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IMDbPro

La verità seminuda

Titolo originale: The Half Naked Truth
  • 1932
  • Approved
  • 1h 17min
VALUTAZIONE IMDb
6,1/10
723
LA TUA VALUTAZIONE
Lee Tracy and Lupe Velez in La verità seminuda (1932)
Romantic ComedyComedyRomance

Aggiungi una trama nella tua linguaA barker at a down-at-the-heels carnival becomes a powerhouse New York publicity man as he transforms a sideshow dancer into a Broadway sensation.A barker at a down-at-the-heels carnival becomes a powerhouse New York publicity man as he transforms a sideshow dancer into a Broadway sensation.A barker at a down-at-the-heels carnival becomes a powerhouse New York publicity man as he transforms a sideshow dancer into a Broadway sensation.

  • Regia
    • Gregory La Cava
  • Sceneggiatura
    • Gregory La Cava
    • Corey Ford
    • Ben Markson
  • Star
    • Lupe Velez
    • Lee Tracy
    • Eugene Pallette
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    723
    LA TUA VALUTAZIONE
    • Regia
      • Gregory La Cava
    • Sceneggiatura
      • Gregory La Cava
      • Corey Ford
      • Ben Markson
    • Star
      • Lupe Velez
      • Lee Tracy
      • Eugene Pallette
    • 29Recensioni degli utenti
    • 14Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie totali

    Foto7

    Visualizza poster
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    + 2
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    Interpreti principali25

    Modifica
    Lupe Velez
    Lupe Velez
    • Teresita
    Lee Tracy
    Lee Tracy
    • Jimmy Bates
    Eugene Pallette
    Eugene Pallette
    • Achilles
    Frank Morgan
    Frank Morgan
    • Merle Farrell
    Shirley Chambers
    Shirley Chambers
    • Gladys aka Ella Beebee
    Franklin Pangborn
    Franklin Pangborn
    • Mr. Wellburton - Hotel Clerk
    Robert McKenzie
    Robert McKenzie
    • Colonel Munday
    Mary Mason
    Mary Mason
    • Miss Mason - Farrell's Secretary
    Asta
    Asta
    • Dog in Butcher Shop
    • (non citato nei titoli originali)
    Frank Austin
    Frank Austin
    • First Man with Guilty Conscience
    • (non citato nei titoli originali)
    Brooks Benedict
    Brooks Benedict
    • Lion Gag Congratulator
    • (non citato nei titoli originali)
    Charles Dow Clark
    Charles Dow Clark
    • Sheriff
    • (non citato nei titoli originali)
    James Donlan
    James Donlan
    • Lou - Press Agent
    • (non citato nei titoli originali)
    Jay Eaton
    Jay Eaton
    • Hotel Desk Clerk
    • (non citato nei titoli originali)
    Bess Flowers
    Bess Flowers
    • Miss Flowers - Bates' Secretary
    • (non citato nei titoli originali)
    Theresa Harris
    Theresa Harris
    • Emily - Teresita's Maid
    • (non citato nei titoli originali)
    Thomas E. Jackson
    Thomas E. Jackson
    • Marshall - Farrell's Assistant
    • (non citato nei titoli originali)
    Si Jenks
    Si Jenks
    • Rube with Beard in Audience
    • (non citato nei titoli originali)
    • Regia
      • Gregory La Cava
    • Sceneggiatura
      • Gregory La Cava
      • Corey Ford
      • Ben Markson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti29

    6,1723
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    Recensioni in evidenza

    51930s_Time_Machine

    You can like this even if you hate Lee Tracy

    Obviously I don't hate the actor Lee Tracy but I do find his movie persona the most annoying and unlikeable character Hollywood has ever spat out. By virtue of excellent writing his obnoxiousness is made to work perfectly in this surprisingly entertaining picture.

    It was because the detestable Tracy was in this which deterred me from watching this for years but I'm so glad I did. It just goes to show what a difference a good writer and director ( in this case the same guy, Gregory LaCava) can make. It's no great classic but it's perfectly paced with just the right balance between fun and drama. I actually laughed out loud at one point - and that's a rarity for a miserable old sod like me. As much as Tracy is tolerable in this he's still unlikeable so unlike say Cagney, who could have carried this off so much better, he's not a loveable rogue, just a rogue.

