Rasputin e l'imperatrice

This is a reasonably decent movie, well acted (particularly by Lionel, who practically chews the scenery as Rasputin) and the sets and costumes are fairly nice. But the main selling point is that this is the only time the three Barrymores -Ethel, John and Lionel did a movie together. It's a good movie but could have been much better.

"Rasputin and the Empress" has the distinction of being the only movie that features siblings John, Ethel and Lionel Barrymore. However, of the three, Lionel is DEFINITELY the star and he's given ample opportunity to act and overact...and it's all very enjoyable to watch. His version of Rasputin certainly is NOT subtle.

Now there is a problem with making a film about Rasputin and that is there is a lot of lore involved. Many of the supposed 'facts' are obvious exaggerations....with the man having weird mystical powers and his death is clearly NOT realistically portrayed in history books. Fortunately, MGM chooses to make Rasputin evil but 100% human and without laser shooting out of his eyes!

The story begins in 1905, which is problematic since the film ends in mid-1918 with the murder of the Czar and his family. I say problematic because the children in the story never age! Additionally, although Rasputin had a personal relationship with the Czar and his family for about a decade, here in the film is looks like only a few months or perhaps a year. The fact is that the story wasn't intended as a history lesson and MGM made a few artistic changes here and there...something which probably made the film more enjoyable for most audience members.

As far as portraying this evil monk goes, Lionel Barrymore imbued him an amazing over-the-top personality and humanized him. Humanized because the tricks he does in the film are simply tricks--such as hypnotism and spying on folks in order to 'magically' know their secrets. It's all very enjoyable to watch and never is dull.

As for John, he has a relatively meaty role but is far, far more subdued. You do see him emote strongly during the murder sequence (one that varies tremendously with most accepted versions)....but otherwise he plays his role very straight.

Ethel, on the other hand, has a rather normal and even somewhat bland role in the movie. Simply put, any decent actress could have done her part.

So is it any good? Exceedingly so, yes. The story is never dull, is very big and exciting. And, even though they use a lot of stock footage, its inclusion isn't at all a detriment to the movie. Well worth seeing and quite enjoyable.

The only film with all three Barrymores together and it's a good film, however, the direction is very poorly done, especially the ending scene.

Other than that, Lionel Barrymore portrays an excellent Rasputin and Ethel Barrymore is wonderful as the Empress Alexandra Fyodorovna. John Barrymore is great as Prince Paul, the assassin of Rasputin (in real life, it was Prince Yussupov who assassinated Rasputin).

This is a good film, but if you want a better interpretation of Rasputin's "reign," rent the 1996 HBO version with Alan Rickman or the 1971 movie, "Nicholas and Alexandra."

A prince plots to kill the "mad monk" Rasputin for the good of the czar, the czarina and Russia.

In something of a minor epic, this film tells of the rise and fall of Rasputin, the "mad monk". How much is true and how much is legend is open to debate, but all the classic parts of the story are told here. If you are vaguely familiar with the story of Rasputin, this film should feel like you've seen it before (in a good way).

Everything about the film is quite good, from the acting to the costumes and beyond. This is, of course, a showcase for the Barrymore family, and it really does show how much they each contributed to the acting greatness of American cinema.

A true example of the assembly line style film-making of the old studios, where one doubts if the screenwriter ever visit the set, or did the director ever sit at an editing bench. Lionel Barrymore, however is a treat as the grimy, kooky Rasputin. He doesn't go for one-note scary. He's seen as a fun party animal, a believable healer, and the world's worst dinner guest. Other than that, John is wasted as the hero, as is their sister Ethel.