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This Is the Night

  • 1932
  • Approved
  • 1h 20min
VALUTAZIONE IMDb
6,6/10
1081
LA TUA VALUTAZIONE
Lili Damita and Roland Young in This Is the Night (1932)
Screwball ComedyComedy

Aggiungi una trama nella tua linguaAn affair is almost exposed when Claire's husband unexpectedly returns early from the Summer Olympics.An affair is almost exposed when Claire's husband unexpectedly returns early from the Summer Olympics.An affair is almost exposed when Claire's husband unexpectedly returns early from the Summer Olympics.

  • Regia
    • Frank Tuttle
  • Sceneggiatura
    • Henri Falk
    • Benjamin Glazer
    • Avery Hopwood
  • Star
    • Roland Young
    • Thelma Todd
    • Cary Grant
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    1081
    LA TUA VALUTAZIONE
    • Regia
      • Frank Tuttle
    • Sceneggiatura
      • Henri Falk
      • Benjamin Glazer
      • Avery Hopwood
    • Star
      • Roland Young
      • Thelma Todd
      • Cary Grant
    • 25Recensioni degli utenti
    • 13Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie totali

    Foto18

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    + 12
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    Interpreti principali14

    Modifica
    Roland Young
    Roland Young
    • Gerald Gray
    Thelma Todd
    Thelma Todd
    • Claire Mathewson
    Cary Grant
    Cary Grant
    • Stephen Mathewson
    Lili Damita
    Lili Damita
    • Germaine
    Charles Ruggles
    Charles Ruggles
    • Bunny West
    Irving Bacon
    Irving Bacon
    • Sparks
    Davison Clark
    • Studio Official
    • (non citato nei titoli originali)
    Gino Corrado
    Gino Corrado
    • Manager of Neopolitan Hotel
    • (non citato nei titoli originali)
    Claire Dodd
    Claire Dodd
    • Chou-Chou
    • (non citato nei titoli originali)
    Alex Melesh
    • Porter
    • (non citato nei titoli originali)
    Donald Novis
    Donald Novis
    • Singing Gondolier
    • (non citato nei titoli originali)
    Tiny Sandford
    Tiny Sandford
    • Porter
    • (non citato nei titoli originali)
    Rolfe Sedan
    Rolfe Sedan
    • Boulevardier
    • (non citato nei titoli originali)
    Harry Semels
    Harry Semels
    • Man in the Manhole
    • (non citato nei titoli originali)
    • Regia
      • Frank Tuttle
    • Sceneggiatura
      • Henri Falk
      • Benjamin Glazer
      • Avery Hopwood
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti25

    6,61K
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    Recensioni in evidenza

    8boblipton

    This is Frank Tuttle

    Frank Tuttle was a highly competent house director for many years, working for Sam Goldwyn, Paramount and so forth, turning out well-made movies in which the style served the story. In our day of auteur worship and the insistence that, if a critic can't tell who directed a film without looking at the credits, it is not a good film, craftsmen like Tuttle are considered hacks. I disagree. You may disagree with me. We'll leave that unsettled for the moment and thumb wrestle over it later.

    This movie has all the earmarks of a Lubitsch picture: the European settings (Paris, Hollywood, which Lubitsch said he much preferred to Paris France; Venice, where he had set the opening of TROUBLE IN PARADISE two years earlier) and is the sort of racy European comedy that Paramount specialized in until the Production Code killed them dead later that year. The setups are all Lubitsch: the recitative number "Madame Has Lost Her Dress" that opens the movie; The sexual imagery of Cary Grant carrying around a bagful of javelins and reducing Roland Young and Charlie Ruggles to blithering idiocy; Thelma Todd in her underwear; and into this mess lands Lily Damita, an honest girl reduced to sleeping on movie sets: trouble in Paris, Hollywood.

    Although Tuttle lacks the ability to direct actors in the small, exquisite details that Lubitsch did, he had a fine hand at framing and storyline. The movie is near perfect, except for the miscasting of Roland Young as the love interest..... but perhaps that is the point of the matter: we do not always fall in love with Maurice Chevalier.
    6robb_772

    An entertaining romantic farce that runs out of steam before the finale; Cary Grant's debut is very memorable

    A slight-but-enjoyable romantic farce, THIS IS THE NIGHT is an entertaining little film that should earn a place in cinematic history simply because it contains the feature film debut of Cary Grant, who soon become arguably the most famous movie star of all time. Although he is regulated to playing a largely secondary character, Grant's incomparable screen presence makes him a standout from the very start. Playing an Olympic athlete, Grant makes his entrance into the world of cinema with a light step and a sharp wit - singing about apartment keys, no less! It's a memorable debut, and there are numerous other moments throughout the picture in which Grant demonstrates much of the early promise that would soon flower into full-throttle, megawatt star power in just a few short years.