    Tracy isn't actually top billed in this, that plaudit goes to Lupe Vélez. If she's looking down on us now I think she'd be both bemused and absolutely delighted to know that ninety years after making this that men would still find her performance so crazily sexy. She really wasn't a very good actress but wow, dressed in the naughtiest outfits of 1932 like a member of The Pussycat Dolls, she really is a sight to behold!
    7goblinhairedguy

    Ribald shenanigans

    This wonderfully ribald pre-code comedy is slightly schizophrenic in style. The first half is a breakneck-paced, rollicking sequence of frantic melees and stinging one-liners, not unlike Lee Tracy's other triumphs of the time, The Front Page and Blessed Event. Once the cast settles in on Broadway, the pace slows and the humour is more characteristic of director LaCava -- absurd situational comedy set up with deliberate pace and milked for effect. Although quite funny in its own right, this section seems to drag in comparison with the opening reels -- it may have worked better in a packed cinema than on the tube.

    In any case, this is a must-see for fans of pre-code antics -- there's no way it could have been made three years later. Tracy is terrific in his patented role as a fast-talking con artist, and Lupe Velez is a more lurid version of her Mexican Spitfire -- her minimal costumes rival those of a Busby Berkeley chorus girl. Frank Morgan is perfect as a libidinous Ziegfeld type, Franklin Pangborn is everyone's favourite fastidious concierge, and Eugene Pallette is victim to a hilarious running gag about his gender which alone is worth the price of admission -- he also has a unique method for tutoring fledgling Ophelias. There's an intriguing look at the 30s' conception of nudism, to boot.
    7audiemurph

    How can you go wrong with Eugene Palatte playing a eunuch?

    The Half-Naked Truth is like a machine gun on steroids, a super-fast paced movie and a stage for Hollywood's greatest carnival barker, Lee Tracy. Tracy spends the entire 75 minutes racing at break-neck speed through miles of monologue - because his character never talks with, only at, those around him - and it's wonderfully exhausting to keep up with him.

    Eugene Palette plays one of the funnier roles I have ever seen him in. He's supposed to be Tracy's assistant, but he's not above pulling his own shenanigans on the side, particularly with respect to giving "private" acting lessons to a rather reluctant hotel maid.

    At least a couple of the other reviewers here, unfortunately, have got the running gag about Pallete's sexuality wrong: as per Tracy's publicity idea, Palette, complete with turban, is fresh out of a Turkish princess's harem. The idea is NOT that he is a woman, but that he is a EUNUCH. And the movie revisits this inside joke a few times, always to the understandable indignation of Mr. Palette himself!

    The plot itself really stretches credibility, but it doesn't matter. It's a fun and quick ride, so just enjoy.
    6SimonJack

    Humor is hit and miss in this RKO comedy

    The fast-talking Lee Tracy fits the role perfectly of Jimmy Bates in "The Half-Naked Truth." This is a strange film, with some humor. Bates is a character who promotes Teresita (played by Lupe Velez) from a carnival act to the big time on Broadway. It's all done with very little truth. The only thing that is true is that his client has some talent. As Bates says, success is all in the publicity, and what he won't do for publicity! It's a nice satire, but on the duped as well as on the dupers, and of the press that was always looking for the sensational and unusual to report as "news."

    Hollywood staple player Eugene Pallette is Achilles, Bates' right hand man. Frank Morgan plays Merle Farrell, a big-time Broadway producer. If he's supposed to be a takeoff or copy of Florenz Ziegfeld, it's a lousy one. Here, Morgan plays more of a buffoon than a real talent and show promoter.

    The comedy is hit and miss in this film. The funniest scene is when they get rooms in the Ritz hotel. Bates registers for the three of them with separate rooms and a suite for Teresita. When he registers for Pallette, the clerk looks at the registration, and though the word is never spoken, it's clear that Bates has signed him in as a eunuch. He says to the hotel clerk, Mr. Wellburton, "Oh, uh, you know, uh, they have them in all Turkish harems." Wellburton says, "Oh, yes, of course," and Bates says, "He's very sensitive about it." This comes back a couple times later in the film with Achilles fussing over what Bates registered him as. Wellburton is played by another established and familiar supporting actor, Franklin Pangborn.

