L'angelo bianco

The sharp, focused performance by Kay Francis carries this film into an impressive arena for its viewer. I've seen in several times and although Francis doesn't go into histrionics in her portrayal like some of the "greats" would -- Francis exemplifies the determination, courage, and humaness of one who "feels a calling". She never wavers in what she is about, frustrated but not discouraged, and Francis' subtlety emphasises these qualities. The beginning of the film offers Francis a chance to don the elegant gowns of the mid 1800's, but most of the film she's wearing a plain nurse's uniform and often looking quite drawn from the conflicts with male prejudice on the Crimean front and the squalid conditions that she faced in all directions. I don't know how historically accurate the film is, but it gets to the heart of the Nightingale story and what she was up against. Strong support from players like Donald Crisp and Ian Hunter add to the overall success.

The White Angel which was a film about the crucial years in the life of Florence Nightingale when she during the Crimean War popularized the career of nursing for women and sanitary hospitals. Her work in Great Britain and Clara Barton in the USA during the Civil War set the standards for the nursing profession as we know it now.

Nightingale came from an upper class background and that probably stood her in good stead because someone who had to worry about how the next month's rent was to be paid or the next meal coming from could not have taken on what she did or faced down the sexist attitudes of her age.

The British cinema did the best version of her life in 1951 with Anna Neagle playing Nightingale. Besides Florence herself the real name of only one other character is used, that of Lord Raglan the Commander of the British forces in the Crimea played here by Halliwell Hobbes. The real players are used in the Neagle film.

This was a change of pace for Kay Francis who usually was more glamorous in her roles than here. Francis reminds me a lot of Rosaland Russell when she did Sister Kenny.

This was part of Warner Brothers biographical films of the late 30s and The White Angel was the only one to have a female subject. The White Angel bogs down a bit in spots and for a more accurate film the Neagle picture is better. Still this is reasonably entertaining and Kay Francis fans will like it.

It's very melodramatic, reminding me of Young Tom Edison. Every "tidbit" the average person knows about the famous person is included in the script, in the most saccharine-style possible. Months after she sits up all night with Billy Mauch when he's ill, he finds her sitting in the snow. "I'm taking care of you now," he says as he gives her his coat. There are countless scenes like that one, as costars who play coworkers of Florence Nightingale praise her selflessness and dedication to her patients. In another scene, she comes down with cholera, and rather than letting the medical staff carry her away on a stretcher, the soldiers in the trench insist on doing it. That's fine, but one soldier actually says, "We'll do it! Who cares about cholera?" Way too corny for my taste.

But, if that's why you're watching the movie, you might not mind the style. I minded, because I was hoping for a more historical approach as to why she became a nurse, rather than just scene after scene of her forgoing sleep in order to sit up with a sick patient. There's a little portion of the beginning that shows her decline a marriage proposal in favor of medical school, but it's not very explanatory. There is a large supporting cast, though, including Henry O'Neill, Ian Hunter, Halliwell Hobbes, Nigel Bruce, Donald Crisp, Donald Woods, Fay Holden, and E. E. Clive. Watch at your own risk, and only if you like dated biopics.

Kay Francis was cast as Florence Nightingale and the film shows Florence from the time just before she dedicated her life to nursing to just after her return from the Crimean War. Francis' acting and that of most of the supporting actors was good--the dialog and details left a bit to be desired.

Hollywood sure loved bio-pics in the 30s and 40s and churned out gobs of them. The problem, though, is that while many were very entertaining, they also played rather fast and loose with the facts as well as had very, very high "schmaltz" levels on many occasions. In other words, the celebrities being portrayed were very often over-idealized and seemed more like living saints than 3-dimensional heroes. While Florence Nightingale was an absolutely amazing woman and deserved to have a film made about her, all too often the film degenerated into idol worship. My favorite over-the-top moment was when Flo entered the dilapidated hospital and the man ran screaming "water!!!"--what an amazingly unsubtle moment! While the general facts in the film are correct, the way they were realized on screen, at times, made me laugh. This is really a shame, as the real story of this woman should be good enough! As for me, I'd like to see a more realistic and less predictable treatment of her long life.

I come from a family of nurses, so I watched this film with interest.

Kay Francis plays Florence Nightingale, the founder of modern nursing. Mostly the film covers her work in the Crimea.

This is a typical '30s movie - Nightingale meets with a great deal of resistance, which she probably did in real life. The villains here are somewhat cliched in their nastiness and refusal to help her make any progress. A typical good vs. Evil fight.

I read a lot of criticism about Kay Francis - this was an unusual role for her, where she's not playing a woman of the world. I thought she portrayed a quiet strength and dignity.

Someone said Bette Davis would have been better. Bette Davis was wonderful, but I didn't feel Nightingale needed a fiery portrayal. As far as criticism of Francis, Francis' interpretation was correct in that she was well-educated and came from a wealthy family.

Granted she's portrayed as a saint, but that's the fault of the script. I do believe that Nightingale, given her upbringing, was a strong and determined woman who used a velvet glove rather than an iron hand.

I found the film very absorbing and poignant.