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Vecchia San Francisco

Titolo originale: Hello Frisco, Hello
  • 1943
  • Approved
  • 1h 39min
VALUTAZIONE IMDb
6,5/10
598
LA TUA VALUTAZIONE
Alice Faye, June Havoc, Jack Oakie, and John Payne in Vecchia San Francisco (1943)
Musicale

Aggiungi una trama nella tua linguaIn turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress... Leggi tuttoIn turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress.In turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress.

  • Regia
    • H. Bruce Humberstone
  • Sceneggiatura
    • Robert Ellis
    • Helen Logan
    • Richard Macaulay
  • Star
    • Alice Faye
    • John Payne
    • Jack Oakie
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    598
    LA TUA VALUTAZIONE
    • Regia
      • H. Bruce Humberstone
    • Sceneggiatura
      • Robert Ellis
      • Helen Logan
      • Richard Macaulay
    • Star
      • Alice Faye
      • John Payne
      • Jack Oakie
    • 25Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 3 vittorie e 1 candidatura in totale

    Foto21

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    Interpreti principali50

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    Alice Faye
    Alice Faye
    • Trudy Evans
    John Payne
    John Payne
    • Johnny Cornell
    Jack Oakie
    Jack Oakie
    • Dan Daley
    Lynn Bari
    Lynn Bari
    • Bernice Croft
    Laird Cregar
    Laird Cregar
    • Sam Weaver
    June Havoc
    June Havoc
    • Beulah Clancy
    Ward Bond
    Ward Bond
    • Sharkey
    Aubrey Mather
    Aubrey Mather
    • Douglas Dawson
    John Archer
    John Archer
    • Ned Clark
    Frank Orth
    Frank Orth
    • Lou, Bartender at Sharkey's
    George Lloyd
    George Lloyd
    • Foghorn Ryan - Proprietor
    Frank Darien
    Frank Darien
    • Missionary
    Harry Hayden
    • Burkham
    Eddie Dunn
    Eddie Dunn
    • Forman of Renovation Crew
    Charles Cane
    Charles Cane
    • O'Riley, Policeman
    Frank M. Thomas
    Frank M. Thomas
    • Auctioneer
    Kirby Grant
    Kirby Grant
    • Specialty Singer
    Mary Field
    Mary Field
    • Ellie, Cockney Maid
    • Regia
      • H. Bruce Humberstone
    • Sceneggiatura
      • Robert Ellis
      • Helen Logan
      • Richard Macaulay
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti25

    6,5598
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    Recensioni in evidenza

    Kalaman

    Alice Faye and John Payne shine in a gloriously tuneful Fox musical shot in breathtaking Technicolor

    Of all Alice Faye's 20th Century-Fox musicals, "Hello Frisco, Hello" is probably my favorite. It is certainly the one that deserves to be called enchanting. The only other memorable Faye musicals that come to mind are "On the Avenue"(1937), "Alexander's Ragtime Band"(1938), "That Night in Rio"(1941) and "Wake Up and Live"(1937). "Hello Frisco" is a feast for the eyes and ears, breathtakingly photographed in Technicolor. The colors, the period costumes, and director Bruce Humberstone's nostalgic evocation of San Francisco's Barbary Coast at the turn of the century - are sublime. It also abounds in one gloriously tuneful song or dance number after another. There are lots to choose from including "Strike Up the Band," "Has Anybody Here Seen Kelly?" and "Ragtime Country Joe", but Faye's memorable rendition of "You'll Never Know" is the best of them all. IT works as a perfect combination of Faye's sweet vulnerability and honesty. Faye's co-star John Payne is equally marvellous as Johnny Cornell. Contrary to a previous reviewer's remarks about Payne's stiffness, I didn't find him really that stiff. A bit stoic, maybe, but his Johnny Cornell is in perfect harmony with Faye's sweet Trudy Evans. And I can't imagine anyone else playing that role or doing a better job.

    In all, a Glorious delight.
    9sryder-1

    Expect entertainment only

    Unlike many musicals from Warners and MGM, the scenes of stage performance in those from 20th Century Fox look as though they could actually be performed on a stage, with straight front shooting, and relatively little camera movement, except for close-ups. This approach works, if you have actors who can draw you in simply by their talent, Talent is abundant here, and the musical numbers are believably staged. Fortunately, there are many of these: enough to carry the hackneyed plot. After more than twelve years in films, Jack Oakie could still do comic dance and joke routines far superior to those of most; and is helped wonderfully by June Havoc, who should have received one of the co-star billings in the titles, instead of being listed second in the supporting cast. John Payne was the studio's dependable leading man, in both musicals and light drama. The beautiful Lynn Bari, who never broke through to star status, shines in the thankless role of the selfish society girl.

