[go: up one dir, main page]

    Calendario delle usciteI migliori 250 filmI film più popolariEsplora film per genereCampione d’incassiOrari e bigliettiNotizie sui filmFilm indiani in evidenza
    Cosa c’è in TV e in streamingLe migliori 250 serieLe serie più popolariEsplora serie per genereNotizie TV
    Cosa guardareTrailer più recentiOriginali IMDbPreferiti IMDbIn evidenza su IMDbGuida all'intrattenimento per la famigliaPodcast IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralTutti gli eventi
    Nato oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona contributoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista Video
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
  • Il Cast e la Troupe
  • Recensioni degli utenti
  • Quiz
  • Domande frequenti
IMDbPro

Mancia competente

Titolo originale: Trouble in Paradise
  • 1932
  • T
  • 1h 23min
VALUTAZIONE IMDb
7,9/10
16.964
LA TUA VALUTAZIONE
Herbert Marshall, Kay Francis, and Miriam Hopkins in Mancia competente (1932)
Trouble in Paradise: Resign
Riproduci clip0: 34
Guarda Trouble in Paradise: Resign
1 video
46 foto
Romantic ComedyScrewball ComedyComedyCrimeRomance

Un ladro e un borseggiatore uniscono le forze per ingannare il bellissimo proprietario di una compagnia di profumi. Complicazioni romantiche e gelosie complicano il piano.Un ladro e un borseggiatore uniscono le forze per ingannare il bellissimo proprietario di una compagnia di profumi. Complicazioni romantiche e gelosie complicano il piano.Un ladro e un borseggiatore uniscono le forze per ingannare il bellissimo proprietario di una compagnia di profumi. Complicazioni romantiche e gelosie complicano il piano.

  • Regia
    • Ernst Lubitsch
  • Sceneggiatura
    • Samson Raphaelson
    • Grover Jones
    • Aladár László
  • Star
    • Miriam Hopkins
    • Kay Francis
    • Herbert Marshall
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    16.964
    LA TUA VALUTAZIONE
    • Regia
      • Ernst Lubitsch
    • Sceneggiatura
      • Samson Raphaelson
      • Grover Jones
      • Aladár László
    • Star
      • Miriam Hopkins
      • Kay Francis
      • Herbert Marshall
    • 96Recensioni degli utenti
    • 66Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 6 vittorie totali

    Video1

    Trouble in Paradise: Resign
    Clip 0:34
    Trouble in Paradise: Resign

    Foto46

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 38
    Visualizza poster

    Interpreti principali28

    Modifica
    Miriam Hopkins
    Miriam Hopkins
    • Lily
    Kay Francis
    Kay Francis
    • Mariette Colet
    Herbert Marshall
    Herbert Marshall
    • Gaston Monescu
    Charles Ruggles
    Charles Ruggles
    • The Major
    • (as Charlie Ruggles)
    Edward Everett Horton
    Edward Everett Horton
    • François Filiba
    C. Aubrey Smith
    C. Aubrey Smith
    • Adolph J. Giron
    Robert Greig
    Robert Greig
    • Jacques (the Butler)
    Luis Alberni
    Luis Alberni
    • Annoyed Opera Fan
    • (non citato nei titoli originali)
    Hooper Atchley
    Hooper Atchley
    • Insurance Agent
    • (non citato nei titoli originali)
    Tyler Brooke
    Tyler Brooke
    • Commercial Singer
    • (non citato nei titoli originali)
    Marion Byron
    Marion Byron
    • Maid
    • (non citato nei titoli originali)
    Louise Carter
    Louise Carter
    • Woman with Wrong Handbag
    • (non citato nei titoli originali)
    Gino Corrado
    Gino Corrado
    • Venetian
    • (non citato nei titoli originali)
    George Humbert
    • Waiter in Venice
    • (non citato nei titoli originali)
    Perry Ivins
    • Radio Commentator
    • (non citato nei titoli originali)
    Leonid Kinskey
    Leonid Kinskey
    • Russian Visitor
    • (non citato nei titoli originali)
    Gus Leonard
    • Elderly Servant
    • (non citato nei titoli originali)
    Carl M. Leviness
    Carl M. Leviness
    • Party Guest
    • (non citato nei titoli originali)
    • Regia
      • Ernst Lubitsch
    • Sceneggiatura
      • Samson Raphaelson
      • Grover Jones
      • Aladár László
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti96

