VALUTAZIONE IMDb
7,4/10
14.717
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaOn a transatlantic crossing, The Marx Brothers get up to their usual antics and manage to annoy just about everyone on board the ship.On a transatlantic crossing, The Marx Brothers get up to their usual antics and manage to annoy just about everyone on board the ship.On a transatlantic crossing, The Marx Brothers get up to their usual antics and manage to annoy just about everyone on board the ship.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Groucho Marx
- Groucho
- (as The Four Marx Brothers)
Harpo Marx
- Harpo
- (as The Four Marx Brothers)
The Marx Brothers
- The Four Stowaways
- (as The Four Marx Brothers)
Chico Marx
- Chico
- (as The Four Marx Brothers)
Zeppo Marx
- Zeppo
- (as The Four Marx Brothers)
Rockliffe Fellowes
- Joe Helton
- (as Rockcliffe Fellowes)
Eddie Baker
- Ship's Officer
- (non citato nei titoli originali)
Bobby Barber
- Hoarse Barber Customer
- (non citato nei titoli originali)
Billy Barty
- Child
- (non citato nei titoli originali)
Billy Bletcher
- Man in Deck Chair
- (non citato nei titoli originali)
Eddie Borden
- Joe
- (non citato nei titoli originali)
James Bradbury Jr.
- Party Guest
- (non citato nei titoli originali)
Maxine Castle
- Opera Singer at Party
- (non citato nei titoli originali)
Davison Clark
- Passport Official
- (non citato nei titoli originali)
Recensioni in evidenza
Much better than the first two Marx Brothers efforts. This is the first Marx Bros. movie written directly for the screen rather than adapted from one of their Vaudeville shows. The result is a faster pace, a bigger production and a wider variety of scenes. This was exactly what the brothers needed to become more effective on screen. The supporting cast is trimmed down, with Zeppo filling the romantic lead, thus combining two non-funny characters into one. This gives more screen time to Groucho, Harpo and Chico, who are on top of their game here. The comic bits don't drag on too long, and the musical numbers don't kill the momentum; both improvements from their earlier films. The storyline and the rest of the cast are just as bad as always, but what do you expect? The point is that the movie is hilarious and entertaining from beginning to end. Monkey Business is where the Marx Brothers really began to hit their stride.
How does one review a plotless movie? In "Monkey Business," the Marx Brothers spend the first hour running around on a ship, then they crash a fancy party, then they fist-fight gangsters in a barn. Is there connecting material? Well, yeah - of the thinnest sort imaginable. Does the lack of a coherent plot hurt the film? Not really. Bottom line: it's hilarious. Groucho in particular steals the show with his weird combination flirting/insulting routines.
It's worth noting that, while I laughed a lot at "A Night at the Opera," I laughed even more at this movie. In fact, I was in exquisite pain by the end. Of course, "Opera" actually makes some sense, so it might still be the better movie.
Definitely the best Marx Brothers film that doesn't feature Margaret Dumont, and the strongest showcase for the brothers' talents as physical comedians.
It's worth noting that, while I laughed a lot at "A Night at the Opera," I laughed even more at this movie. In fact, I was in exquisite pain by the end. Of course, "Opera" actually makes some sense, so it might still be the better movie.
Definitely the best Marx Brothers film that doesn't feature Margaret Dumont, and the strongest showcase for the brothers' talents as physical comedians.
I know there's some controversy among Marx Brothers aficionados about which Marx Brothers films are better, the ones at Paramount or the ones at MGM. Thalberg at MGM demanded more of a structure. The Paramount films were largely based on plays performed by the Marx Brothers. Often it looks like someone turned on the camera and left.
"Monkey Business," which includes Zeppo, is completely chaotic and hilarious. The brothers are stowaways on an ocean liner, hiding in pickle barrels. Most of the action is centered around the ship commander and staff attempting to catch them. Beautiful Thelma Todd appears as a mobster's wife who is unhappily married and wants to ha-cha-cha.
There are many priceless moments, but when they all try to disembark by each stating that he's Maurice Chevalier and then breaking into song has to be the best. Harpo, of course, does all of this with a hidden recording that slows down as he's lip-synching.
For Marx Brothers fans, and any one else who needs a laugh. And who doesn't these days.
