Biancaneve e i sette nani

The lampoons, the snark, the mockery, the chorus of disapproval. Snow White Rebooted (not its official title) of 2025 has had such opprobrium heaped upon it, no doubt well deserved, that I found myself suddenly curious to see the 1937 original. I'd never wanted to before. Never saw it as a kid. Maybe I was just curious to see how far we have fallen as a species since those more innocent times.

Were they more innocent though? 1937. Before Pearl Harbor. Between the world wars. The dawn of Disney. The origin point. The first animated feature length movie, isn't it? But this was, basically, the same generation that dropped the bomb on Hiroshima, the same US of A, right? Maybe just as Reds and Blues today regard each other as different species, maybe there was a duality of sorts even then? The human heart is a mystery, is it not?

Anyways, I was tickled by all the 1930s booty twerking going on (very innocent twerking), and it was a pleasant surprise to discover this film has operetta stylings, with coloratura trilling by Snow White, crooning by the prince, and a post-prandial party full of yodelling dwarves. All the forest creatures have the cutesy Bambi look, but I don't mind telling you, when the princess got scared in the forest so did I, and when she fell down weeping my heart ached for her. I also don't mind telling you that I did wish the movie would move along just a bit faster. Just five minutes. A bit more witchy Queen, a bit less tiptoeing dwarves, that would have suited me.

The Evil Queen is a marvellous meanie, and the princess Snow White is so adorably, queasily wholesome, so pure it makes you want to vomit (or possibly to ennoble yourself and become her protector?) that I felt some appreciation of why Alvy said he preferred Snow White's nemesis (in rom-com Annie Hall, 1979).

Seeing this chaste, landmark (birthmark!) fantasy, this jewel of cinema, one can better comprehend the shamelessness, the utter hubris of Disney's foolish decision to, ahem, 'update' the story for today. As I'm sure you know, Snow White 2025 was pilloried and lampooned, almost to oblivion, months before it even opened. What a saga it has been. A gift for social media snarks, but one can't blame them. To decide to remake an immortal classic is the kind of decision that could only come from the sort of people who are today busy crushing all the dreams in Hollywood's dream factory. Let them all be sacked and float away down river, eke out there remaining days in the wilderness; no fairytale cottage, just a one-room cave for the lot of them.

Snow White and the Seven Dwarfs (1937). Virtue, not virtue-signalling. Pure of heart, not pure thru filters. Delight your children and the child within.

There isn't much that hasn't already been said about "Snow White and the Seven Dwarfs", Walt Disney's first feature length animated film. Suffice it to say that it not only fulfilled the studio's hopes beyond their wildest dreams, it made possible the Disney films that followed it. From the famous Grimm fairy tale about a beautiful princess who flees her jealous stepmother and finds refuge with seven friendly dwarfs, Walt Disney created a cinematic milestone. At the time the film was in production until the day it was released, rival producers were supposedly referring to it as "Disney's Folly".Although this myth has been recently debunked in film historian JB. Kaufman's magnificent new book (''The Fairest One Of All:The Making Of Walt Disney's Snow White And The Seven Dwarfs''Weldon Owen/Disney Press, 2012)it's true that only after it's huge success, did fellow movie makers attempt their own full-length cartoon features. Upon it's debut, at Hollywood's Carthay Circle theater, (December 21, 1937)the film was embraced both by critics and audiences, grossing many times it's then record (for an animated film) $1.5 million budget. Eight successful reissues have kept the movie in the public consciousness now for over six decades, during which time the field of animation has grown by leaps and bounds. Still. despite the cinematic advances and the passage of time, "Snow White" stands alone. While the classic story is but a framework for the film (a fact which troubled me for years), "Snow White" can be fully enjoyed for the pioneer it truly is.

Along with a splendid cast of voices headed by Adriana Caselotti (Snow White) Harry Stockwell (father of Guy and Dean, as the Prince) and Lucille La Verne (The Queen), there are songs which can truly be called timeless: "Whistle While You Work", "Heigh Ho", "Some Day My Prince Will Come", etc.). Much time and effort went toward developing the characters of the Seven Dwarfs and giving each a distinct personality (absent in the original story) which went a long way in making audiences care for Snow White's plight. Interestingly enough, although the fairy tale was toned down considerably to make it more "family friendly", the overzealous way in which the film makers transformed the Wicked Queen into a hideous hag at the climax was the subject of an incredible amount of controversy at the time. In fact, it was under a partial ban in England which made it off-limits to children under 16 years of age! Nevertheless, it was the recipient of a special Academy Award in 1938.

