The Saint in Palm Springs

Saint in Palm Springs, The (1941)

** 1/2 (out of 4)

The sixth film in RKO's series has George Sanders returning in the role of The Saint but this here would turn out to be his last in the series as he was replaced for the next two films. This time out The Saint takes a vacation to Palm Springs where he gets involved with a strange motel where some expensive stamps have been stolen from a safe. Out of the five Saint films Sanders appeared in I'd say this one here is the best but it still can't reach the height of the first film in the series. This film here runs 66-minutes and is well paced throughout and it also contains a pretty good story for us to follow. The biggest problem with the screenplay is that the ending really comes out of no where and the bad guy is picked out without too much thrill. Sanders never thought too much of this series or The Falcon series but I think he was actually pretty good here. It seems he has a lot more energy in the role but I guess this could have been due to him knowing this was his last one. Wendy Barrie is nice in her supporting role but it's Paul Guilfoyle who steals the film as the sidekick who's on probation and worried about going to prison.

After now seeing all five films, 'The Saint Strikes Back' was a decent film though had somewhat of a finding-its-feet feel, 'The Saint in London' while not perfect was an improvement, 'The Saint Takes Over' was the best of the series and 'The Saint's Double Trouble' the weakest.

'The Saint in Palm Springs' is bang in the middle when ranking all five films. Like all the films, it's not great, but like 'Takes Over' and 'London' it's good ('Strikes Back', as said, was decent, while 'Double Trouble' was disappointingly average). The pros do outweigh the cons, but 'The Saint in Palm Springs' does suffer from a lack of suspense ('Takes Over' is the darkest of the five, despite the high body count here, and adheres closest to the tougher edge when Louis Hayward was in the role).

As well as an ending that is far too confused and comes far too suddenly with little build up. The screen projection agreed is obvious at times.

On the other hand, the sets are atmospheric and the photography doesn't look hasty or low-budget. Scripting is smart and with the right balance of fun and mystery, while the music is jaunty but also atmospheric. The direction is suitably brisk, as well as a story, that although lacking in suspense, is paced in a lively way and diverting, never dull at least.

George Sanders himself, as said with my previous reviews of his Saint outings, is super-suave, sophisticated and wonderfully caddish, while also giving a charming and humorous edge and delivering some cutting lines with aplomb. Jonathan Hale is fine support, while Wendy Barrie gives one of her better performances of her three appearances in the Saint films. Paul Guilfoyle comes very close to stealing the film in an amusing performance, and Linda Hayes is charming.

In conclusion, good fun and bang in the middle of the five Saint film starring Sanders. 7/10 Bethany Cox

The sixth RKO Saint film is the last for star George Sanders before he moved over to the similar Falcon series. The plot this time involves rare stamps. So wake the kids. As a favor for Inspector Fernack, the Saint agrees to help watch over an old friend who's in possession of some rare postage stamps. Because "competent bodyguard" isn't among his many skills, the Saint fails to prevent the guy being killed. So he sets out to deliver the stamps to the dead guy's daughter in Palm Springs and hopefully catch the killer as well.

Sanders' final Saint film is a good one, filled with action and humor. There's a rear projection biking scene that's worth a chuckle and the climax of the film involves a fake eyebrow, of all things. Also making their final appearances in the series are Jonathan Hale as Inspector Fernak and Wendy Barrie as the Saint's love interest, her third role in as many films. Paul Guilfoyle returns as Pearly Gates and provides most of the movie's laughs. After this, RKO launched their own series The Falcon, also starring George Sanders. The Falcon is a pretty obvious ripoff of the Saint (minus the calling cards and whistling) made because RKO was tired of dealing with Saint creator Leslie Charteris. I have to admit I enjoy the Falcon movies more than the Saint ones, outside of the first couple.

George Sanders is really the reason you should watch this film. He is always cool, suave and sophisticated. Rarely caught by surprise. Of the five Saint films he made, this is second best(after The Saint in London). This one has sunny Palm Springs and a decent mystery. Wendy Barrie(once again) is also ok. The identity of the killers is a bit of a surprise, especially the head of the gang, but this does not take away from the fun of the film. Some of the back screen projection(in the desert scenes) is dreadful but there are enough location shots to compensate. Overall fun with a good performance by Sanders. I give it 7 stamps out of 10.

This film or possibly the Leslie Charteris book from which the Saint is derived might very well have been the inspiration over 20 years later for the film Charade. If you remember the Hitchcockian McGuffin in that film were rare postage stamps.

In what would turn out to be George Sanders last appearance as Simon Templar, the Saint is asked by his good friend Inspector Fernack played in the series by Jonathan Hale to guard an old friend on his way west with a fortune that was smuggled out of occupied Europe. And like the fortune in Charade it is contained in three priceless postage stamps.

Sanders proves too late to save Hale's friend, but the stamps are saved and he couriers them to Palm Springs to give to Wendy Barrie who is the daughter of the late friend. Of course news of this kind of loot gets out and all kinds of people are trying for them.

It must have been deja vu all over again for Sanders. In addition to Hale, two members of the cast of the previous Saint film, The Saint Takes Over return. Wendy Barrie died in the last film, but apparently the movie-going public liked her and Sanders together. So she came back as the damsel in distress whom the Saint must aid.

And Paul Guilfoyle repeats his same role as the luckless crook who is determined to go straight in this film. As in the last he's on Simon Templar's side, but his help is somewhat dubious.

The Saint In Palm Springs is a nice entry in the Saint series and a good one for Sanders to go out on.