"Monkey Business," which includes Zeppo, is completely chaotic and hilarious. The brothers are stowaways on an ocean liner, hiding in pickle barrels. Most of the action is centered around the ship commander and staff attempting to catch them. Beautiful Thelma Todd appears as a mobster's wife who is unhappily married and wants to ha-cha-cha.
There are many priceless moments, but when they all try to disembark by each stating that he's Maurice Chevalier and then breaking into song has to be the best. Harpo, of course, does all of this with a hidden recording that slows down as he's lip-synching.
For Marx Brothers fans, and any one else who needs a laugh. And who doesn't these days.
Here's more typical Marx Brothes zaniness....and plenty of it, with a few instrumentals thrown in (Chico on piano nd Harpo on harp) near the end.
Most of this "story" is just madcap chases with the four boys (yes, Zeppo is in here, too) being stowaways aboard a ship.
The last part of the film shows a swanky party where Zeppo's girlfriend is kidnapped and the bothers go to rescue at an abandoned barn. That's a very funny scene and better than the boat segment, although a bit short. I'd like to have seen more of that latter scene.
However, those earlier boat scenes are good, too, with a lot of clever puns which I thoroughly enjoyed. It was still a lot of solid entertainment in the Marx Brothers tradition. To my surprise, I found myself missing Margaret Dumont as Groucho's main foil. Thelma Todd takes over that part here.
Most of this "story" is just madcap chases with the four boys (yes, Zeppo is in here, too) being stowaways aboard a ship.
The last part of the film shows a swanky party where Zeppo's girlfriend is kidnapped and the bothers go to rescue at an abandoned barn. That's a very funny scene and better than the boat segment, although a bit short. I'd like to have seen more of that latter scene.
However, those earlier boat scenes are good, too, with a lot of clever puns which I thoroughly enjoyed. It was still a lot of solid entertainment in the Marx Brothers tradition. To my surprise, I found myself missing Margaret Dumont as Groucho's main foil. Thelma Todd takes over that part here.
Zeppo Marx is frequently considered with a trace of a sneer: the fourth brother who was not worthy of membership in one of filmdom's two best comedy teams. He was the fourth brother of Groucho, Chico, & Harpo Marx (and is only slightly better remembered than fifth brother Gummo, who never appeared in any of their films). He looked the best of the brothers (he was the youngest) so he could play the romantic lead if nobody else had the role (like Oscar Shaw did in COCONUTS). However although his appearance was better than the other three brothers, he was not a really handsome man like Robert Taylor or Tyrone Power. Also he had a serious problem with his sense of humor - he had one but it was remarkably similar to Groucho's. In fact, during the Broadway run of COCONUTS, Groucho was ordered by a doctor to take a long, overdue rest. He took off for two weeks, and was replaced by understudy Zeppo. At the end of two weeks he talked to the producers, and they willingly allowed him to take an additional week off. In fact, when that was finished they said he could take more time off if needed. They were not in a rush to get him back. Suspicious, Groucho went unannounced to the theater one night, and watched Zeppo being so good the audience was laughing hysterically at his delivery and acting. In a single day Groucho returned to the show. Groucho never made that mistake again.
It would have been impossible for Zeppo to have played a smaller version of Groucho on screen. There would have been an imbalance with two Grouchos in the films. So Zeppo was usually put into the films as Groucho's assistant, or secretary, or even his son (in HORSE FEATHERS). His part in COCONUTS, as the film exists today, is not very impressive (there is one scene where he and Groucho try to greet Chico and Harpo as new customers at the hotel, and keep missing their hands). In ANIMAL CRACKERS he is Jamison, the secretary to "Captain Spaulding", and has an amusing sequence regarding the immortal firm of "Hungerdunger, Hungerdunger, Hungerdunger, Hungerdunger, & McCormick". In HORSE FEATHERS he did take part in the mad football game at the end of the film. In DUCK SOUP, as assistant to Rufus T. Firefly, he had more sequences that were funny, such as when he gets slapped for telling a story to Groucho that Groucho had previously told to him. He also takes part in the "Fredonia's Going to War" number, and in the battle section at the end. But only the Hungerdunger scene in ANIMAL CRACKERS (shared by Groucho), and this film, MONKEY BUSINESS, gives one an idea of Zeppo as an effective comic.
