7 ragazze innamorate

"Seven Sweethearts" is about a journalist who travels to Holland, Michigan to do a story about tulip time there and falls in love. The owner of the hotel has seven young, lovely daughters, all with men's names, who live in an isolated little world of clogs and tulips. One of them is pretty Billie (Kathryn Grayson) with whom the jaded reporter falls in love. All the girls, with the exception of the ambitious, cold Reggie (Marsha Hunt) have boyfriends and are aching to get married. But tradition states that the oldest girl must marry first.

This movie seemed very long to me, strange, and somewhat boring. It's filled with B actors, with the exception of Heflin, Grayson, and character actor S.K. Sakall, who hands in one of the best acting scenes toward the end of the film when he has a confrontation with Billie. Grayson had a thin, fluttery coloratura soprano that nevertheless possessed some beautiful high notes and pianissimos, and she entertains throughout with songs and arias such as "Je suis Titania." She's good in her role. Heflin seems out of place but is quite likable.

For those who don't know, the oldest girl marrying first was and perhaps still is a tradition in many cultures. The ending is cute, but this is still a cloying film, and it's hard to believe that this family had no relatives in Holland that they were concerned about during wartime. I suppose the idea was to take everyone out of the war for a while.

If I called 'Seven Sweethearts' not a bad little film I would be damning it with faint praise and that is not my intention. It is a nice film. It is slow and enjoyable, a pleasant fantasy for wartime with a happy ending for everyone. On the other hand: Kathryn Grayson is no Deanna Durbin, not by a long chalk. Her soprano is too thin for my taste; I could have done with less of her singing. Van Heflin tries too hard to be the tough newspaper man; as a result he comes across as distinctly unlikeable. Then again, S. Z. Sakall gives a convincing anxious father. On balance, there are more up- than downsides to this film - but only just.

Van Heflin is a roving photographer and story writer for a New York paper. He writes color pieces. He thinks he has found a suitable subject in New Delft in Michigan, where Dutch traditions survive. They are strongest in the eccentric hotel run by widowed S. Z. Sakall and his seven daughters, all of whom have boys' names. Heflin is initially annoyed by all the color, but soon falls in love with youngest daughter Kathryn Grayson. But an MGM feature needs some complications.

It's Joe Pasternak's first production for Metro, and it's his standard collection of schmaltz and sentiment under the direction of Frank Borzage -- who was getting tired of the tight rein on directors at the company. Pasternak clearly saw in Miss Grayson a chance to offer some competition to the Deanna Durbin machine he had been in charge of at Universal, and Miss Grayson gets a variety of songs to sing that show off her operatic voice. Cinematographer is in charge of lighting her, and does his usual impeccable job. It's good to see Heflin get a sympathetic lead for a change, and the usual MGM gloss is applied to a cast that includes Marsha Hunt, Cecillia Parker, Peggy Moran, Isobel Elsom, Donald Meek, and Louise Beavers. The highlight is the ensemble dance number in costume choreographed by Ernst Matray.

I just saw this movie a few days ago on TCM (Turner Classic Movies), and I was not disappointed. I wasn't expecting much so I was pleasantly surprised to come away from this film with a smile on my face. The acting was even good for the type of film it was, I have not been the biggest Van Heflin fan but he is actually very likeable in this film, so much so that I think I may be a fan of his now. ;-)

The stand-out performances came from Heflin, Hunt, and Sakall but Grayson was very cute, although I am not a fan of her singing it wasn't THAT bad this time. Although still a little too high and chirpy sounding for me.

I must praise Marsha Hunt though, she seems to be good in every film she's in, even when the role doesn't call for her to do much of anything. In this role she really gets to show a comedic side that I've never seen from her before, and it gave me even more respect for her. It's such a pity she didn't become a bigger star cause she had the beauty and the talent for it.

I recommend this film if you're in the mood for some light entertainment, Toots. ;-)

Reporter Van Heflin travels to a small town to write about their annual tulip festival, but as soon as he gets there, he's greeted with nothing but strangeness from the town's residents. First, the head honcho, S.Z. Sakall, sits in the middle of the square and plays the oboe, the local hotel is full of colorful characters, and S.Z's seven daughters all have boys' names!

Since all seven daughters are beautiful, Van has a difficult choice on his hands. The oldest, Marsha Hunt, and the youngest, Kathryn Grayson, are the highest contenders for his affections, and it isn't long before the audience finds out the reason for Marsha's heavy come-on. According to tradition, the oldest daughter has to get married before any of the others can-and S.Z.'s very old fashioned!

Most people probably aren't going to choose to sit down and watch this obscure old movie, but for the few of you out there who remember Kathryn Grayson and love listening to her beautiful voice, she's given plenty of songs to show it off. Her beautiful coloratura soprano voice shines, but if you don't like opera singing, this movie will probably drive you up the wall.

I'm the first to admit I don't usually like Van Heflin, and I usually get him confused with Van Johnson and Arthur Kennedy, but in this movie he's actually a lot more likable than he usually is! I've never seen him in a romantic comedy before, and when he smiles and jokes around, he doesn't seem as grumpy as he normally does. Kathryn is also very sweet and likable, so once again, if you're looking for a film of hers to watch-she didn't make too many unfortunately-you could do a lot worse than Seven Sweethearts.

One more compliment for this light-hearted B movie: S.Z. Sakall, usually cast as a laughable foreigner, was given the opportunity to actually act in this movie, and he did a very good job. As a father terribly attached to his daughters, when he learns they're considering marrying and leaving him, he gets very hurt. If you watch this movie, you'll find out how effective his pouts can be.