La maschera di fango

See it- This is a diamond in the rough. It is relatively unknown but a must-see for Gary Cooper fans. Cooper plays his usual character of a man on a mission to redeem himself, but this is not a typical western. Exciting from start to finish, it's the story of the inception of counterintelligence used by the Union in the Civil War. It is not necessarily James Bond with a cowboy hat. It is still very much a western, and a refreshingly good Civil War movie for a change. Movie buffs will also get a kick out of a young Fess Parker. Full of twists and lots of battle scenes, it's a good old-fashioned, fun movie. 4 action rating

Springfield Rifle is the film Gary Cooper made after his much acclaimed performance in High Noon. Not that it's a bad film, but a fairly routine western which even kind of gives away who the inside man is way too early in the film. It would have been better had their been more suspense.

Gary Cooper goes undercover to find a ring of rustlers who are working in cahoots with the Confederacy during the Civil War, stealing horses meant for the Union cavalry.

To do this he gets himself courtmartialed and drummed out of the army. And he gets the full Chuck Connors treatment, that Connors received on his series Branded. This enables Cooper to join the renegades led by David Brian and Lon Chaney, Jr.

Things do get complicated when Coop's wife, Phyllis Thaxter, shows up to tell him about their son who has run away. Her concern nearly derails the mission and her husband.

Some good western action is in Springfield Rifle, a couple of pitched battles with the renegades and Cooper finally uncovering the inside man in the rustling ring.

Three good performances besides the players mentioned are Guinn Williams as the sergeant who saves Cooper from a hangman, Paul Kelly as the post commander, and Philip Carey as a rival officer to Cooper on the post.

Springfield Rifle is good action entertainment for those who like their westerns action filled.

Good Western with frantic action , thrills , fights , crossfire , wonderful outdoors , all of them keep things lively . Major Lex Kearny (Gary Cooper) is degraded and consequently considered a treacherous , as he becomes the North's first counterespionage agent , as he attempts to discover who's behind the theft of Union cavalry horses in Colorado during the Civil War . Falling in with the band of Jayhawkers (Lon Chaney Jr. , Guinn 'Big Boy' Williams , among others) and Confederate soldiers who have been leading the raids , he gradually gains their trust to uncover their plans and reveal the routes of the horse shipments . But then , it appears his wife , Erin Kearney , (Phyllis Thaxter) and things go awry . At the end the good boys take the Springfield Rifles , ¨The Gun That Made One Man The Equal Of Five¨.

Based on the real-life of Major Les Kearney who joined forces with outlaws to catch the thieves stealing Union horses . This exciting picture tells the story of an upright officer wrongly degraded , dishonorably discharged from the army for cowardice , being finely played by the great Gary Cooper who gives a perfect acting in his usual stoic style . And being released the same year as Gary Cooper's most famous Western , High Noon (1952), which also starred Lon Chaney Jr. in a secondary role . It contains noisy action , shootouts , a climatic confrontation on the final , twists and turns ; being breathtakingly photographed in WarnerColor . Interesting as well as stirring screenplay Charles Marquis Warren and Frank Davis , based on a story by Sloan Nibley .

This undemanding western is plenty of suspense as the dreaded final attack approaches and the protagonist realizes he must stand alone against impossible odds and nobody is willing to help him but he is accused as a traitor , while he attempts to clear his name as a wrongfully accused soldier . This enjoyable tale is almost rudimentary though full of clichés , a good guy comes to narration is almost adjusted in real time from the starring is degraded , subsequently detained , imprisoned , escaped , until the ending take on , when he is besieged by the bad boys . Nice supporting actors largely hang around waiting for something to do , and with plenty of familiar faces , such as : Paul Kelly , David Brian , Philip Carey , Fess Parker , Guinn 'Big Boy' Williams , Lon Chaney Jr., Alan Hale Jr. , Richard Hale , Martin Milner and James Brown . Colorful cinematography by Edwin DuPair , being shot on location at attitudes of up 9500 feet on the slopes of California's Mount Whitney . Furthermore , a moving and agreeable musical score by the classical composer Max Steiner .

