grabberlime
Iscritto in data mar 2002
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Recensioni13
Valutazione di grabberlime
Tommy Lee Jones play a haggard cowboy charged with the task of keeping his promise to return the body of his murdered friend to the Mexican town he called home. Barry Pepper plays the killer, in denial of his act. Melissa Leo, late of Homicide On The Street, turns in a fine performance as Jones's love interest. Levon Helm has a cameo appearance but one you'll remember.
This is Jones's directorial debut. No doubt fans of the Lonseome Dove mini series will smile wryly as Jones takes home his friend, as he did Robert Duvall, this time facing different obstacles to reach his goal.
Tommy Lee Jones looks every day his 60 years and one wonders if any make - up was required. He is truly one of the great character actors of his time.
This is Jones's directorial debut. No doubt fans of the Lonseome Dove mini series will smile wryly as Jones takes home his friend, as he did Robert Duvall, this time facing different obstacles to reach his goal.
Tommy Lee Jones looks every day his 60 years and one wonders if any make - up was required. He is truly one of the great character actors of his time.
Finney & Courtenay are teamed again in this tale of two widowers who are drawn together by a well meaning social services worker.
Finney seems at first coolly detached from his loss, while Courtenay is the far more visibly shaken of the two. Finney is essentially left with a lifetime interest in his home and a small annual stipend by his late wife. Courtenay needs companionship. The social worker brings them together in a marriage of convenience.
Finney assumes the role of the master of the house and Courtenay essentially the man servant.For those who enjoyed the pair in 1984's The Dresser, Courtenay calling Finney "Sir" will bring a smile to your face.
As the plot evolves, we see Finney deteriorating while Courtenay steps up to the plate to assume the more dominant role. Both are forced to face tragedy again during their time together and learn to adapt.
The film deals with how people deal with grief, or choose not, and in the end, how we all must make that choice.
Finney seems at first coolly detached from his loss, while Courtenay is the far more visibly shaken of the two. Finney is essentially left with a lifetime interest in his home and a small annual stipend by his late wife. Courtenay needs companionship. The social worker brings them together in a marriage of convenience.
Finney assumes the role of the master of the house and Courtenay essentially the man servant.For those who enjoyed the pair in 1984's The Dresser, Courtenay calling Finney "Sir" will bring a smile to your face.
As the plot evolves, we see Finney deteriorating while Courtenay steps up to the plate to assume the more dominant role. Both are forced to face tragedy again during their time together and learn to adapt.
The film deals with how people deal with grief, or choose not, and in the end, how we all must make that choice.