L'eredità

A little longer and more slow-paced than most of their short features, "The Laurel & Hardy Murder Case" combines the duo's usual comedy gags with some old-fashioned gloomy-old-house atmosphere. When Stanley reads in the paper about the death of a rich man named Laurel, he and Ollie head to the house for the reading of the will, hoping that Stanley will inherit something. Instead, they are soon caught up in a murder mystery and a series of spooky/comic events. The attention paid to the ominous house and occupants slows things down, and makes this a lot less frantic than their best comedies, but it is still entertaining, and has a couple of hilarious sequences.

A LAUREL & HARDY Comedy Short.

Hoping to inherit the $3,000,000 left by the murdered Ebenezer Laurel, the Boys find themselves spending a terrified evening in haunted Laurel Mansion, full of things that go bump in the night & the usual (disappearing) suspects. Who will be left to solve THE LAUREL-HARDY MURDER CASE?

An elaborate little film, somewhat longer than usual, with lots of fine Gothic touches. It's a shame it has such a weak ending. Highlight: the bat under the sheet. That's Frank Austin as the creepy butler & Fred Kelsey as the police detective.

This is another L & H short that deviates in some way from the general pattern of them; but this time, the central tennet is drastically different: the boys are implicated in a frankly absurd murder case. Dell Henderson's wonderfully creaking, slow turn, is a comic parody of horror movie 'housekeepers' and butlers before Universal horror really took off. I like the way an authority figure is sent up (as often in L & H); this time a bumbling, melodramatic detective, the actor hamming it up for all it was worth. There's barely a bone in this film's skeleton that isn't light and giddily brittle; only the early scene of Ollie musing on his friendship with Stan, the two of them sitting by the waterside, really seems like a typically L & H scene. And beautifully played and written it is too. It has that comic pathos that is entirely relinquished by the film from then on.

The remainder of this picture spirals off into the most obvious, overplayed silliness; but I loved it. Laurel and Hardy in a creaking, almost chuckling set, standing in for a haunted house; absurd, devilish do propagated by a leering, comatose housekeeper; predictable gags; a bat or two. Just bring it all to mind, and smile... give it a viewing some day, and I'm sure you'll be amused. "The Laurel-Hardy Murder Case" is a wonderfully enjoyable short; and a refreshing variant within their very consistent, fine work during this pre-feature length era.

Rating:- ****/*****

***SPOILERS FOR EMILY***

This is one of Laurel & Hardy's weaker short film entries from Hal Roach Studios. It suffers from a repetitive script and an ending that feels so tacked-on that I can't help but wonder if the crew realized they were filming a mess with no good resolution.

The byplay between Stan and Oliver is the bright spot, though some of the gags in the bedroom scene are a little too hokey to get much of a laugh - that has to be the fakiest fake bat I've EVER seen in a movie.

The opening scene, with the Boys fishing off the pier, contains most of the movie's funniest material. You can always find something good about even the weakest Laurel & Hardy film.

The Boys read that the heirs of Ebenezer Laurel should present themselves at his mansion for a reading of the will. Naturally, Mr. Hardy sees riches in front of his eyes, which he will share with Mr. Hardy. However, there is no will. It's a set-up by the police, in the form of perpetual dumb cop Fred Kelsey to trap the old man's murderer.

It's pretty elaborate for Laurel and Hardy, with an immense cast; they were quite capable of making a great short with just the two of them, and Charlie Hall to fight. Because of that, the cast takes up too much time, with too little of the boys being scared out of their.... well, they never had much in the way of wits before.