This typical Western was professionally directed by Andre De Toth . At his beginnings De Toth entered the Hungarian film industry, obtaining work as a writer, editor , second unit director and actor before finally becoming a director. He directed a few films just before the outbreak of WW II, when he fled to England . Alexander Korda gave him a job there, and when De Toth emigrated to the US in 1942 , Korda got him a job as a second unit director on Jungle Book (1942) . Andre De Toth was a classical director , Western usual (Indian fighter, Man in the saddle , Ramrod , Last of Comanches , The stranger wore a gun), but also made Peplum (Gold for the Caesar) and adventure (The Mongols , Morgan the pirate , Tanganyika) . Probably his best known film is House of wax (1953), a Vincent Price horror film shot in 3D . Springfield Rifle rating : 6.5/10 , decent and acceptable Western , well worth watching .

I agree the movie is an underrated western, it reminds one of John Ford movies, and the direction is great. Some of the acting and direction, e.g. when Col. Hudson figures out Lex is an agent, is really good, as well as other scenes with very subtly fine direction. What also occurs to me is that much of the cinematography in this film is pretty near fantastic. While the setting in Lone Pine, California is nice and makes the filming a little easier in that regard, the lighting and camera work are exceptional, including early and late day shots, and even for the average shots on the set, e.g. around the fort, lighting, etc. Some of the action shots are pretty darned amazing, too, including the running herds of horses. I noticed a mix of saddle horses, mules and draft horses in the herd, which I think lends some authenticity to the film.

Depending on what reviews you read of course, Springfield Rifle is either a slowly paced pot boiler or an action packed suspenser. Such is the diversity of this form of the arts, you could easily favour one or the other and nobody could really argue with you. The truth is that André De Toth's film wants to be both, but with an almost dizzying plot and a misleading title, it winds up being an over ambitious picture that doesn't quite pay off on its promise.

Gary Cooper stars as Maj. Alex 'Lex' Kearney who gets himself cashiered from the army on a charge of cowardice in order to go undercover to break up a Confederate ring who are stealing horses during the civil war. But Kearney is not the only spy at work so his mission is a touch more complicated than at first thought. Not only that but he is so deep undercover his wife and son believe him to be a real coward and have therefore ostracised him. Oh and the new and war changing Springfield Rifle will have a part to play in the shenanigans.

Released in the same year as Cooper was wowing genre fans in High Noon, De Toth's movie does actually feel like an attempt to cash in on the big mans star appeal. However, it should be noted that executives at Warner Brothers didn't want Cooper to play the role, fearing his wholesome image just wouldn't suit a role involving cowardice and double dallying for both parties in the war. De Toth stood by his guns and was rewarded, to my mind, by a film saving performance from Cooper. Frank Davis and Charles Marquis Warren adapt from a story written by Sloan Nibley (who is noted in the genre for his numerous work on Roy Rogers scripts), Max Steiner provides the score and Edwin B. DuPar photographs out of Lone Pine and Warner Ranch in California. The film is not shot in Technicolor {as stated by some reviewers}, it was shot in the Warnercolor process. With the result somewhat pleasing on the eye, notably the uniforms of the soldiers and the flame engulfed sequence towards the finale.

The support cast are fair to middling. Lon Chaney Jr. is sadly a shadow of his former self, tho a good old dust up with Cooper raises the temperature. Phyllis Thaxter, David Brian, Paul Kelly & Philip Carey file in and say their lines. While Guinn 'Big Boy' Williams & Alan Hale Jr. deserved more screen time than they actually got. With surprises in the plot and Cooper adding some quality, Springfield Rifle is entertaining enough. But ultimately it ends up being a modest genre piece that really should have been much much better. 6/10