VALUTAZIONE IMDb
7,5/10
4789
LA TUA VALUTAZIONE
Ollio ritrova il suo vecchio amico Stanlio vent'anni dopo la fine della prima guerra mondiale, e lo invita a cenare a casa.Ollio ritrova il suo vecchio amico Stanlio vent'anni dopo la fine della prima guerra mondiale, e lo invita a cenare a casa.Ollio ritrova il suo vecchio amico Stanlio vent'anni dopo la fine della prima guerra mondiale, e lo invita a cenare a casa.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 1 candidatura in totale
Zeffie Tilbury
- Dowager Seated Near Stairs
- (scene tagliate)
Harry Anderson
- Doorman
- (non citato nei titoli originali)
Walter Bacon
- Pedestrian
- (non citato nei titoli originali)
Mike Behegan
- Bugler
- (non citato nei titoli originali)
Billy Bletcher
- Midget
- (voce)
- (non citato nei titoli originali)
William A. Boardway
- Tenant
- (non citato nei titoli originali)
Tommy Bond
- Neighbor's Son
- (non citato nei titoli originali)
Chet Brandenburg
- Pedestrian
- (non citato nei titoli originali)
Ed Brandenburg
- Pedestrian
- (non citato nei titoli originali)
Russell Custer
- Pedestrian
- (non citato nei titoli originali)
Tex Driscoll
- Bearded Veteran
- (non citato nei titoli originali)
Olin Francis
- Apartment House Tenant in 910
- (non citato nei titoli originali)
Recensioni in evidenza
BLOCK-HEADS is set up with an idea which must have seemed totally ridiculous in 1938 but when you stop to consider that Japanese soldiers were being found on remote Pacific islands 30 years after the second world war ended the idea stops being ridiculous and becomes shockingly prophetic
This is possibly the last of the great L&H movies ( FLYING DUECES being the only other contender ) , after this the comedy duo started appearing in studio features that didn't seem to show much respect to their genius , made them slightly off centre and stretched stories out for almost 90 minutes when a 60 page script would have worked much better
This means that BLOCK-HEADS suffers from the mild irritation of so many other Stan and Ollie star vehicles - It's rather episodic . But seeing as it's so funny what have we got to complain about ? Listen out for Stan's tagline " Is there gonna be a fight ? " which is repeated several times and the surreal sequence of closing the blinds on the stairway . Strange when people discuss the films of these two comedy gods they always think of slapstick but forget they were also masters of surrealist visualism too . The funniest moment is probably the final scene in Ollie's apartment involving the married couple from next door
I still think THE LAUREL AND MURDER HARDY CASE is the best of their vehicles but BLOCK-HEADS deserves its own mention as being one of the very last superb Stan and Ollie comedies
This is possibly the last of the great L&H movies ( FLYING DUECES being the only other contender ) , after this the comedy duo started appearing in studio features that didn't seem to show much respect to their genius , made them slightly off centre and stretched stories out for almost 90 minutes when a 60 page script would have worked much better
This means that BLOCK-HEADS suffers from the mild irritation of so many other Stan and Ollie star vehicles - It's rather episodic . But seeing as it's so funny what have we got to complain about ? Listen out for Stan's tagline " Is there gonna be a fight ? " which is repeated several times and the surreal sequence of closing the blinds on the stairway . Strange when people discuss the films of these two comedy gods they always think of slapstick but forget they were also masters of surrealist visualism too . The funniest moment is probably the final scene in Ollie's apartment involving the married couple from next door
I still think THE LAUREL AND MURDER HARDY CASE is the best of their vehicles but BLOCK-HEADS deserves its own mention as being one of the very last superb Stan and Ollie comedies
***1/2 out of ****
One of Laurel and Hardy's funniest comedies. It begins in 1918 during WWI, where Stan and Ollie are in the trenches with their army mates and the whole entourage goes over the wall to do battle, leaving Stanley with orders to remain alone in the trench and guard the fort. The next thing you know, twenty years go by and it's 1938, but nobody has told poor Stan the war's ended, so he's still marching back and forth in the same old trench! Eventually, Stan gets rescued and is taken to an Old Soldier's Home where he is visited by his old pal Ollie. Ollie decides to bring him home to his place to meet the wife and have a nice home cooked meal with a nice juicy steak, topped off with a delicious seven layer chocolate cake, with typical mishaps along the way! BLOCK-HEADS is a fast-moving joy that clocks in at under an hour's running time. The laughs are pretty steadily spread throughout, and there are a lot of them. My favorite scenes occur mostly during the first three quarters of the film, especially at the Soldier's Home where Ollie reunites with Stan, who just happens to be reading a newspaper while sitting in a wheelchair with one leg tucked under -- Ollie thinks Stan lost his leg in the war and proceeds to carry him in his arms around the grounds! Hilarious!! The end of the film loses just a touch of steam, which is the only reason I hesitantly pause in giving this a full four stars. But all fans of Laurel and Hardy must seek this Comedy out, and new first-timers would do well to use this movie (and SONS OF THE DESERT) as their introduction to Stan and Ollie. ***1/2 out of ****
One of Laurel and Hardy's funniest comedies. It begins in 1918 during WWI, where Stan and Ollie are in the trenches with their army mates and the whole entourage goes over the wall to do battle, leaving Stanley with orders to remain alone in the trench and guard the fort. The next thing you know, twenty years go by and it's 1938, but nobody has told poor Stan the war's ended, so he's still marching back and forth in the same old trench! Eventually, Stan gets rescued and is taken to an Old Soldier's Home where he is visited by his old pal Ollie. Ollie decides to bring him home to his place to meet the wife and have a nice home cooked meal with a nice juicy steak, topped off with a delicious seven layer chocolate cake, with typical mishaps along the way! BLOCK-HEADS is a fast-moving joy that clocks in at under an hour's running time. The laughs are pretty steadily spread throughout, and there are a lot of them. My favorite scenes occur mostly during the first three quarters of the film, especially at the Soldier's Home where Ollie reunites with Stan, who just happens to be reading a newspaper while sitting in a wheelchair with one leg tucked under -- Ollie thinks Stan lost his leg in the war and proceeds to carry him in his arms around the grounds! Hilarious!! The end of the film loses just a touch of steam, which is the only reason I hesitantly pause in giving this a full four stars. But all fans of Laurel and Hardy must seek this Comedy out, and new first-timers would do well to use this movie (and SONS OF THE DESERT) as their introduction to Stan and Ollie. ***1/2 out of ****
Do you have the feeling that the folks in the army deliberately forgot to tell Stan that World War I was over? Maybe they just didn't want the troop ship to sink on the way back from France.
