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Warner Brothers did this kind of taut,tart blue collar movie better than any other studio and while Slim is not the studio at its absolute peak of performance it is a pretty good piece of lean and crisp movie making .

Slim -played with conviction by Henry Fonda -is a farm boy who yearns to work as a lineman on the big electrical projects then going ahead , under the auspices of the New Deal ,The opening sequence indeed is a quasi-documentary complete with solemn and sententious narrative that is a virtual commercial for Mr Roosevelt's public works agenda and which loudly hymns the role of the electrical industry in modern life He badgers Pop Travers (J Farrell MacDonald)to give him a trial and he is taken under the wing of the most respected of the lineman ,Red(Pat O'Brien).They become friends as well as mentor and protégé ,a factor cemented when Slim comes to Red's rescue as he is being fleeced by a crooked card sharp.They become partners and Red introduces Slim to his girlfriend ,a nurse Cathy (Margaret Lindsay)who is despairing of Red's nomadic lifestyle and longs to see him settle down to domesticity..Gradually a relationship develops between Slim and Cathy .The movie builds to a climax on a job site during a major blizzard .

The movie is well acted and Ray Enright brings forthright energy to its direction .Special mention to Stewrat Erwin as the garrulous Stumpy -a veteran ground worker on the sites and to Jane Wyman making an early appearance as his girlfriend This is efficient and unpretentious studio film making at very n ear its best

I'm not a film critic, but I am a lineman. This film was an excellent example of the lifestyle lived by linemen, even in today's times. In regards to the comments made by "planktonrules", there is no explanation as to why Slim wants to be a lineman, it's a matter of heart. You have it or you don't. Henry Fonda managed to convey this quite well. I do admit the character of Slim is a bit too innocent, but seems appropriate for the background. And yes, for the record, rarely does anyone use true names, mostly nicknames given to you by those who have been there before you. This is a brotherhood, which is well expressed in this film. We wish there were more films like this about linemen.

Slim is another of those products from the working man's studio of Warner Brothers and extols the heroism of the various lineman putting up towers and wires to electrify the nation. This was one of the finest achievements of the New Deal, the Rural Electrification Agency and the work you see Pat O'Brien and Henry Fonda do, they are doing in conjunction with that agency. Most of rural America was without any kind of power before then because the cost to private industry wasn't worth the profit they got back.

If Pat O'Brien wasn't working with James Cagney, he'd be making this kind of film with Dick Powell or John Payne. None of those quite have the rural demeanor for the title role, so Warner Brothers got Henry Fonda who was then under contract to producer Walter Wanger.

Fonda is in the title role of Slim, a country kid who sees the linemen bringing power to the nation and figures he can travel, see places and do things, in a necessary occupation. It's also why a lot of kids from rural areas enlist in the armed services. Pat O'Brien takes a liking to him, takes him under his wing so to speak and even accepts when his girl Margaret Lindsay prefers Fonda to him. For O'Brien he realizes he's far from ready to settle down.

I've always felt that O'Brien together with James Cagney were the real founders of the male buddy film. Given the nature of the role, Fonda more than fills Cagney's shoes. Jimmy Cagney would never be believable as a kid off the farm.

Look for J. Farrell McDonald to give a nice performance as the foreman of the crew Fonda and O'Brien work for. And Stu Erwin gives a nice performance, imitating Bob 'Bazooka' Burns who was at the height of his popularity as a regular on Bing Crosby's Kraft Music Hall. Erwin gives out with the same homespun rural humor that Burns was so popular for.

With the nation mostly electrified and the Rural Electrification Agency now the Rural Maintenance Agency as of 1994, the film is somewhat dated. But it is still a good piece of entertainment and a tribute to the men who literally electrified a country.

Seasoned veteran Pat O'Brien and soon-to-be-great Henry Fonda make this fast moving action drama fun for the entire family to watch together. The story of linemen's dangerous work on the tall towers and hot electric lines takes place back in the 1930's, long before OSHA instituted safety procedures on such undertakings. It's a shame this film has never been made available for home rental.

One of Fonda's earlier efforts and certainly one of his lesser known films. Fonda portrays a somewhat naive, yet over confident young man from a farming background, who longs to become a linesman. O'brien plays the seasoned veteran who takes him under his wing and together, they embark on a journey from one job to another. Reasonably predictable buddy road movie type plot line, although interesting from the perspective of attempting to glamorize the profession in the tradition of" the mail must get through" theme. There is the predictable romance angle, the jealous worker and the inevitable coming of age for Fonda. All in all, nothing terribly special other than seeing two of the screens best actors paired in this family picture.