To go on about the impact made by the film would be redundant. It simply must be seen to be appreciated. In 2001, it was released on DVD as the first of Disney's "Platinum Editions". And many months before it was in stores, there was great speculation about the content. All the anticipation was justified when the DVD finally arrived. Critics and consumers were overwhelmed (just like the audiences back in 1937) with both the content and the painstaking restoration (beyond that done for it's 50th anniversary reissue) and made it THE DVD for the subsequent holiday season. Without going into detail, it looks as if it were made yesterday, and sounds better than a film of this vintage could ever be expected to. But the streamlining has not diminished it's charm--only accentuated it. And when you think (before you are drawn into the story, and you ARE) that "Snow White", unlike today's computer-drawn animated features was entirely done by hand, that makes it even more of a miracle.In one scene, when Snow White is scrubbing the steps of the Castle, and pours water from a bucket on them, the effect is remarkable-and that one, near the beginning, is just one small sample of the film's artistry.Back to the DVD. Instead of listing the already well publicized bonus features, let me say that this "Platinum Edition" is like a self-contained history of the film, with hours worth of delights the most astounding being a pieced-together commentary by Walt Disney himself. Out of print for years, it is well worth the effort and expense to find. And although Disney made it a point to announce that they planned to go even further with their subsequent "Platinum Editions", they have yet to top this one. And I doubt they ever will. Incidentally, this year marks the film's 75th anniversary, and I can think of no better way to celebrate this movie milestone than picking up Professor Kaufman's beautiful new books The second volume '' Snow White And The Seven Dwarfs:The Art And Creation Of Walt Disney's Classic Animated film''is also published by Weldon Owen/Disney Press.It's a very extensive and fully detailed catalog of the ''Snow White'' exhibition,(currently at the Walt Disney museum in San Francisco,California).Here, the emphasis is more on the beautiful art as well as rough sketches and background paintings. Along with it's companion book ''The Fairest One Of All'' it will educate and enchant anyone who cares about the history of Film, Disney Animation and especially ''Snow White'' They are, without a doubt,the definitive tributes to a Timeless Classic, and together, they make perfect souveniers for both the film's 75th Anniversary and and a once in a lifetime event.

My mother kept an old clipping for years describing SNOW WHITE AND THE SEVEN DWARFS when it opened at Radio City Music Hall and received a rave review from newspaper columnist Westbrook Pegler.

He usually wrote about politics but on this occasion he took time to devote an entire review to Disney's new film. He called it a "masterpiece" and said that when the projectionist slipped those reels of film on the projector, the audience at the Music Hall witnessed one of the greatest motion pictures ever made.

Coming from him, that was high praise indeed. And seeing the film now, restored for its video bow, we can appreciate his words. There are faults, to be sure, but basically it has to be admired for the innovative techniques it used in the art of animation. There are memorable sequences thanks to daring use of the multiplane camera: Snow White's flight through the woods, the Queen and her Magic Mirror, the Queen in the thunderous transformation scene as the camera seems to whirl around her, the Dwarfs in the mine and their march over the bridge as they sing "Heigh-Ho", the dwarfs chasing the witch in the thunderstorm. Even the rippling effects of the water in the wishing well scene.

And, of course, there are the genuinely comic moments that made even the great Charlie Chaplin applaud in admiration. Dopey's antics are always a delight, as are Doc's and Grumpy's. All of the dwarfs are given inventive and funny things to do.

The music is a standout: Someday My Prince Will Come, Heigh-Ho, I'm Wishing, The Yodel Song, etc. The young in heart will always love this classic. It belongs in the top tier of Disney's crown jewels, along with Pinocchio, Bambi, Sleeping Beauty and Cinderella.

Summing up: an inspired work of art on every level that will remain a timeless classic.

