda, "if I could survive that, I can survive anything."
- BlooperWhen in England, there are street performers singing "Rosalie". The accordion player's hands never press the keys; in fact, his right hand is static throughout the whole scene.
- Citazioni
Monty Woolley: Haven't you ever wanted to be alone?
Gracie Harris: Yes, but with somebody.
- ConnessioniEdited from Don't Fence Me In (1945)
- Colonne sonoreNight and Day
(1932) (uncredited)
Written by Cole Porter
Played during the opening credits and often in the score
Sung by Bill Days
Reprised by passengers on a train
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Dettagli
Botteghino
- Budget
- 4.445.000 USD (previsto)
- Tempo di esecuzione2 ore 8 minuti
- Proporzioni
- 1.37 : 1
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By what name was Notte e dì (1946) officially released in India in English?
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