    But Alice Faye is at her best in her last major musical for Fox. It's easy to see why Archie Bunker occasionally referred to her as his feminine ideal. She is gorgeous in Technicolor close-ups. Here, as in other films she wears period costumes more convincingly than most other actresses, who seem to be dressing up for a costume party. Her voice was unique, and her delivery understated; unlike many of her contemporaries, she can still be heard on CDs. I didn't count, but she must have sung ten or more numbers, alone or with Payne. Oakie and Havoc, including an opening and closing rendition of her signature "You'll Never Know". In a years later TV interview, she commented that toward the end of her Fox career she was being replaced by Betty Grable, whose more overt sex appeal made her famous during the war years, but whose career as a top attraction did not last as many years as Faye's (about ten) What impressed me was that she made that comment without any tone of bitterness. Incidentally, this is not a criticism of Grable, who had a winning, self-deprecating personality in later years. In another TV interview, when she was asked how she became a star, she responded: I could sing a little, dance a little, and act a little, but I had great-looking legs. I can't help comparing these two ladies, both of whom had long-lasting show business marriages, and both of whom seemed to be nice persons, with some contemporary "stars".
    10wwilliams-6

    A Technicolorful musical triumph, not to be missed !

    One of the best musicals ever to come out of Fox and one of the top Alice Faye showcases. Never mind the plot, just set back and enjoy the sultry velvety voice of the most beautiful Alice Faye, the finest song stylist ever to come out of Hollywood .

    This beautiful film introduced the Academy Award winning song-"You'll Never Know" which Faye sings three times in the picture. This haunting song was reprised the following year by her in the wartime musical "Four Jills in a Jeep". It has been recorded countless times, however no one sings it like Faye. She pulls the heart strings in a professional fashion.

    If you are not familiar with Alice Faye, do yourself a favor and discover why she was the Number #1 Box-Office star over Bette Davis in the early 1940's. I highly recommend this lavish musical entertainment.
    8eddie-83

    Hello, Alice

    Totally delightful Fox musical in glowing Technicolor with many lavishly staged songs. (My particular favorite is `Ragtime Cowboy Joe') The only new tune is an Oscar-winner - `You'll Never Know' sincerely rendered by Alice Faye. On the dancing side there's a sneak-preview of `Starlight Express' with a number on roller skates proving that there's nothing new under the sun.

    It is easy to see why Alice was such a bright star for so long; she has looks, charm and a beautiful deep singing voice. On the other hand I've never really warmed to John Payne, I find him very stiff and he does nothing to change my opinion here. Laird Cregar overacts outrageously to great effect cast against his usual menacing or sinister type.

    `Hello, Frisco, Hello' is actually a reworking of 1935's `King of Burlesque' which also featured Jack Oakie and Alice Faye. What the film is not is any sort of feminist tract. We are expected to believe that Alice's character, beautiful and talented enough to conquer London's West End Musical Mecca, is incomplete without the love of Payne's Barbary Coast promoter, a cad who has previously dropped her callously to marry a socialite for her status in the community.

    However, nuances of character are hardly the thing in these Hollywood musicals and I can assure you that `Hello, Frisco, Hello' is a total treat.
    7dwpollar

    Toe-tapping, hit playing musical...

    1st watched 11/24/2001 - 7 out of 10(Dir-H. Bruce Humberstone): Toe-tapping, hit playing musical that doesn't have a plot line much different than many of this dancing/singing genre but it is played out so well by the stars involved that it keeps you interested. The songs have romance, humor, and hit quality chorus's that made me want to have the music itself(if it's available). This is supposed to have been the most popular war-time film and I can understand why although because a lot of people weren't going to the movies back then it's been relatively forgotten. I'm glad I was able to see this and it made me hunger for more of this type. Watch it if you can find it, it won't disappoint you.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      "I've Gotta Have You" (music by Harry Warren, lyrics by Mack Gordon), sung by June Havoc, was deleted from the movie. Miss Havoc's pre-recording was released 1976 on the Out Take Records LP (which later would be reissued by DRG), "Cut! Out Takes From Hollywood's Greatest Musicals, Volume One."
    • Blooper
      The billboard on the opera house advertises the opera "Hansen and Gretel" instead of "Hansel and Gretel."
    • Connessioni
      Featured in Alice non abita più qui (1974)
    • Colonne sonore
      Hello, Frisco!
      (uncredited)

      Music by Louis A. Hirsch

      Lyrics by Gene Buck

      Sung by a chorus during the opening credits

      Performed by Jack Oakie, Alice Faye, John Payne and June Havoc

      Played often throughout the picture

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    Dettagli

    Modifica
    • Data di uscita
      • 26 marzo 1943 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Hello Frisco, Hello
    • Luoghi delle riprese
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Twentieth Century Fox
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Lordo Stati Uniti e Canada
      • 3.400.000 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 39min(99 min)
    • Proporzioni
      • 1.33 : 1

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