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6,1/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA boy grows up to become a successful doctor at the expense of family relationships.A boy grows up to become a successful doctor at the expense of family relationships.A boy grows up to become a successful doctor at the expense of family relationships.
- Premi
- 2 vittorie totali
Maurice Black
- Felix's Patient
- (non citato nei titoli originali)
Jesse De Vorska
- Mr. Horowitz - Hospital Patient
- (non citato nei titoli originali)
Harold Goodwin
- Intern at Hospital
- (non citato nei titoli originali)
Dorothy Gray
- Jessica - as a Girl
- (non citato nei titoli originali)
Julia Griffith
- Guest at Redemption Ceremony
- (non citato nei titoli originali)
Harry Holman
- Mr. Holman - Hospital Patient
- (non citato nei titoli originali)
Recensione in evidenza
If I were picking a list of films for a Jewish film festival, Symphony Of Six Million would be right at the top of my list. Gregory LaCava directed it and with a rather florid style that probably would not go over with today's audience. Still it is quite a picture of the Jewish experience in America during the Depression years.
Ricardo Cortez stars here as an idealistic young kid who seeing the disease and poverty around him in the Lower East Side neighborhood he comes from works and studies hard to become a doctor. Cortez indeed becomes a doctor and opens a clinic in the old neighborhood.
But as his family sees it, he's too good for that. His brother Noel Madison persuades him to move uptown and start gathering a rich patient list in order that the entire family can move out and their parents Anna Appel and Gregory Ratoff can now take it easy.
Soon enough though Cortez forgets why he became a doctor with all the acclaim he now receives and the big money he commands. In the end he faces crises involving the health of two loved ones. He fails one and saves the other and possibly saves his soul as well.
One thing LaCava did was capture the Lower East Side of New York Jewish neighborhood. Appel and Ratoff were both veterans of the Yiddish theater and they really carry their parts off well. Cortez was also Jewish in real life, real name Jacob Kranz. He only got that name because he got his start playing Rudolph Valentino knockoff parts on the silent screen.
Irene Dunne is Cortez's co-star and she has little to do here as the girl who loves him since childhood. The film totally focuses around Cortez and his family dynamic.
Too melodramatic for today's audience, still Symphony For Six Million is a great picture of Jewish life in America in the not too distant past.
Ricardo Cortez stars here as an idealistic young kid who seeing the disease and poverty around him in the Lower East Side neighborhood he comes from works and studies hard to become a doctor. Cortez indeed becomes a doctor and opens a clinic in the old neighborhood.
But as his family sees it, he's too good for that. His brother Noel Madison persuades him to move uptown and start gathering a rich patient list in order that the entire family can move out and their parents Anna Appel and Gregory Ratoff can now take it easy.
Soon enough though Cortez forgets why he became a doctor with all the acclaim he now receives and the big money he commands. In the end he faces crises involving the health of two loved ones. He fails one and saves the other and possibly saves his soul as well.
One thing LaCava did was capture the Lower East Side of New York Jewish neighborhood. Appel and Ratoff were both veterans of the Yiddish theater and they really carry their parts off well. Cortez was also Jewish in real life, real name Jacob Kranz. He only got that name because he got his start playing Rudolph Valentino knockoff parts on the silent screen.
Irene Dunne is Cortez's co-star and she has little to do here as the girl who loves him since childhood. The film totally focuses around Cortez and his family dynamic.
Too melodramatic for today's audience, still Symphony For Six Million is a great picture of Jewish life in America in the not too distant past.
- bkoganbing
- 9 mar 2015
- Permalink
Trama
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- QuizAfter David O. Selznick became RKO's head of production in late 1931, he put the melodrama Melodie della vita (1932) (originally titled "Night Bell" after the Fannie Hurst story it is based on) into production, overseen by Pandro S. Berman. Selznick insisted that the original screenplay be rewritten to reclaim the ethnic touches from Hurst's story. Selznick likely wanted the film to serve as a mirror on to Jewish life, both of immigrants and their assimilated children. He himself changed the name of the film (a reference to New York City's population) as it was "more dramatic and dignified" than Night Bell. He also directed RKO music department chief Max Steiner to use symphonic music for the score and to have music throughout the picture. This was innovative as "talkies" rarely had an extensive score.
- BlooperAs is often the case when showing a devout Jewish home, a menorah, the traditional candelabrum, is displayed. However, this is used only once a year, so for the rest of the year it is put away. Having it on show is like having a Christmas tree up all year round to show that the family are Christians.
- Citazioni
Dr. Schifflen: My boy, there are two kinds of men in our profession. Some are gifted with the spark of genius; some of us are... just doctors.
[walks to the door and opens it, then turns back toward Felix]
Dr. Schifflen: Felix Klauber, you're more capable than I, but if you don't go through with this operation, I will.
- ConnessioniFeatured in David O. Selznick: 'Your New Producer' (1935)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Symphony of Six Million
- Luoghi delle riprese
- Lower East Side, Manhattan, New York, New York, Stati Uniti(opening establishing shots)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 270.000 USD (previsto)
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Melodie della vita (1932) officially released in India in English?
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