Lavori in corso

This is probably the only movie that makes me cry of laughing each time I see it and I have seen it hundreds of times! Laurel & Hardy are really getting it on in this one.The way that Hardy gets "tortured" is unbelievable but never over the top.Just watch the scene when Laurel slams the door against Hardy after which Hardy slams the door back and gets a huge bucket on his head and then again the door,hilarious! Of course there is also the usual "in the camera looking" by Hardy(the scene with the sigar!).Busy Bodies is for me their best short feature and equals their long masterpiece Way Out West (10/10). Laurel & Hardy are truely the Kings of slapstick comedy,if you haven't seen this one you haven't lived! 10/10

Some Laurel & Hardy buffs prefer their domestic comedies, the ones where Stan & Ollie have wives and usually try to deceive them in some way-- with scant success, of course --but for hardcore fans there's nothing like watching the boys take on a construction project. Give them a basic task such as building a house, fixing a boat, or putting a radio antenna on the roof, a task requiring a certain amount of physical dexterity and skill, and you're in for twenty minutes of pure slapstick performed by experts. Busy Bodies is a two-reel masterpiece of this comic style, happily unencumbered with any unnecessary plot complications, largely because there's no plot. There's hardly any dialog, either. Stan Laurel doesn't speak at all until the halfway point, and utters only a few carefully chosen words even then. This film seems to have been an attempt to translate the team's silent comedy style into a talkie format, enhanced with cleverly chosen sound effects and the delightful background music of Le Roy Shield. I've always loved the opening gag, as the boys drive to work enjoying a familiar Shield melody ("Smile When the Raindrops Fall") in their car. When the song ends they pull over, then Stan gets out and opens the hood, revealing a phonograph with a record that's reached the end of a side. Stan pulls out another record from their collection, carefully wipes it off with his hand, puts it on and drops the needle. The jaunty tune resumes, and they drive on. Long before the days of tape decks or i-Pods, the boys found a way to supply their own cheery soundtrack music!

Once the guys arrive at the sawmill where they work, however, the mood changes. They must deal with co-workers, and, worse, with their assigned tasks. Viewers expecting an actual story to develop (or hoping a young romantic couple will step in and sing a few songs) will wait in vain, for the rest of the movie consists entirely of Stan & Ollie's increasing messy, heroic, yet ultimately futile attempt to put in a day's work. Stan is apparently supposed to plane some lumber while Ollie adjusts a window frame, but nothing constructive is accomplished. Distractions abound. Props at hand include saws, hammers, nails, two-by-fours, blue-prints for Boulder Dam, and Ollie's severed necktie. A conflict develops with a co-worker (the invaluable Charlie Hall), and then further conflict erupts between Stan & Ollie themselves. A paintbrush is forcibly glued to Ollie's chin, and must be removed. Finally Ollie loses his temper and yanks the entire sink out of the wall. It slams into him and flings him backward. Consequently he is sucked into the building's disposal chute, hurled through its maze-like passageways, and violently ejected from the building in a kind of frenzied re-birthing experience, also receiving a brisk spanking along the way. But the movie's not quite over yet: after all this the boys lose their jobs, and must depart. The memorable closing gag employs a lethal-looking band-saw to impressive effect.

The climax of Busy Bodies was excerpted for one of the Laurel & Hardy compilation films that came out in the 1960s, thus when I was a kid I was lucky enough to see the finale of this film on a big screen in a theater, where it was enjoyed by a loudly appreciative audience. I'll never forget the laughs that greeted Ollie's wild ride through the disposal chute. In the '70s I acquired a Blackhawk print of the film and still run it now and then, and it still makes me laugh. Laurel & Hardy never received the same degree of respect from critics and film scholars that some of their peers were granted, but for my money they were as great as any of the comedians of their era. And considering the competition, that's saying something.

This is one I remember from childhood, and while the passing of a few decades means Laurel and Hardy's antics might no longer be absorbed with the unquestioning adoration and unbridled willingness to laugh at anything and everything they do, it's still easy to forgive them for the occasional lapse of quality. The boys knew what their audience liked and wanted and they delivered it over and over again: the same facial expressions, the same reactions, the same phrases. What sets them apart from other comedy teams whose collection of prepared reactions and responses haven't stood the test of time is the inventiveness they managed to maintain for most of the 1930s.

The boys are employed by a saw mill in this one, and at the beginning of the film all is well with the world. Of course, this being a Laurel & Hardy film, such a state of affairs isn't allowed to last and it isn't long before they're trading punches with workmates and Ollie has a paint brush glued to his chin. Stan barely utters a word for the first five minutes which is, perhaps, an indication of how this film could easily have been made without sound. All the gags are visual (apart from the unique car radio).

'Busy Bodies' is one of my favorite Laurel & Hardy shorts. In this one they work at a sawmill and you can imagine what can go wrong in a place like that.

With some great and very funny scenes, one with A closed window and another one that reminded me of Chaplin's 'Modern Times' (this movie was earlier), make this a great Laurel & Hardy short.

It's amazing how many times Laurel and Hardy's best comedy short involve rather mundane scripts where the action is mostly confined to one setting. Instead of feeling claustrophobic, films such as this one and BIG BUSINESS are wonderful throughout and brilliant in their simplicity.

Stan and Ollie are on their way to work and they talk about how much they love their new job as carpenters. It seems they are working at some sort of combination lumber yard and carpentry shop--which is really hard to imagine as this job would take both talent and brains--something the boys are sorely lacking! At first, the predicaments they get into are pretty mundane--such as Ollie getting his hands stuck in a window frame or getting a paint brush glued to his chin. However, as the film continues, the outlandish gags get bigger and crazier and the film ends with several of the most memorable stunts I have ever seen. However, so as not to spoil the film, I think it's best just to let you see it yourself.

See this film. It's highly original (even though Stan and Ollie did several shorts where they are fixing or building things, this one is certainly unique) and amusing throughout--a truly standout film.