    7,916.9K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Recensioni in evidenza

    Aw-komon

    Thoroughly unsentimental, hard-edged, strongly sexual, 1932 comedy classic from Billy Wilder's idol Ernst Lubistch

    Why isn't this film out on Video or DVD? It is a masterpiece of subtlety and wit that has to be out there for people to study and learn from instead of being 'out of circulation.' Can you imagine Chaplin's 'Gold Rush' or 'Modern Times' being out of circulation? No. Well, this is a better overall film than anything Chaplin ever put out and mawkishly undermined with sentimentality, but only film buffs who go to rare screenings get to see it. It is not so much a laugh riot like Chaplin's best bits as it is extremely clever, to the point of being transcendent. Its tone reminds me very much of Jean Renoir's 1939 'Rules of the Game,' and Bunuel's comedies, although it doesn't have Bunuel's 'cruelty' (as master critic Andre Bazin would put it). It is just a work of art which most 'non-artsy' people will dismiss as 'just another clever comedy' because works of art annoy them (and they don't see why they should be bothered with applying the energy needed to understand them), while 'artsy' people will overrate it, and rightly so. Overrated or not, Lubitch's film is a joy to behold; you are glad it exists. As you're watching, you know you're being hit with valuable not-necessarily verbal information left and right. You know it's worth reseeing many times because you will get a different blend of perspectives from it everytime (much like a great piece of music). The essence of what makes it 'great,' as opposed to 'just another comedy' is this: 'Trouble in Paradise' completely destroys harmful romantic myths while affirming true romanticism (think Stendhal, Proust, Lessing, Nabokov) in the very way it is made, its style. This is what it does and it is an extremely important and purifying process for those who go through it and implicitly embrace its implicit principles. But, as it is, nobody'll get to see it anyway because it's not out on video, so what the hell am I writing for? To get all 3 of the people who will read this page in the next year to demand that it be put out for public consumption. Long live democracy!
    9Spondonman

    (In times like these it's) Poetry in Motion

    An utterly beautiful film. I watched this for at least the umpteenth time last night - maybe once a year every year since I taped it off TV in 1987. Did it let me down? It hasn't yet and I don't think it ever will: I was as captivated by it as I was the first time, and yet it portrays a world, its people and their actions I'll never know, and probably wouldn't want to know either. Some people I know can't watch any film or TV programme a second time and are puzzled when I can - but then could listen with pleasure to a piece of music for a thousandth time.

    Lubitsch's peerless masterpiece about two crooks (Gaston and Lily) moving amongst high society, falling in love with each other, with high society and with high society in the attractive shape of rich businesswoman Madame Colet falling in love with Gaston is a witty, charming, sophisticated, erudite, relentless, sparkling etc comedy that by the finish has had the effect of defragmenting my mind and deleting the real world for a short while - no mean feat! Every second of every scene carries it's witticisms, not a moment is wasted from the dignified opening with the title song fading into the rubbish boat on the Grand Canal in Venice to the swift orgasmic climax in the taxi in Paris. At the beginning when the stricken Monsieur Philiba rises and falls to the floor of his hotel room again and the Neapolitan music lulls you across a cheesy model set to where the smoking Gaston is urbanely discussing cocktails with a waiter you should know you are in for something special. Ultra demure Kay Francis gets to says Divine twice in a row! Even looking at nothing but a clock for a minute carries a soundtrack bulging with wit and innuendo. Something as unimportant as Herbert Marshall apparently running up and down Kay Francis's stairs (on camera, in mirrors or in sound only) turns out to be an in-joke - he had only one leg. Other running gags make you smile after the film has long finished, such as Positively Tonsils and No Potatoes. And to think about this film even years later it's always with the lilting, insistent, mocking romantic background music! But I could go on and on, there's enough in this for 10 films of today to borrow if they could make them like this any more. "Frasier" on TV has been the closest in sophisticated comedy in recent times, but even so it couldn't match TIP's compact inventiveness. Out of the 97 million movies I've watched this is definitely in my top 5 favourites.

