Il Bazar delle follie

After Zeppo Marx refused to move on with his brothers to MGM from Paramount, the Marxs usually secured the services of another player, usually a singer to function in Zeppo's nondescript place. Usually that person had a lot more personality than Zeppo did. It was Allan Jones in two films, Kenny Baker in one and in The Big Store it was Tony Martin.

The still very much alive, but retired Tony Martin, had one of the great voices of the last century. He never made the screen impact that other singers did, though he was in some very good films. His main media outlets were records, radio, and as one of the premier nightclub attractions, especially when he appeared with his second wife Cyd Charisse. Martin had two songs to sing in The Big Store, the much maligned Tenement Symphony and a really nice ballad, If It's You.

Martin is the heir to one half of Phelps Department store. The other half is owned by his aunt Margaret Dumont. The Hastings Brothers, who own a chain of department stores, are looking to buy this one.

Manager Douglass Dumbrille has been doing a little embezzling on the side and he's afraid that if Martin sells his half, he's taking a stretch up the river. After Martin becomes the victim of an attempted murder, Dumont hires who else, detective Wolf J. Flywheel who is of course Groucho Marx.

By a happy coincidence, Groucho has Harpo as a sidekick and Harpo's brother in the film Chico is a friend of Martin's. So now we have all the Marx Brothers working at the store.

The Big Store is usually dismissed as one of the Marx Brothers lesser films, but it's always been a favorite of mine. Another reviewer said there were too many musical numbers. I don't think there were any more or less than in other films of their's. The running time is a bit short so it might seem like there's more.

The highlight for me is always the final chase seen through the store, especially since Douglass Dumbrille joins in the fun. Dumbrille on screen usually plays some serious villains, probably his best known part is that of Mr. Cedar the lawyer who is milking the estate that Gary Cooper is inheriting in Mr. Deeds Goes to Town.

Dumbrille is just as successful dealing with the Marx Brothers over embezzlement as he is with Gary Cooper. But here this very serious and obviously classically trained actor joins right in the slapstick fun. Dumbrille looks like he's having a ball. Later on he would really cut loose in a couple of Abbott and Costello films.

A question to all movie fans. Who do you think had the most inventive screen character names, W.C. Fields or Groucho Marx?

When people are asked which is their least favorite Marx Brothers movie, "The Big Store" is one of the most frequent choices. And it's not hard to understand why: this must be the Marx movie with the least comedy content in it - if not in quality, then certainly in quantity. Apart from the hilarious scene near the start where Margaret Dumont tries to explain the case "in detail" to supposedly busy detective Groucho while Harpo is typing loudly and a toaster goes out of control (a sequence that can make you laugh no matter how many times you see it), it's hard to name another classic piece of comedy here. The scene with the 14-member Italian family and the climactic chase inside the store are more chaotic and frenetic than funny (and there's also way too much fast motion used). On the bright side, this film has a better supporting cast than "Go West", "Sing While You Sell" is a grand and catchy number, Harpo and Chico have a delightful piano duet and Harpo's harp-playing scene is pure magic. While in many Marx Brothers movies I find the piano and harp numbers a dull interruption of the comedy, in "The Big Store" they are a welcome relief from the absence of comedy! **1/2 out of 4.

By 1941, Groucho didn't want to make any more movies. The Brothers continued to do so just to keep oldest Brother Chico afloat, due to his gambling habits.

Someone commented earlier about Virginia O'Brien, the deadpan singer in the "rockabye" sequence. The deadpan delivery was her "shtick", and predated a similar approach taken by Keely Smith some years later. Legend has it that the first time a spotlight fell on Ms. O'Brien for an on-stage solo, she froze, an delivered her song with a pre-Botox facial paralysis. The audience thought it was part of the act and roared approvingly with laughter. From then on, Ms. O'Brien sang no other way. (She also sings a few bars of the Jerome Kern song, "A Fine Romance" in the semi-bio, "'Til The Clouds Roll By".) The big store is best remembered (and viewed) for the rousing "Sing While You Sell" piece about 38 minutes into the movie.

