Sacrificio supremo

Dismissed by the late David Shipman as 'idiotic' and given short shrift by the eminent female critic C. A. Lejeune, 'First Comes Courage' is familiar today largely as the final title in Dorothy Arzner's filmography. Seemingly marking a striking departure with the romantic dramas she was associated with during the twenties & thirties since it comprises one of the fast-growing genre of dramas depicting the resistance in Europe, it's not quite the radical break with her earlier work it might initially seem since Arzner subsequently made training films for the Womens Army Corps before leaving Hollywood for good.

Those studying this film for evidence of female empowerment will be gratified to notice that it was edited like many of her previous films by a woman, while Merle Oberon's dismissal of Nazis as "All of you are weak, cowardly, little people!" evokes the scene where Maureen O'Hara turns on the men in her audience in 'Dance, Girl, Dance'. An interesting subtext is further provided by the presence of Isobel Elsom as a doctor also shown as connected to the resistance; while the disapproving looks Oberon receives from other Norwegian women eloquently demonstrates what the locals thought of horizontal collaboration.

Every bit as good as "Commandos Strike At Dawn" and WWII films made while the war was still going on tend to a very good watch. Merle was very "cool" as she would be described these days, and very elegant.

I know someone who is half Norwegian with his father having travelled to Scotland on the "Shetland Bus" which was fishing boats, at great risk to the crew, that transported Allied personnel from Norway to Shetland, and the other way of course. Norway did a lot to fight the Germans even after occupation unlike that country famous for the capital having a large steel tower in the middle of it.

Highly recommended to watch.

Dorothy Arzner's last directorial effort is replete with her usual feminist slant on things as Merle Oberon -- playing a Norwegian -- is caught between romantic Nazi officer Carl Esmond, who wants to marry her and British spy Brian Aherne who loves her, which is all a great inconvenience to her winning the war for Norway. The men are busy playing with their big tanks and their large meetings -- the state marriage of Esmond and Oberon with its TRIUMPH OF THE WILL sized set decorations is very funny. The occasional battlefield shots looks to me like they are modeled on those sets of plastic soldiers that used to be advertised on the back of comic books.

Oberon, appropriately enough, seems to spend much of her time trying to keep a straight face as Esmond tries to romance her into marriage. It fits neatly into the sort of movie that Arzner used to direct Ruth Chatterton in in the early 1930s, but here, deprived of her favorite screenwriter, Zoe Akins, and forced into the confines of wartime propaganda, she still manages to get in the occasional sly dig.

There were several "Norwegian fishing village" movies made in the thick of WWII, to show American audiences why we needed to help the world and inspire us to be as courageous as the peasants in the movies. First Comes Courage is one such movie, and while I appreciated Merle Oberon's performance, it's not my favorite of the subgenre.

Merle fans will love her in this, playing a strong secret spy who has to withstand the entire town turning against her. She's pretending to be the faithful mistress of Carl Esmond, one of the top Nazi officers occupying the town, but secretly she's working with the underground resistance and passing along pillow talk secrets. There are some very tense situations where her cover threatens to be exposed, but she's got one strong backbone!

Where does Brian Aherne come in? He also works for the resistance, and he comes to town on a special mission. Will he mind that Merle's been cozying up to Carl, or will he realize it's all in the line of duty? If you've never seen one of these movies before, you'll probably really like it. I've seen Edge of Darkness, however, and have been spoiled by the best!

Merle Oberon ("Nicole") is quite effective in this tale of the Norwegian resistance to the occupying Nazis. She earns the disdain of her fellow countrymen by fraternising with "Maj. Dichter" (Carl Esmond) but is really milking him for information which she has passed on to the British. When a few commandos are parachuted in - including "Lowell" (Brian Aherne), the true love of "Nicole" - things really start to heat up and just about everybody's life is on the line. "Dichter" is also now really starting to smell rat very close to home. It's a good, solid adventure story this with plenty of stirring music from Ernest Tock that builds to quite a fitting, exciting and touching denouement. The sentiment of courage and bravery is well delivered. The strength of character from this young woman determined to do her bit for her nation, regardless of the risk to herself, is well captured by Dorothy Arzner here. There is plenty going on for 90 minutes and it is well worth watching.