    It's a pity that so many people can so easily be put off by black and white photography and bygone stars who they've never heard of; in this case what they're missing out on is near perfection, and again another film that will still be available when all of the undisciplined uncensored in-your-face films of today are forgotten.
    Bucs1960

    That Lubitsch Touch!!

    A grand, grand film from the master of early, somewhat daring comedies! Delightful is the word to describe this gem which sparkles with great dialogue and pure elegance. The master of the suave sophisticate, Herbert Marshall, is wonderful as the gentleman thief. This type of part was his forte in his early career and he was ill-used later on by Hollywood. Nobody looked better in evening dress or could deliver a double entendre with such perfection. Kay Francis is her soigne best as the target of the jewel thieves.....although she could not pronounce her "r"s, she was the personification of chic and designers had a field day dressing her for her films. Miriam Hopkins may not have been the best choice for the part of Marshall's partner in crime; she never seems quite in sync with the rest of the cast. She had a reputation for being difficult and it shows just a bit here.....but that does not take anything away from the overall excellence of this movie. The censors had not cracked down in 1932 like they would in the coming years and this allows for some risque situations (for the time) which are pure delight. "Trouble in Paradise" is a true gem which, although somewhat dated, further enhances the Lubitsch reputation for quality film making.
    amaurer

    Masterpiece of the "Lubitsch Touch"

    Once, "The Lubitsch Touch," was as well known as Hitchcock's reputation as "The Master of Suspense."

    "Trouble in Paradise" is Lubitsch's unqualified masterpiece. This pre-code sophisticated comedy epitomizes the European attitude toward sex in its very first scene between Hebert Marshall and Miriam Hopkins. Marshall reveals he has stole Hopkin's garter without her knowing it and she leaps in his lap. She checks -- at the dinner table no less -- realizes it is gone and with the admiration of one thief for another leaps into his lap. "Darling!" she says. No one has to guess what she has in mind, although it is all done with the wit and brio that the "Lubitsch Touch," refers to.

    It's great to have this film readily available and the DVD version includes an informative and enlightening commentary (Marshall only had one leg and his lurching walk made a certain speedy cutting necessary that helps give the film it's light, speedy quality).

    Lubitsch also made "Shop Around the Corner," remade by Nora Ephron as "You've Got Mail," and "Ninotcha," with Greta Garbo. His musicals with Maurice Chevalier and Jenette MacDonald, such as "The Merry Widow," are also worth seeking out.
    fowler1

    The Summit Of PreCode Cinema

    ...and Ernst Lubitsch at his zenith. First things first: thank you to TCM for showing this recently. Of course I taped it, and of course I've practically worn the tape out by now, a month later.

    Point #2: something is terribly wrong in Paradise if the peak era of his work, 29-33, remains in shadow today. Where are the VHS/DVD releases of these wonderful films? Nowhere that I can find them; hopefully the good folks at Turner will continue reviving the early sound Lubitsches. I waited 25 years to see this one again, and the wait was not in vain. Those 25 years put a bit of snow on my roof, but they also allowed me to drink in the ambrosia that is this film with a bit more appreciation than I had at 16. And what intoxicating ambrosia it is! Script, performances, directorial vision are all exquisite. The leads are inspired (oh, for a night with Kay Francis!); the supporting players, expertly calibrated farceurs. The utilization of music as ironic counterpoint to the visuals rivals Clair; the title song, sung over the opening credits, will make your heart race, and break, at the same time. And the look of the film (Art Deco, lovingly handrubbed to a burnished glow) will linger with you forever.

