Alias Boston Blackie

Chester Morris really found a home in his role as Boston Blackie, the former jewel thief who has turned over a new leaf but still has Inspector Faraday always believing him to be the perpetrator of every crime Blackie is within ten square miles of.

Usually, the first film in a series is the best and then it is often downhill from there. I didn't care a great deal for the plot of the first Boston Blackie film, but by this third one the series had really hit its stride. This time Boston Blackie is taking a theatrical troupe to entertain the convicts on Christmas Eve. One of the girls in the troupe is the sister of a wrongly convicted man (Larry Parks) who wants nothing more than to escape and wreak revenge on the two thieves that set him up for a fifteen year stretch in the big house. Of course, when the man escapes, Faraday believes Blackie is behind it all.

There's good action, a pretty good mystery, interesting characters, and of course Chester Morris at his dapper witty best as Boston Blackie along with his faithful sidekick The Runt (George E. Stone).

The one mystery that is never solved - and maybe I just missed it - is how Boston Blackie now makes a living. He seems to have plenty of money, dresses well, and lives in a well-furnished spacious apartment, yet no mention is ever made of his current occupation. No wonder Faraday is suspicious. But I digress. Great entertainment for lovers of the fast-paced crime films of the 40's.

It's Christmas at the Boston Blackie household, which means that Blackie is trimming the tree and the Runt is telling him that Christmas trees are bad luck. Will a Christmas mystery ensue? Well, a mystery there is, but oddly little time is devoted to the season aside from that opening and then a bit at the end.

Blackie rounds up a gang of theatrical friends, including Adele Mara as Eve, and buses them out to the prison for a Christmas show for the inmates. Eve's brother Joe (Larry Parks) is an inmate who is hot for revenge on two hoods who lined him up for this prison stretch; during the show, Joe steals a costume/disguise from one of the entertainers and escapes with the troupe on their way out. It isn't long before one of said hoods turns up murdered, and our old friend Inspector Farraday seems to have Blackie dead to rights for aiding in the escape, the murder, or both.

Less comic relief than expected in this one, though the banter between Blackie and Farraday is, as always, crisp and catchy. Chester Morris and Richard Lane both look very confident in their third film in the roles.

Boston Blackie movies are fun to watch. Even as a kid, I enjoyed them because of the action, coupled with intelligent stories and good acting. Chester Morris IS Boston Blackie, and in this one he has to track down an escaped prisoner... always leading from one situation to the next. Good stuff! An 8.

When Larry Parks uses a Christmas show at the penitentiary to cover his escape, show arranger Boston Blackie (Chester Morris) needs to prove his own innocence -- and to explain how neither he nor Parks had anything do with a murder.

It's a typically fast-paced episode in the Columbia series, with the usual cast of character actors: Adele Mara as Parks' sister, George E. Stone as Blackie's assistant, Richard Lane as the police inspector, and Lloyd Corrigan, Paul Fix, and Cy Kendall rounding out the cast.

Blackie was created by Jack Boyle after he had spent time for kiting checks. A fix-up novel from the short stories was a success in 1918, and there were eleven silent films from 1918 through 1927, with performers like Lionel Barrymore, Bert Lytell and Walter Long playing the safecracker. Columbia revived the series in 1941, starring Chester Morris. In them, Blackie is a reformed crook who keeps having to help out pals and prove his own innocence. He also starred in a summer replacement radio show in 1944. There was a TV show from ZIV in the 1950s, and a graphic novel in 2002.

Alias Boston Blackie (1942)

** 1/2 (out of 4)

Third film in Columbia's Boston Blackie series has Blackie (Chester Morris) tracking down a prison escapee who escaped during one of Blackie's shows. Lew Landers (The Raven) returns to direct this entry and like the previous film in the series, this one here moves at a very fast pace but for some reason most of the comedy is left out of this film. The mystery isn't all that compelling either, although the first half of the film works the best with the second half losing some of its fire. Morris is really good here as he seems to really have the role down to ease.