Aggiungi una trama nella tua linguaSpendthrift Willie Leyland again returns to the family home in London penniless. His father is none too pleased but Willie smooth-talks him into letting him stay. At the same time, he turns ... Leggi tuttoSpendthrift Willie Leyland again returns to the family home in London penniless. His father is none too pleased but Willie smooth-talks him into letting him stay. At the same time, he turns the charm on Dorothy Hope, whose father is big in linoleum and who, before Willie's arriva... Leggi tuttoSpendthrift Willie Leyland again returns to the family home in London penniless. His father is none too pleased but Willie smooth-talks him into letting him stay. At the same time, he turns the charm on Dorothy Hope, whose father is big in linoleum and who, before Willie's arrival, was about to become engaged to a Russian aristocrat.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 1 candidatura in totale
- Arthur
- (as Crawford Kent)
- Bidder for Bed
- (non citato nei titoli originali)
- Molly - Mary Crayle's Maid
- (non citato nei titoli originali)
- Racing Fan at Derby
- (non citato nei titoli originali)
- Mrs. Hope
- (non citato nei titoli originali)
- Taxi Driver
- (non citato nei titoli originali)
- Pet Shop Owner
- (non citato nei titoli originali)
- Club Member
- (non citato nei titoli originali)
- Butler
- (non citato nei titoli originali)
- Lord Leland's Butler
- (non citato nei titoli originali)
- Porter
- (non citato nei titoli originali)
Recensioni in evidenza
I like the way we're introduced to Willie's soft heart when he relents to buy eager mutt George from the pet store. Some such insight is needed since, aside from his antics, Willie's character is yet undefined. Producer Goldwyn had an obvious eye for up and comers like actresses Young and Loy who get the fashionable gowns, along with winning personalities and a shot at acting chops. Also, the production's well-upholstered befitting the background wealth. Then too, this is pre-Depression (1930) so the screenplay needn't worry about class issues that would soon prevail. Should also note the rotund Fred Kerr who plays Dorothy's dad like a really grouchy Winston Churchill-- I thought the physical resemblance striking. Anyway, it's an entertaining little flick that features an unusual character for a leading man, so give it a try since the sub-textual values cut across eras.
The film is well done, and the charm of Ronald Colman and Loretta Young makes the story a "must see".
Lo sapevi?
- QuizThe film's original director was Irving Cummings with Dorothy being played by Constance Cummings. After some scenes were shot, George Fitzmaurice replaced Cummings as director, and Loretta Young took over the role of Dorothy, with all previous scenes re-shot.
- BlooperBoom microphone shadow is unmistakable in a number of interior scenes toward the beginning of the film.
- Citazioni
Lord Leland: Here it is half-past nine and not a sign of him.
Dorothy Hope: Have you called the police?
Lord Leland: Do you know Master Willie?
Dorothy Hope: No, I've never met him.
Lord Leland: Well, if you had, you'd know telephoning a policeman's wife would be more effective.
- ConnessioniReferenced in La casa della 56ª strada (1933)
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Dettagli
- Tempo di esecuzione1 ora 12 minuti
- Colore
- Mix di suoni