    As for the rest of the film, it is a reasonably solid comedy of adulterous affairs, with some surprisingly risqué elements that were permitted in the days before the Production Code was heavily enforced due to pressure from the National Legion of Decency in l933. The film begins delightfully as a light comedic ballet, with director Frank Turtle providing some truly madcap slapstick and even recitative singing that sets the viewer up for a knockabout farce. Unfortunately, this progressively free-wheeling atmosphere is largely abandoned in the film's last half, which plays out in a more or less predictable manner. The film still holds up perfectly well, however, until the too-conservative ending, which is a big disappointment after over 70 minutes of uninhibited fun.

    On the plus side, the film is very well cast, and the actors manage to keep the picture engaging even after the initial momentum of the exhilarating first-half is long gone. Although she makes somewhat of an delayed entrance, Lili Damita brings both pluck and intelligence to the female lead, Roland Young makes the transformation of his somewhat unsympathetic character highly believable, and both Grant and Charles Ruggles offer top-notch support. The lovely Thelma Todd also makes the most of a rather bland role, and her talent for making a relatively thankless character seem genuinely inspired serves as a bittersweet reminder of yet another comedic great that was taken from us way too soon. In the end, THIS IS THE NIGHT is far too inconsistent to ever be considered a great movie, but it sure is a lot of fun!
    7bkoganbing

    Venice's Menace

    Although This Is The Night which is the feature film debut of Cary Grant is an enjoyable enough bedroom farce it probably has more significance as the possible inspiration of one of Paramount's best feature films of the Thirties, Love Me Tonight. This film directed by one of Paramount's more competent contract directors Frank Tuttle plays a whole lot like Rouben Mamoulian's classic. Possibly if Tuttle had better material to work with, this film would be better known.

    This Is The Night has Cary Grant as a French Olympic athlete whose sport is the javelin. But apparently he's not spearing Thelma Todd enough and she's casting a roving eye. The eye of Roland Young meets her's and the two plan a holiday in Venice.

    To which Mr. Grant arrives and rudely interrupts. Thinking fast on his feet as American Express agent Charlie Ruggles arrives with tickets at Todd's apartment, Young says that he'll be traveling with his wife and once outside frantically looks for a wife. He finds Lily Damita and hires her for a railroad holiday from Paris to Venice. Ruggles goes along as a fifth wheel on this carriage, presumably to catch whoever comes flying off the rebound. As he's soused most of the time, I can't see what appeal he would have. Of course I can't see what appeal he would have sober.

    Cary Grant was billed fifth in this film, but in 1932 he gradually went up the billing ladder and by the time of She Done Him Wrong, he's co-starring with Mae West. His debonair charm could barely be concealed in a role which required him to be a bit of a fathead.

    Ralph Rainger and Sam Coslow wrote a couple of forgettable songs and it's in the musical numbers that this film bares the closest resemblance to Love Me Tonight. Note the Italian gondolier in the Venice scenes. He gets no billing in the film, but it is Donald Novis one of the most popular singers of the day on radio. In three years he would move to Broadway and play the romantic lead in Rodgers&Hart's Jumbo where he would introduce The Most Beautiful Girl In The World and My Romance. Novis had a wonderful tenor voice as you'll agree if you see this film.

    Speaking of Rodgers&Hart maybe if they wrote a score as good as the one they did for Love Me Tonight, This Is The Night would be more remembered than as footnote as Cary Grant's feature film debut.
    Michael_Elliott

    Hilarious Pre-Code

    This Is the Night (1932)

