Aggiungi una trama nella tua linguaAlan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stran... Leggi tuttoAlan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stranded with them until he can complete his work.Alan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stranded with them until he can complete his work.
- Regia
- Sceneggiatura
- Star
- Man in Producer's Office
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- First Actor
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- Second Actor
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- Girl
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- Bartender
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- Girl
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- Man in Producer's Office
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- Costume Designer Maza
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- Pug Answering Phone in Gym
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- Bridgeport Sheriff
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Recensioni in evidenza
This delightful little comedy is an excellent example of the fluff films that Warner Bros. was so adept at producing during Hollywood's Golden Age. Boasting fine production values, a literate script & some genuinely funny performances, it is a shame that the film is so obscure today.
George Brent & Genevieve Tobin have charm to spare as the protagonists whose divorce seems in danger of floundering; sophisticated & witty, they are a very entertaining duo. Glenda Farrell is hilarious as the boozy floozy after Brent for unpaid alimony - this brassy blonde could always be counted on for some mischievous merriment.
Pixilated Frank McHugh is the milkman turned most unlikely deputy. John Eldredge plays the gentle young lawyer; Patricia Ellis is not gentle at all as the pushy prom princess from next door. Apoplectic producer Porter Hall & sassy housekeeper Helen Lowell add to the amusement.
Movie mavens should recognize Mary Treen as a secretary & Olin Howlin as the sheriff, both uncredited.
My first reaction was this was an expertly open-up play, but it was written for the screen. It's certainly cast well; Brent, Warner's choice for a leading man who wouldn't distract the audience from the leading lady, is fine as the hectored yet stolid playwright, and the ladies are nicely differentiated, particularly the speed at which they deliver their lines. Miss Tobin is ladylike, Miss Ellis is twittery, and Miss Farrell continues her reign as Warners' resident motormouth. McHugh sometimes sounds like he's attempting a Down East accent. It's perfectly composed, you know how it's going to turn out, and it's a pleasant series of bumps getting there.
Alan Tanner (George Brent) is the playwright who seeks a third act. His first wife, Alice (Genevieve Tobin), is recruited by his producer to get the creative juices flowing in Alan. The second wife shows up seeking alimony, accompanied by a sheriff's deputy and an attorney. To further complicate things, a young woman with a crush on Alan injects herself into the proceedings.
While everyone is snowbound for a night, Alan and Alice try to write the third act that triggered this tale.
I can't say this is a great story or a hilariously funny piece, but I really enjoyed it. There are too many flaws to consider "Snowed Under" a classic comedy, but it tickles the funny bone. After a while, it feels like doors are slammed just for the sake of slamming them. But there are some good lines (e.g. "Now I hate to interrupt baby's first steps.") And the characters are likable. This comedy does not take itself too seriously and the lightheartedness is infectious. It would be fun to see what Clark Gable could have done with the Alan Tanner part.
"Snowed Under" is a kooky comedy--much of the mold of films like "Palm Beach Story", "My Favorite Wife" and "The Man Who Came to Dinner". However, the quality of the film is a couple steps below these excellent films and this is for a variety of reasons. First, occasionally the acting and writing are a bit too broad and the film tried too hard to make you laugh. While I love Glenda Farrell in most films, here she was just too shrill. Also, a few of the scenes were very, very awkward and poorly constructed--such as the fainting scene near the end of the film. The film simply is too goofy and cleaning up the script a bit would have made a better film. It didn't help that the fake snow never melted and looked really, really fake. Overall, watchable and even occasionally enjoyable...but also lacking the polish and fun you might expect in such a film.
Lo sapevi?
- QuizTwo years after the release of Snowed Under, Genevieve Tobin married Warner Brothers contract director William Keighley. She'd been directed by him in Easy to Love (1934) and would work with him again on Yes, My Darling Daughter (1939) and Non è tempo da commedia (1940) --- her final film. She retired from the screen at age 41, stayed married to Keighley until his death in 1984, and lived herself until 1995.
- BlooperThe bench warrant calls for Alan's arrest for not appearing in court on a date which, as typed in the judge's order, was a Sunday. No court would schedule a domestic civil case hearing on a Sunday.
- Citazioni
Pat Quinn: Last summer you wouldn't have turned me out in the snow.
Alan Tanner: Last summer there wasn't any snow. You were just a little girl who's father rented my house and I was trying to be a rather pleasant country landlord.
Pat Quinn: And now?
Alan Tanner: And now - is the winter of our discontent. Scram, my love.
- ConnessioniReferenced in Il mistero delle sette chiavi (1947)
- Colonne sonoreJingle Bells
(1857) (uncredited)
Music by James Pierpont
Variations in the score during the opening credits
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Dettagli
- Tempo di esecuzione
- 1h 3min(63 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1