Vissi d'arte

Gerald Fitzgerald, an opera fan falls in love with temperamental diva Lisa Della Robbia, they marry but he finds that he must take a back seat to her career.

This is an entertaining comedy with nice performances, it kept my interest throughout the whole 83 minutes. Lisa has a funny entourage of doctor, maid and cook which invades Gerald's home when they come to America. Also on hand is Sharon Lynne, playing Gerald's new love interest after breaking up with Lisa. Lynne would later play the devious saloon girl in the Laurel and Hardy comedy "Way Out West". Grant is restrained most of the time but lets loose with his comedic talent in the last part where the film gets closer to farce. Worth seeing for Grant fans who want to view all of his films.

Cary Grant shows up at the opera whenever Elissa Landi is singing (voice provided by Nina Koshetz), so they get married. Yet Miss Landi is always performing, and Grant tires of only seeing his wife on stage, so he sues for divorce so he can wed Sharon Lynn.

It's certainly well performed under the direction of Elliot Nugent, but between the diva persona of Miss Landi's diva, and Grant being basically her support, my net reaction is underwhelming. There are no other stars; the hope, I suppose, was that these two could carry the picture. Paul Porcasi is amusing as her chef, Lynn Overman her manager, but it's mostly about people wanting egg in their beer. See if you can spot Ann Sheridan in a tiny role while she was still Clara Lou Sheridan.

Enter Madame! (1935)

** (out of 4)

Gerald Fitzgerald (Cary Grant) is a rabid opera fan who loves watching the talented and beautiful Lisa Della Robbia (Elissa Landi). By accident the two end up meeting and falling in love. They're quickly married and Gerald thinks he's got the greatest job in the world as a husband to an opera star. Pretty soon he starts to realize being second place to her career isn't much fun.

ENTER MADAME! is another early Cary Grant picture where the actor was pretty much been given lesser quality scripts and the end results pretty much show that. With that said, there's no question that this here was slightly better than KISS AND MAKE-UP as well as LADIES SHOULD LISTEN. Still, after three duds in a row, I guess we're lucky that Grant managed to keep getting pictures. Even though he's good in them, there's no question that none of them were all that impressive.

This one here is a decent romantic comedy where a love triangle is the subject. After Grant and Landi are married, he soon starts to realize that he might have been happier with his friend Flora (Sharon Lynn), which leads to a divorce and a new marriage. Soon more complications come into play and all three are battling it out. The scenario is interesting enough, if not that original, but very little is actually done with it and in the end there just aren't enough laughs to make it worth sitting through.

The saving grace to the picture are obviously the performances. Grant is in fine form as he plays the dashing and charming man. This is the type of character he could play with ease and he turns in a good performance. Landi pretty much plays a snob throughout the movie but she does a very good job with it and Lynn is also good as the opposite type of character. Ann Sheridan has a very small supporting role.

A not widely known Cary Grant film is Enter Madame which I've just seen. Other than for Cary Grant completists it's not one of his better efforts even from his early nurturing days at Paramount.

Billed first is Elissa Landi who plays an opera singer of whom Grant is a devoted admirer and rich enough to buy out a box above the stage at every performance. Once during a production of Tosca Landi's dress catches on fire and Grant gallantly leaps to the stage and puts out the fire saving her life. That gets the romance going and soon they're married.

But despite warnings from her manager Lynne Overman, Grant likes married life at first, but soon just becomes another part of her entourage. They separate and soon Grant wants a divorce to marry social climbing Sharon Lynne.

Landi and Grant really never develop a chemistry between them. The film is OK nothing more. Landi's singing is superb, it's also dubbed. In two years Grant played the husband to another opera singer Grace Moore who did not have to be dubbed. Still that one also was not one of his best.

And there's no way I believe Frank Albertson was Elissa Landi's brother, even as a half-brother.

This one is for devoted fans of Cary Grant and the opera.

"Enter Madame!" begins with Gerald (Cary Grant) going to see an opera. He's smitten with the Prima Donna, Lisa Della Robbia (Elissa Landi)....and gets a set right up next to the stage. Out of the blue, an accident occurs and the lady's dress catches fire...and Gerald jumps on stage to save her. However, a stage hand released the curtain...and it knocks out Gerald after he's put out the fire. When he awakens, Lisa takes the injure man home to care for him. Very soon after, they are married. Unfortunately, Lisa's career and life choices make having a married life nearly impossible. And, once she loses him, she concocts a plan to try to trick Gerald into coming back to her.

Casting Cary Grant made sense, as although this is one of his early films, he already was well on his way to becoming a matinee idol. Landi, on the other hand, is an odd choice. While she is Italian, like many great opera singers, I could find nothing in what I read about her online which would indicate she ever sang opera or was known for her singing. I can only assume her singing was actually performed by someone else. This makes me wonder why they didn't just find an opera singer for the role, as Hollywood had a short infatuation in the 1930-40s with opera stars and tried to make several of them stars (such as Lawrence TIbbett and Grace Moore*). A few made it...though most of these sang operatic music but chose to act as opposed to doing opera full-time (such as Deanna Durbin, Nelson Eddy and Kathryn Grayson). So, it wasn't like the studio had to use an actress like Landi who wasn't actually a singer. If I am wrong about her singing, please let me know....but as I said, I could find NOTHING about her singing opera music.

So is it any good? Yes and no. Grant is very professional and exactly what you'd expect. Landi, on the other hand, is occasionally rather shrill...but I think the script and director probably instructed her to overact and scream a lot...like a stereotypical temperamental opera star. I don't know for sure...but it was not exactly subtle and should have been toned down a bit. The same can be said about a few of the supporting characters as well. Enjoyable but far from a must-see unless you are a die-hard Cary Grant fan.



*By the way, Grant DID star in a film with Ms. Moore ("When You're in Love"), a genuine opera star. Sadly, the Grace Moore films I have seen weren't particularly distinguished and her career in movies was rather brief.