Before Cinderella lost her slipper and before Aladdin met the Genie, Walt Disney did his most crazy and insane project ever - a feature animated movie, the first of its kind. The title of the film is Snow White and the Seven Dwarfs. Parents and kids loved this film decades ago and, a generation later, families can now enjoy this beautiful classic in Blu-Ray.

Snow White and the Seven Dwarfs is a musical with catchy, and beautiful singing done by Adriana Caselotti, (Snow White), Lucille La Verne (Queen) and others. There is also a sense of adventure, and a magical romance, between Snow White and the Prince.

The story begins when the Queen discovers that she is not the fairest of them all, and that Snow White is. Out of jealousy, she orders the death of Snow White. However, Snow White gets away. She comes upon 7 dwarfs which she befriends. The Queen angrily learns about her failed death, and decides to poison the young princess!

Since this is the Diamond Edition of Snow White and the Seven Dwarfs, it is packed with extra features including a tour of the animation studios in the 1930s, actual interviews with Walt Disney, cool facts, (Did you know Snow White was originally designed to have gold hair? Who knew!) and so much more. My favorite part concentrates on how Walt Disney hired over 300 artists, how he spent so much money on making it perfect, and just how much speculation and hate he got for attempting to make (and being very successful as a result) a 90 minute animated film.

Even though this film was made almost a century ago, the quality of the animation is as good as films made today. Hand-drawn animation has a quality of from the human touch that CGI can never achieve. In terms of the soundtrack, Walt Disney had a knack for making his animated films not only have background music, but he created it in such as way that the music becomes an integral part of the story. For example, when Snow White and the Prince first meet, they sing a song together and it represents almost, "Instant love," better than words ever could. This story is based on a classic European fairy tale, and Walt Disney hired a few people who specifically made European-styled drawings, to make the film feel like the original fairy tale, which was perfect for the film. The voice-over sound quality is also top notch, amazingly so since again, it was made almost 100 years ago. I would easily compare it to the voice over acting and quality of the late 90s. This film was ambitious in terms of being the first animated feature film, but also was first feature film to have a female lead.

My favorite scene is the meeting of The Prince and Snow White. In the scene, Snow White is cleaning outside and she explains to her bird friends what a wishing well is. A prince overhears her fantastic singing and is love-struck when he meets her. This scene is one of my favorites because the music is beautiful, the animation is spectacular and this scene specifically illustrates my point about European artists designing the backgrounds. It really looks like a European castle of some sort.

This film was designed for all ages and I still agree. I recommend it for ages 6 to 13 specifically. Younger kids will enjoy the bright colors, dancing and singing. Older kids can appreciate how difficult it was to make this film and the storyline itself. Adults who have happy memories of seeing this film years ago will also enjoy it. Overall, it's a great film for the family. I rate it 5 out of 5 stars because of the spectacular animation, exciting story (typical of films made by Walt Disney) and clear voice acting.

Snow White and the Seven Dwarfs (1937)

**** (out of 4)

The beautiful and charming Snow White comes under attack by a man who has been hired by the evil Queen to kill her. She ends up taking shelter in the forest with seven dwarfs but soon the Queen has more plans to destroy her.

There's no question that this is a legendary film and a very important one to history as it was the first feature-length film from Walt Disney Studios. The film was a tremendous hit when it was first released and it really broke new ground in regards to what people would be willing to sit through. After all, it was a mystery if people in 1937 would be willing to sit through a feature-length cartoon and whether or not they'd be able to show emotions towards animated characters.

As for the film itself, it's certainly a great one from Disney's original Golden Age. There's no question that the most impressive thing is how great the actual animation is. I've seen plenty of cartoons from this era and the quality is usually good but there's no question that the amount of detail was just taken to a new level here. Just take a look at how much detail is in the forest scenes. Look at the detail to the seven dwarfs. Look at the terrific detail in the Queen's potions.

SNOW WHITE AND THE SEVEN DWARFS features a memorable and lovable lead character, a great villain and seven great comic relief characters. I also liked the fact that the darkness of the Grimm's Fairy Tale was also left in and this certainly makes the film more adult in a way. Disney would make a major breakthrough with this film and it remains refreshing all these years later.