The Girl Who Dared

A group of people are invited to a party at a creepy mansion where legend has it a ghost appears once a year. The trouble is that this group doesn't know who invited them and sure enough it doesn't take long before one by one they start dropping dead.

A typical "group invited to a an isolated mansion and dying one by one" b-picture but for its short running time it's quite enjoyable and effective in enough in what it wants to achieve. Interesting bits are a pirate ship that crashed a hundred years earlier with its the ghost haunting the area and an odd bit about radiation and its impact if anyone comes in contact with it. Similar appearances of the group can be confusing, but it's a decent and competently made B film. There's some fine atmosphere and spooky scenes. If you're a sucker for a dark house picture, like myself, then this is worth checking out. The title is a bit odd, though. Which girl dared?

"Beau" (John Hamilton) and "Chattie" (Vivien Oakland) invite a rather eclectic mix of folks to join them for a party at their remote island home. Or do they? The arrival of their guests proves quite bemusing as they didn't actually ask anyone! Who has lured these people here and why? Well body number one arrives shortly afterwards (then disappears) and as others soon start to mount up, we have a mystery that it falls to mechanic "Blair" (Peter Cookson) and the suspicious "Ann" (Lorna Gray) to try and solve before they, too, go the way of the dodo at the hands of the famed ghost of this ramshackle pile. It's not very often we see a geiger counter feature in a murder mystery, but armed with it's glowing light and a bit of light-heartedness, we race through an hour amiably. Nobody will take any acting or writing plaudits from this, but as a standard Saturday afternoon feature, it does fine and probably have inspired countless editions of "Scooby Do"!

An assortment of relatives come to visit John Hamilton at his isolated house on an island, connected to the mainland by a causeway. The local legend is that a hundred years earlier a pirate ship had sunk there -- the remains can still be seen offshore -- and one night a year, this night, the ghost of the pirate captain can be seen from the shore. Then one of the houseguests is killed and the movie shifts gears.

It starts off as a lighthearted old-dark-house/mystery/comedy from Republic under the direction of Howard Bretherton, the studio's reliable jack-of-all-genres, and the B-list acting talent available for the studio's non-western programmers are up making the most of their roles and the spooky camerawork of Bud Thackery. It maintains its interest right to the end, although the mystery aspect of the movie is lazily handled; still, that fits right in with its multi-genre script, and more in keeping with its sense of being a mood piece, rather than a serious effort.

"You can't convict a man of murder if you can't find the body"--from the film...and certainly NOT true!

In the 1930s and 40s, Hollywood made a ton of scary old house movies. They always involved some folks getting stuck in some home as a maniac slowly begins picking them off...one by one. "The Girl Who Dared" is one of these films...but it's also a bit better.

In this film, a group of people are invited to a mansion...but when they arrive the homeowner says he didn't invite them. Soon, a body turns up...and then another. And, naturally, the phones have been cut and their cars vandalized so they cannot escape!

The reason I liked this one is the ending...it was a clever way to catch the killer and their motivation was interesting. A decent time-passer.

"The Girl Who Dared" sounds more like a Western adventure instead of a B old-dark-house mystery, but the latter is what it is. This fast (under an hour), breezy film is something of a variation of "And Then There Were None," and actually beat the film version of the Agatha Christie novel to the screens by a year! It leaves no convention unexplored and no cliché unplumbed, and the identity of the killer is more random than motive-inspired. But it is competently done, with some interesting camera work for such a cheapie, and a couple decent plot twists. The trapping of the killer is unique, too. The cast performs competently, and some of the actors play against their usual types, particularly Roy Barcroft, normally a Western and Serial heavy who here plays the hotheaded, jealous ex-husband of one of the key characters, and Kirk "Superman" Alyn, as the equally hot-headed brother of the "Girl" of the title. John "Perry White" Hamilton also enjoys a larger and different kind of role than he was normally given. If only the filmmakers had been so generous with Willie Best, who once again shuffles around as a pop-eyed, comic relief servant who is afraid of his own shadow. All in all, it's worth an hour of a movie buff's time.