    And, in a whirlwind of newspaper reports and scene flashes, we see the meteoric rise of Bates as a promoter with some outlandish tidbits. A newspaper article reports, "Citizens of Pleasant Falls were startled yesterday at the report that a Nudist Colony had taken up its abode in a wooded dell on the outskirts of town." Then an action segment shows Pallette and some other guys in what look live caveman costumes in the woods. It's a hoot and over-the-top crazy.

    Although this is just a so-so comedy and film, it is one of the better ones of the young and attractive Mexican actress, Lupe Velez. She was 24 when she made this film. Like some other young actors, Velez had some rocky affairs and took to heavy drinking and drugs. At age 36, she would commit suicide with a drug overdose.

    Some reviewers see much more comedy in this film than I did. But, for anyone familiar with Lee Tracy, his fast-paced non-stop prattling soon becomes rattling on the nerves. Only fans who can long bear with that sort of delivery, and those of Tracy and Velez are likely to enjoy this film. Here are the best lines of this film.

    Teresita, "Oh, you're crazy." Jimmy Bates, "All pioneers are crazy, till they die - then they get a monument." Achilles, "Who wants a monument?"

    Jimmy Bates, "Listen, baby, you don't wanna be a hootch dancer all your life, do ya?"

    Jimmy Bates, "If I don't have you in Merle Farrell's Folies before the end of the week, I'll eat that dog in Times Square without mustard."

    Merle Farrell, "I'm working so hard, I don't know what I'm doing."

    Jimmy Bates, going over mail with his secretary, "What else is there?" Miss Flowers, "A letter from the Seluvian secretary of state." Bates, "What does he want?" Miss Flowers, "Would you be interested in handling the next presidential campaign?" Bates, "No. Who wants to leave a sucker town like this."

    Miss Flowers," Imagine anyone daring to question your veracity." Jimmy Bates, "Such language."
    dougdoepke

    Are They Paying Tracy by the Word

    Fast-talking promoter Tracy moves carny dancer Velez from lowly tent act to high-class Broadway using nothing more than wiles and wits.

    Too bad we can't hook up Tracy and Velez to a generator, because between them they could whip up enough sheer energy to light a city block plus a few darkened bedrooms. Tracy is in overdrive the entire time, while Velez appears stuck in a permanent hip swivel. Her shimmying version of O Mister Carpenter is a charming show-stopper and, in my book, the movie's highlight.

    Tracy, of course, specialized in these machine-gun roles. Here he's totally convincing, but not very likable, as the high-powered con man never at a loss for words or an under- handed scheme. As an actor, his average looks and lack of leading-man charisma add up to an odd commodity for glamour-obsessed Hollywood. Still, he's such a whirlwind of activity, you hardly notice. As for Velez, if she's an example of Mexican womanhood, then I say let's open the borders.

    Add such colorful supporting players as Palette, Pangborn, and Morgan, plus lots of pre- Code innuendo, all whipped into a crowd pleasing mix by ace director LaCava, and you've got an amusing dish, even 80 years later. And, oh yes, as to the movie's big mystery—is the rotund Palette actually a harem-guarding eunuch in disguise? Just check out that deep froggy voice for a pre-Code answer.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Composer Max Steiner plays the conductor of the Broadway show. (He also can be seen conducting the studio orchestra in the opening titles of RKO's Girl Crazy (1932) the same year.)
    • Blooper
      Shirley Chambers' onscreen character name is "Gladys", but she says her name is "Ella Beebee". She is never called Gladys.
    • Citazioni

      James 'Jimmy' Bates: And one more thing, you give them what they think they want and they'll want what they think you give them. As we say in trigonometry, A-B-C ,1-2-3, 2 and 2 makes 4.

    • Connessioni
      Featured in Great Performances: Music for the Movies: The Hollywood Sound (1995)
    • Colonne sonore
      O! Mister Carpenter
      (1932) (uncredited)

      Lyrics by Edward Eliscu

      Music by Harry Akst

      Performed several times by Lupe Velez, often with Lee Tracy on piano

      Also used as background music

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    Dettagli

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    • Data di uscita
      • 16 dicembre 1932 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • The Half-Naked Truth
    • Luoghi delle riprese
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, California, Stati Uniti(Studio)
    • Azienda produttrice
      • RKO Radio Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 17 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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