    Again and again, Lubitsch pulls rabbits out of hats: scenes like the deepening of Herbert Marshall and Kay Francis' relationship from business to pleasure 'seen' in a clock face are emblematic of what makes this such a special film. Its story is slight, frothy, very nearly silly; yet Lubitsch's knowing observation of small, telling details makes it magical. TROUBLE is not a timeless film, anchored as it is to a very specific time (Long Ago) and place (Far Away), which only deepens its charm and its seductive tugging on the audience's sleeve. I've watched it three times in a night, and three times more the following night - not behavior I usually exhibit. But the siren call of its lively, civilized wit is such that I'm hitting 'rewind' the moment it ends - I don't want to break the spell and return to reality just yet. As fertile as the preCode era is, as many classics as that golden period continues to yield up to those willing to discover them...TROUBLE IN PARADISE is the most glorious of them all.

    Altri elementi simili

    Partita a quattro
    7,4
    Partita a quattro
    Ninotchka
    7,8
    Ninotchka
    Io sono un evaso
    8,2
    Io sono un evaso
    Toni
    7,2
    Toni
    La vedova allegra
    7,2
    La vedova allegra
    Scrivimi fermo posta
    8,0
    Scrivimi fermo posta
    L'ottava moglie di Barbablu
    7,1
    L'ottava moglie di Barbablu
    L'allegro tenente
    7,1
    L'allegro tenente
    Angelo
    7,2
    Angelo
    L'uomo ombra
    7,9
    L'uomo ombra
    Amami stanotte
    7,5
    Amami stanotte
    Vogliamo vivere!
    8,1
    Vogliamo vivere!

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The scenes in which Herbert Marshall is running up and down the stairs at Madame Colet's were done with a double who is only seen from the rear. Mr. Marshall lost a leg in WWI and although it was almost impossible to notice that he used a prosthesis, he could not perform any action that called for physical agility.
    • Blooper
      (at around 10 mins) A very clear shadow of a boom mic moves against the wall/screen behind Lily, anticipating her next action (rising and moving toward Gaston).
    • Citazioni

      Gaston Monescu: Madame Colet, if I were your father, which fortunately I am not, and you made any attempt to handle your own business affairs, I would give you a good spanking - in a business way, of course.

      Mariette Colet: What would you do if you were my secretary?

      Gaston Monescu: The same thing.

      Mariette Colet: You're hired.

    • Curiosità sui crediti
      In the opening credits, the words 'Trouble in' appear and then a bed before the word 'paradise', subliminally indicating that sex is at least part of the film's plot. It was done so subtly for the time that censors didn't notice it until the film's attempted re-release in 1935.
    • Connessioni
      Featured in Paramount Presents (1974)
    • Colonne sonore
      Trouble in Paradise
      Music by W. Franke Harling

      Lyrics by Leo Robin

      Sung by Donald Novis (uncredited)

      [Played during opening title card and credits]

    I più visti

    Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
    Accedi

    Domande frequenti

    • How long is Trouble in Paradise?
      Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 19 ottobre 1933 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Italiano
      • Francese
      • Russo
      • Spagnolo
      • Tedesco
    • Celebre anche come
      • Trouble in Paradise
    • Luoghi delle riprese
      • Los Angeles, California, Stati Uniti
    • Azienda produttrice
      • Paramount Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 519.706 USD (previsto)
    • Lordo in tutto il mondo
      • 928 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 23 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

    Contribuisci a questa pagina

    Suggerisci una modifica o aggiungi i contenuti mancanti
    Herbert Marshall, Kay Francis, and Miriam Hopkins in Mancia competente (1932)
    Divario superiore
    By what name was Mancia competente (1932) officially released in India in English?
    Rispondi
    • Visualizza altre lacune di informazioni
    • Ottieni maggiori informazioni sulla partecipazione
    Modifica pagina

    Altre pagine da esplorare

    Visti di recente

    Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
    Scarica l'app IMDb
    Accedi per avere maggiore accessoAccedi per avere maggiore accesso
    Segui IMDb sui social
    Scarica l'app IMDb
    Per Android e iOS
    Scarica l'app IMDb
    • Aiuto
    • Indice del sito
    • IMDbPro
    • Box Office Mojo
    • Prendi in licenza i dati di IMDb
    • Sala stampa
    • Pubblicità
    • Lavoro
    • Condizioni d'uso
    • Informativa sulla privacy
    • Your Ads Privacy Choices
    IMDb, una società Amazon

    © 1990-2025 by IMDb.com, Inc.