If that was the case Ollie made the mistake of his life when he decided to invite his long lost buddy Stan over to meet the wife and have a good home cooked meal. Ollie's happily married now to Minna Gombell and when we first meet them he seems to be one happy well adjusted man.
Blockheads really starts when Stan is reunited with Ollie at the old soldier's home. I guess a grateful government is giving Stan free room and board for being the last man discharged from World War I. Still there's nothing like home cooking.
I think Blockheads offers us the proposition that Ollie can be a well adjusted if somewhat fatuous individual by himself. It's only apparently when he interacts with Stan that things just seem to happen.
And in fact that's what Blockheads is, a series of gags from the time that Ollie meets Stan at the home and just assumes he's an amputee because he's decided to sit a wheelchair rigged up for one. Right up to the point where big game hunter Billy Gilbert, the Hardy's next door neighbor chases the both of them out of the house because he catches Mrs. Gilbert in Ollie's pajamas. How she got in them? You have to see Blockheads to find out.
Best gag I thought was Stan dealing with an obnoxious neighbor who has just bullied Ollie into fetching the neighbor kid's football. Very priceless bit of comeuppance.
To see how in the space of an hour Laurel manages to literally become a home wrecker, catch Blockheads.
If that was the case Ollie made the mistake of his life when he decided to invite his long lost buddy Stan over to meet the wife and have a good home cooked meal. Ollie's happily married now to Minna Gombell and when we first meet them he seems to be one happy well adjusted man.
Blockheads really starts when Stan is reunited with Ollie at the old soldier's home. I guess a grateful government is giving Stan free room and board for being the last man discharged from World War I. Still there's nothing like home cooking.
I think Blockheads offers us the proposition that Ollie can be a well adjusted if somewhat fatuous individual by himself. It's only apparently when he interacts with Stan that things just seem to happen.
And in fact that's what Blockheads is, a series of gags from the time that Ollie meets Stan at the home and just assumes he's an amputee because he's decided to sit a wheelchair rigged up for one. Right up to the point where big game hunter Billy Gilbert, the Hardy's next door neighbor chases the both of them out of the house because he catches Mrs. Gilbert in Ollie's pajamas. How she got in them? You have to see Blockheads to find out.
Best gag I thought was Stan dealing with an obnoxious neighbor who has just bullied Ollie into fetching the neighbor kid's football. Very priceless bit of comeuppance.
To see how in the space of an hour Laurel manages to literally become a home wrecker, catch Blockheads.
"Block-Heads" begins in WWI, where Stan and Ollie are in a platoon fighting in Europe. While Ollie and the rest of the group go into battle, Stan has to guard the post. You can tell that he's doing his job, because he continues doing it for twenty years after the war ends. After he returns to America, he and Ollie meet up again, and from there, they do their usual stuff. Probably the best scene was the football scene (I won't spoil it). But the wheelchair, temptress, garage door and kitchen all provide some laughs. They may play blockheads in the movie, but believe you me, Laurel and Hardy were comic geniuses. Gilligan and the Skipper were sort of a later version of them, and Chris Farley and David Spade were an even later version.
The last genuine, hilarious Laurel and Hardy comedy has no plot at all!! Just a series of hilarious gags that come thick and fast.. I would rate this feature(their last for Roach / MGM) as possibly their very best, only Way Out West comes near!! It's such a pity that after this film the decline really set in.. I would recommend Block-Heads to any Laurel and Hardy fan.. that said it is not going to change your mind if you don't like L&H as the boys are wonderfully true to type.. the ending is a reworking of Unaccustomed As We Are (their first sound movie) and in my opinion is much better here.. Don't miss the scene with the great James Finlayson!! If you get the chance to see it.. DON'T MISS IT!!
Lo sapevi?
- QuizThe first of four Laurel & Hardy features co-written by Harry Langdon, a comic superstar of the silent era who had fallen on hard times. The premise of the film - with Stan as a WWI veteran in France unaware that the war is over, and his readjustment to society - was adapted from Langdon's 1926 film Soldier Man (1926). Stan Laurel admired Langdon and used him as a gag writer for I diavoli volanti (1939), Noi siamo le colonne (1940), and C'era una volta un piccolo naviglio (1940).
- BlooperThe newspaper which Ollie sees Stan's picture in, is completely different between shots.
- Curiosità sui creditiOpening credits: The events and characters depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, is purely coincidental, and not our fault! (signed Stan Laurel. Oliver Hardy)
- Versioni alternativeIn order to make it fit into a TV package in the 50s, it was edited down to a short and retitled "Do It Yourself."
- ConnessioniFeatured in Metro-Goldwyn-Mayer's Big Parade of Hits for 1940 (1940)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Stanlio e Ollio teste dure
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione57 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Venti anni dopo (1938) officially released in Canada in English?
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