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I really wanted to enjoy this movie a lot more than I did, as I am a big fan of Alan Ladd. However, apart from a couple excellent performances, the film was a big let-down and was not even close to being as good as THIS GUN FOR HIRE or THE BLUE DAHLIA--two other famous Ladd films from the same era. This isn't the fault of Ladd, who as usual did an excellent job playing a tough guy (which is interesting coming from a guy as tiny as Ladd). In addition, William Bendix had an even more impressive role in the film as a sadistic animal who revels in beating people to a pulp. The sheer pleasure he obtains hurting other people is amazing and scary to watch! Now as for the rest of the film, apart from some snappy dialog, the rest of the characters are pretty one-dimensional and unconvincing. The bottom line is that this film had many of the elements of good Film Noir except for a decent script. The movie was often confusing and the ultimate solution to the mystery seemed to come from no where! In fact, it was as if they'd written and written and decided to just tack on an ending generated by a coin flip and call it a day! In the end, this is a watchable but horribly flawed film. You can certainly do better with other Noir or Ladd pictures.

"The Glass Key" has all the elements expected in a film noir - it has an intricate crime-based plot, a fast pace, and an assortment of interesting characters who interact with each other in unpredictable ways. It is a fairly standard example of the genre, with a few particularly good moments.

The title comes from a metaphor used by one of the characters to describe the relationships at the center of the plot. Paul Madvig (Brian Donlevy) is a corrupt political boss who decides to break with his past by joining with reform-minded candidate Ralph Henry, angering some of his former cronies and confusing loyal assistant Ed Beaumont (Alan Ladd). Madvig expresses confidence in his new future, saying that the upright Henry has "given me the key to his house", but Beaumont warns him that "it's a glass key - be careful it doesn't break off". The fragile nature of the relationships and careers of all of the main characters drives the action and suspense. And when Henry's wayward son turns up murdered, each character is plunged into dangerous situations.

Ladd and Donlevy are pretty good as the leads, although Veronica Lake, as candidate Henry's daughter and a focus of attention for both male leads, is somewhat lifeless in an important role, as her character is meant to drive much of the other action. The supporting cast is one of the strengths of the film. The fine character actor Joseph Calleia is excellent as a crooked businessman seeking revenge on Madvig, and William Bendix is very funny, although perhaps a bit over-the-top at times, as one of Calleia's goons.

"The Glass Key" will certainly be of interest to any film noir/crime film fan, and should be fast-paced enough to make it interesting to other viewers as well.

This no-holds-barred dramatisation of the Dashiell Hammett novel contains the writer's familiar elements of tough men and shrewd women, complex plotting and lots of violence. I certainly wasn't expecting to see the absolute pounding Alan Ladd takes at the hands of William Bendix and his crony - top marks to the make-up team for making his battered and bruised face so true-to-life.

To find out exactly how Ladd ends up in the position of being so viciously interrogated by these two hoodlums, you have to go back two or three plot-lines in a typically convoluted Hammett narrative. Ladd is the right hand man of his friend and mentor Brian Dunlevy who's running as governor in a corrupt unidentified American town. The story details take in political intrigue, corruption of the press, the murder of a key witness, blackmail, torture, suicide and perversion of justice, all this in under 90 minutes.

The story certainly bowls you along even if you might occasionally scratch your head as you try to piece together the plot, but like some of the best noir / gangster films of the day, the plot details effectively don't matter. With sharp dialogue, realistic fight-scenes and well-observed political intrigue, this is an ahead-of-its-time thriller which delivers a real punch.

We're made to wait a while for Ladd and Lake's first joint appearance but there's definitely something in the air. William Bendix is great as always as the bloodthirsty henchman, the tiny Lake smoulders impressively and the ever-watchable Dunlevy is effective as the win-at-all-costs politician compromised by events. The direction is fast and fairly furious, watch out in particular for Ladd's dramatic escape through a window right into a table of shocked diners.

I couldn't pretend to follow all the characters sometimes shady alliances and dubious decisions, but as a rip-roaring political movie, this key certainly opened my door.

Paul Madvig (Brian Donlevy), a crooked politician has decided to give up his corrupted past to team up with the respectable candidate Ralph Henry for the ongoing election. As an example of his new ethics, he refuses to protect the clandestine place of Nick Varna by giving a call to the Police in the presence of Nick Varna and Paul's personal hired man Ed Beaumont telling the cops to prepare a visit to this gambling place. Things get complicated when Ralph Henry's son is discovered dead by Ed Beaumont probably murdered in front of Paul Madvig's place. Taylor had a gambling problem and was in love with Paul Madvig's young sister Opal ‘Snip' Madvig. Paul is a first choice suspect, at least to the local journal but did Paul really do it? Who is he protecting? And who is writing these nasty anonymous letters?

This is truly a classic Hollywood film noir. The plot is harder to follow than in the Blue Dahlia, but this is nonetheless a high standard movie. The acting, the dialogues and the directing are all good and playful. This is one of the movies where Alan Ladd and Veronica Lake chemistry first exploded. Just have a look at the first scene when they meet: she gives Ladd sultry looks when Paul Madvig is doing all the talking. I had a hard time concentrating on the discussion at this point. You know that these two will go a long way, even when at some point in the movie, she becomes engaged to Paul and that their relationship becomes more difficult. Veronica Lake is absolutely beautiful in this movie. Her looks are very suggestive and her husky voice is the sweetest. During this movie, you will see Lake kissing Ladd, but it's only a one way kiss. I just saw this movie last night in Oak Street Cinema (Minneapolis) and the audience enjoyed it very much until the very end, and so shall everybody. A classic film noir. Highly recommended 8/10.

Alan Ladd warns Brian Dennehy about "The Glass Key" in this 1942 noir also starring Veronica Lake and William Bendix. The glass key refers to a key that breaks in a lock - Ladd here is warning his boss (Brian Donlevy) to watch out for people out to get him. Donlevy is Paul Madvig, who controls a political machine and falls in love with the daughter (Lake) of a wealthy man, Ralph Henry, trying to get the benefit of Madvig's political influence. When Henry's no-good son Taylor is killed, Madvig falls under suspicion. Ladd, as his assistant Ed, works to prove his innocence.

This film is good but hard to follow. It's also cold as ice with nothing to warm it up. Ladd and Lake were one terrific team, but one could never call them warm, especially in this. It's also very violent - you practically cry out in pain when William Bendix, playing yet another whack job, beats Ed to a pulp. When Ed gets away from him, it's by throwing himself out a window - a stunning scene.

"The Glass Key" is a cross between a hard crime drama and a noir, and you couldn't ask for a more perfect actor for the noir genre than Ladd. He gives a focused, relaxed performance, saying his lines in his usual straightforward manner. He's one actor who never had to be tall to be tough or powerful, and one forgets all about his height, especially when seeing him next to tiny, gorgeous Lake. He takes some beating in this but keeps right on going. Donlevy does a good job as a political boss, and Bendix is scary. The one bad note is Granville, as Madvig's sister. She was an energetic actress who, when the director wasn't paying attention, could go way over the top in her dramatic scenes. Evidently the director was distracted.

The film has a Hollywood ending which many people won't like. Although "The Glass Key" is confusing, it's still worth watching to see the two stars at the top of their game.