    *** 1/2 (out of 4)

    Hilarious pre-code from Paramount has Roland Young playing Gerald Gray, a man dating a married woman (Thelma Todd). Things take a turn for the worse when the couple return to her home to find her husband (Cary Grant) there and in order to stay out of trouble the man's best friend (Charles Ruggles) tells the husband that the friend is actually married and the happy couple are on their way to Venice. The husband, not a bit fooled, decides to go along on the trip so the friend must find a fake wife (Lili Damita) to go along with the plan. This is a remake of a 1926 film and it's based on the play Naughty Cinderella. The naughty is certainly correct because this Paramount comedy has quite a few pre-code elements that would soon find themselves banned. Needless to say, having a film centered around a married woman dating other men was certainly a no no but it makes for one great laugh after another. After viewing the film I was really shocked to see that it wasn't more popular because the familiar cast is terrific and we get so many sexual jokes that it really stands out. The dialogue certainly implies many dirty jokes including one bit about "B.J." as well as our two lead actresses showing some skin. Of course we don't get any actual nudity but there's a very charming scene of Damita proving she can be naughty by taking her clothes off and coming off like a vixen. There's also a running joke with Todd constantly getting her clothes ripped off in a variety of ways. Both women have their legs constantly being shown as well as every other bit of skin they can get on camera. These elements certainly give the film a fresh touch and a pretty sexual one as well. Then we have the terrific performances that make the film memorable. Damita, who I had just seen in FRIENDS AND LOVERS, is must better here and in fact turns in a hilarious performance. I was really shocked to see how great she was here because her comic timing is right on the mark and she also plays the more dramatic, romantic moments just as well. Her coming timing really makes her character come to life and her previously mentioned seduction scene was priceless. Ruggles nearly steals the film as the silly assistant who gets this whole thing started. Todd delivers one of the best performances I've seen from her as her timing is great and just check out the wonderful scene where her married character gets jealous by her lover's fake wife. Young is also right on the mark and his chemistry with Damita is great. Then we have Cary Grant in his first role. I was surprised to see how natural he was but he plays the jerkish husband to perfection. I think the film starts to wear thin during the final act when every ones love starts to pour out but everything leading up to this is quite priceless. The performances, sexuality and laughs make this a must-see for fans of classic cinema.
    8Maleejandra

    An Enjoyable Pre-Code

    Claire (Thelma Todd) and Gerald (Roland Young) are carrying on a rather heated affair, but just as they are about to go away together to Venice, Claire's javelin-throwing husband Stephen (Cary Grant) returns home. In order to dispel his distrust, Gerald hires a woman to pose as his wife. Germaine (Lili Damita) is a hungry young French actress who poses as a more experienced woman named Chou Chou. She vamps Gerald incessantly while Stephen is around, and she is so successful that she makes Claire insanely jealous.

    This sing-songy film is a delight to watch. It is fast-paced, comedic, and filled with a stellar cast, but it is not well known today. Film collectors find it interesting because it marks Cary Grant's first screen appearance and because it is one of the few films of Lili Damita, a popular but heavily-accented French star. Her career fizzled quite quickly, but not before she appeared with stars like Gary Cooper and Laurence Olivier.

    Fans of the pre-code era will enjoy this one quite a lot, as it is peppered with naughty jokes ("I was living in Cin--, I was Naughty.") and a running gag about Todd losing her clothes.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Film debut of Cary Grant.
    • Blooper
      When Bunny and Stephen, carrying his javelins, after arriving back unexpectedly from his trip to the Olympics, go into the next room, a large shadow of the boom microphone can be seen moving on the doorway and wall behind it.
    • Citazioni

      Claire Mathewson: [they are seated in the back of their car; Claire has had her dress torn by the car door] Gerald, aren't you going to do anything?

      Gerald Gray: Here?

      Claire Mathewson: No, no. I mean about discharging your chauffeur

      Gerald Gray: Oh, oh let me keep him. I've let you keep your husband

      Claire Mathewson: I haven't kept him

      Gerald Gray: What?

      Claire Mathewson: He left this morning

      Gerald Gray: For good?

      Claire Mathewson: No, no, for the Olympic Games at Los Angeles. He's in them, you know. Haven't you ever heard of Steve Mathewson, the javelin thrower?

      Gerald Gray: Javelin thrower?

      Claire Mathewson: ah ha

      Gerald Gray: Do you mean those long, murderous harpoon things?

      [she nods]

      Gerald Gray: Claire, the moment you meet a man, right after you've said 'how do you do?' you should add 'my husband throws javelins'.

    • Connessioni
      Remake of Good and Naughty (1926)
    • Colonne sonore
      This Is the Night
      Written by Sam Coslow and Ralph Rainger

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    Dettagli

    Modifica
    • Data di uscita
      • 8 aprile 1932 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Francese
      • Italiano
      • Inglese
    • Celebre anche come
      • Natten är vår
    • Luoghi delle riprese
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Paramount Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 20 minuti
    • Proporzioni
      • 1.33 : 1

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