VALUTAZIONE IMDb
7,4/10
1910
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaStan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.
- Regia
- Sceneggiatura
- Star
Baldwin Cooke
- Waiter
- (non citato nei titoli originali)
Jean De Briac
- Shopkeeper
- (non citato nei titoli originali)
Dick Gilbert
- Phone Booth Gawker
- (non citato nei titoli originali)
Vladimir Gueteron
- Orchestra Leader
- (non citato nei titoli originali)
Charlie Hall
- Cabdriver
- (non citato nei titoli originali)
Jack Hill
- Man in Rainbow Club
- (non citato nei titoli originali)
Frank Holliday
- Rainbow Club Singer
- (non citato nei titoli originali)
Bob Minford
- Phone Booth Gawker
- (non citato nei titoli originali)
Tiny Sandford
- Headwaiter
- (non citato nei titoli originali)
Harry Wilde
- Nightclub patron
- (non citato nei titoli originali)
Recensioni in evidenza
There is little story present and the movie can mainly be split into two separate parts. The first part of the story is about Stan, who tries to sneak out of the house from his wife, to meet up with Ollie to go and have a good time in 'Rainbow club'. The second part of the movie is about Stan and Ollie, who get 'drunk' in the 'Rainbow club'. The second part of the movie is more filled with some typical good slapstick humor and hardly any words are spoken in those sequences. It's in my opinion the best part of the movie and the timing and comedy-acting is top-class!
The movie has more than enough laughs in it to make "Blotto" an entertainingly watchable comical movie with Stan Laurel and Oliver Hardy. Especially the slapstick moments make this movie a fun one to watch and are good for some serious laughs.
Oliver Hardy and Stan Laurel are good as always and once more show the wonderful chemistry the both of them had together. Also Anita Garvin is wonderful in the role of Mrs. Laurel.
The movie also provides a pretty good view on '30's nightlife, when the two enter the 'Rainbow club'.
Perfectly watchable when you want to have a good and fun 26 minutes.
7/10
http://bobafett1138.blogspot.com/
The movie has more than enough laughs in it to make "Blotto" an entertainingly watchable comical movie with Stan Laurel and Oliver Hardy. Especially the slapstick moments make this movie a fun one to watch and are good for some serious laughs.
Oliver Hardy and Stan Laurel are good as always and once more show the wonderful chemistry the both of them had together. Also Anita Garvin is wonderful in the role of Mrs. Laurel.
The movie also provides a pretty good view on '30's nightlife, when the two enter the 'Rainbow club'.
Perfectly watchable when you want to have a good and fun 26 minutes.
7/10
http://bobafett1138.blogspot.com/
A very refined work by Stan Laurel and Oliver hardy in early thirties (the peak time of this comedy team). Stan and Ollie are planning to go to Rainbow Club (which is opening same night) but Anita Garvin (Mrs. Laurel) listen the conversation of both of them on telephone. Stan is telling Ollie that he cant come because he cant find some genuine excuse to go out. Ollie suggest him to send him self a telegram '' important business'' , then Ollie asks from where they can get bottle, Stan says don't worry my wife has got one , he will be blaming it on the iceman. Anita Garvin listen all their plans and change the liquor with cold tea. Wonderful expression by Stan when he wants to talk to Oliver but cant due to the presence of his wife who is sitting close to him. In the end , famous weeping and specially laughing ( that they drank her liquor) by them reflects that they were really master of humour and their records will keep on alive in generations to come. And simultaneously when Anita Garvin tells them that it was cold tea not the liquor, at that very point the transition of them from ''Laughing guys'' to the serious ones reflects that how natural they were while acting. Anita Garvin, performed her role very well, and would be remembered specially , because of her work with these comedy legends.
Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Blotto' as one of their best and a bit disappointing compared to their late 1928 and the best of their 1929 efforts, which were among their best and funniest early work. It is still very good and has much of what makes Laurel and Hardy's work as appealing as it is.
The story is extremely slight to the point of non-existence and the first part takes a little bit too time to get going and is a little formulaic.
When 'Blotto' does get going, which it does do quite quickly, it is great fun, not always hilarious but never less than very amusing, the best being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Blotto' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.
'Blotto' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid with a scene stealing Anita Garvin.
Overall, very good. Not essential or classic Laurel and Hardy, but a very good representation of them. 8/10 Bethany Cox
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Blotto' as one of their best and a bit disappointing compared to their late 1928 and the best of their 1929 efforts, which were among their best and funniest early work. It is still very good and has much of what makes Laurel and Hardy's work as appealing as it is.
The story is extremely slight to the point of non-existence and the first part takes a little bit too time to get going and is a little formulaic.
When 'Blotto' does get going, which it does do quite quickly, it is great fun, not always hilarious but never less than very amusing, the best being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Blotto' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.
'Blotto' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid with a scene stealing Anita Garvin.
Overall, very good. Not essential or classic Laurel and Hardy, but a very good representation of them. 8/10 Bethany Cox
The boys find themselves in mischief again as Stan tries to sneak out of his house and out of the clutches of his wife to meet with Ollie. The Mrs. is smart to their plans as she then creates a wild concoction for the boys as they try to get their hands on a bottle of liquor. The boys get out safely and head for a club where the bottle would be unleashed. Even though the bottle is filled with tea and other non-alcoholic substances, that still doesn't stop the boys from causing a little mayhem. Constant laughter all the way, as only these two fellows can provide.
This short film's direction is twofold. One is to avoid their wive's control over them (they always seemed to have wives who were much smarter, and much meaner than them) by stealing some alcohol from them. The other is to see what happens to them as they drink the tea that has replaced the liquor. The title of the film tells us that someone is going to get really drunk. Of course, they have already blown it before they go to the bottle club (taking a risk during prohibition) because of Ollie's big mouth (he is overheard by his wife). Anyway, the scene at the club is hilarious because the power of suggestion is more powerful than the realities of the human body. This is laugh riot. Will they pay a price for their actions? That's the question.
Lo sapevi?
- QuizThe number Oliver Hardy calls to reach Stan Laurel (OXford-0614) was Laurel's real phone number.
- BlooperFrom where they were standing, it would have been impossible for the laughing crowd to have actually seen Ollie at the phone booth.
- Versioni alternativeThere is also a colorized version.
- ConnessioniAlternate-language version of La vida nocturna (1930)
- Colonne sonoreThe Curse of an Aching Heart
(1913) (uncredited)
Music by Al Piantadosi
Lyrics by Henry Fink
Performed by Frank Holliday
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- Blotto
- Luoghi delle riprese
- Azienda produttrice
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- Tempo di esecuzione26 minuti
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