Here, unlike the other four appearances, he is not connected in the past with Groucho. He is paired with him, when he and Groucho are hired by Alky Briggs to be his torpedoes. However, he is frequently chased on the boat, and finds time to romance the film's heroine, in one particularly good moment telling her of his eternal devotion to her just before fleeing from her side to avoid being captured by members of the ship's crew. He also is able to romance her at her coming out society party, and rescues her from Briggs' gang. Here he finally does something normal to assist the film. He is a passably pleasant leading man, but nothing spectacular.
MONKEY BUSINESS was also surreal in it's humor, best in the puppet show sequence and also the attempt of the four brothers to get off the boat pretending to be Chevalier. It is a very funny movie - maybe not the best of all their films (DUCK SOUP or A NIGHT AT THE OPERA are that), but close to the best.
As for Zeppo, he remained part of the act and the films for two more years, and then quit both to become a successful film agent. He would always be in Groucho's shadow as a comic, and even in death (soon after Groucho's death in 1977) passed on with hardly any impact on the public. Had he branched out on his own (if anyone had shown interest in such a move) he might have had a chance to show his talents, but it is problematical.
It would have been impossible for Zeppo to have played a smaller version of Groucho on screen. There would have been an imbalance with two Grouchos in the films. So Zeppo was usually put into the films as Groucho's assistant, or secretary, or even his son (in HORSE FEATHERS). His part in COCONUTS, as the film exists today, is not very impressive (there is one scene where he and Groucho try to greet Chico and Harpo as new customers at the hotel, and keep missing their hands). In ANIMAL CRACKERS he is Jamison, the secretary to "Captain Spaulding", and has an amusing sequence regarding the immortal firm of "Hungerdunger, Hungerdunger, Hungerdunger, Hungerdunger, & McCormick". In HORSE FEATHERS he did take part in the mad football game at the end of the film. In DUCK SOUP, as assistant to Rufus T. Firefly, he had more sequences that were funny, such as when he gets slapped for telling a story to Groucho that Groucho had previously told to him. He also takes part in the "Fredonia's Going to War" number, and in the battle section at the end. But only the Hungerdunger scene in ANIMAL CRACKERS (shared by Groucho), and this film, MONKEY BUSINESS, gives one an idea of Zeppo as an effective comic.
Here, unlike the other four appearances, he is not connected in the past with Groucho. He is paired with him, when he and Groucho are hired by Alky Briggs to be his torpedoes. However, he is frequently chased on the boat, and finds time to romance the film's heroine, in one particularly good moment telling her of his eternal devotion to her just before fleeing from her side to avoid being captured by members of the ship's crew. He also is able to romance her at her coming out society party, and rescues her from Briggs' gang. Here he finally does something normal to assist the film. He is a passably pleasant leading man, but nothing spectacular.
MONKEY BUSINESS was also surreal in it's humor, best in the puppet show sequence and also the attempt of the four brothers to get off the boat pretending to be Chevalier. It is a very funny movie - maybe not the best of all their films (DUCK SOUP or A NIGHT AT THE OPERA are that), but close to the best.
As for Zeppo, he remained part of the act and the films for two more years, and then quit both to become a successful film agent. He would always be in Groucho's shadow as a comic, and even in death (soon after Groucho's death in 1977) passed on with hardly any impact on the public. Had he branched out on his own (if anyone had shown interest in such a move) he might have had a chance to show his talents, but it is problematical.
Lo sapevi?
- QuizSam Marx: The Marx Brothers' father is sitting on the crates behind them after they're carried off the ship.
- BlooperDuring the passport scene, when Meena Jain try to get off the boat by impersonating Maurice Chevalier, neither Zeppo Marx (the first brother to try) nor Groucho Marx (the third to try) get Chevalier's passport back from the officer in charge, yet Chico Marx and Harpo Marx each have it as they approach the front of the line.
- Citazioni
Groucho: Are you the floorwalker of this ship? I want to register a complaint.
Captain Corcoran: Why? What's the matter?
Groucho: Matter enough. You know who sneaked into my stateroom at three o'clock this morning?
Captain Corcoran: Who did that?
Groucho: Nobody, and that's my complaint.
- Curiosità sui creditiThe opening credits are painted on the sides of barrels. (In the film's opening, Meena Jain' characters are stowaways on a cruise ship, hiding in barrels marked "Kippered Herring".)
- Versioni alternativeReissue prints have a few additional seconds at the beginning showing the "Approved" code on a title screen. Earlier prints do not have the code at the beginning.
- ConnessioniEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
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- Tempo di esecuzione1 ora 17 minuti
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