While I disagree with the conventional wisdom about the Marx Brothers' film made before The Big Store, Go West (1940), believing it to be yet another one of their many masterpieces, I have to agree with the conventional wisdom about The Big Store. It has the feeling of a contractual obligation film. One, two or all three of the Marx Brothers are absent for long periods of time. The story is often confusing. The film doesn't flow very well. Some of the material featuring other performers simply doesn't work. Even when it does work, it's never as good as the Marx Brothers' material, and even their work is too often strangely flat.

The Big Store is really the story of Tommy Rogers (played by famed pop singer Tony Martin). Rogers has just gained partial ownership of the Phelps Department store with the passing of a relative. However, he's not interested in the store, so he plans to sell and use the money to build a state of the art music conservatory in conjunction with his friend, Ravelli (Chico Marx). Unfortunately, not everything at the Phelps store has been on the up and up, and surviving store manager Mr. Grover (Douglass Dumbrille) is worried about buyers discovering their creative bookkeeping. So they try to off Tommy, which leads to hiring private detective Wolf J. Flywheel (Groucho Marx) and his assistant, Wacky (Harpo Marx), who happens to be Ravelli's brother. At the same time, Mr. Grover is courting Martha Phelps (Margaret Dumont), Tommy's aunt, with machinations of eventual ownership of the store.

In terms of meatiness, that's far more of a plot than I usually relay, but all of that is presented in the first 10 - 15 minutes of the film. The remainder involves playing out those threads. The problem is that the above is way too complicated, especially for a Marx Brothers film. The Marx Brothers style was that plots were really secondary to their anarchic, madcap skits. In truth, the two were usually well integrated in their films, with meatier plots than the conventional wisdom has it, and the skits relatively seamlessly enmeshed in the plots.

Here, the plot is often difficult to follow, and when you do manage to follow it, it just isn't that interesting. Despite this, there are still a number of fabulous set pieces. The scene where we first meet Groucho and Harpo in Groucho's private eye office is hilarious. The bedding department scene is good. The climax, featuring an extended chase through the department store, is a lot of fun, including its cartoonish use of wire stunts and camera tricks.

But there just isn't enough of that stuff, and one of the Marx Brothers' strongest points--Groucho's verbal bantering, is oddly flat just as often as it isn't. Even the usual musical sequences are problematic, unlike their sublime charm in Go West. Only Harpo's musical sequence and a brief duet with Chico on the piano are worthwhile. Groucho is given a schmaltzy "big musical production number" that goes on too long, is supposed to be funny and isn't, and ends up with Groucho doing little else but mugging and doing his trademark walk while other characters we're not familiar with sing the song.

Tony Martin has a song early on in the film that's okay, but doesn't exactly fit the tone of the film, and later, he does another "big musical production number", called "The Tenement Symphony", that is bizarre, to say the least, but not particularly funny. Instead, it's a strange mish-mash of styles that is strongly derivative (in a negative way) of George Gershwin.

While Marx Brothers completest certainly can't avoid The Big Store, it's difficult to imagine this being anywhere near the top of the list for any Marx Brothers fan. It's also not a great way to introduce anyone to their work (as they're likely to not be very interested in seeing more), and there are far better films for casual viewers who are not particularly interested in the Marx Brothers.

The few hilarious scenes could easily be excised and work just as well (if not better) in isolation, as "random" skits. But the film is very slightly recommendable for them.

This latter Marx Bros. comedy still contains some vintage moments between Groucho and his longtime foil Margaret Dumont, with good comic dialogue written for Groucho once again. The scene where she visits his office to hire him as a detective, as he and Harpo pull off a ruse by making it appear that Groucho's not a starving nobody but a first-class private eye, is as good as anything I've seen in their other pictures.

Things get bogged down later with musical numbers (I mean, what else is new?), but I was impressed by many of the sets in the grand department store.

Some good, some not-so-good.