VALUTAZIONE IMDb
7,1/10
67
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe daughter of a rich man going through financial difficulties takes a job as a maid and falls in love with the chauffeur.The daughter of a rich man going through financial difficulties takes a job as a maid and falls in love with the chauffeur.The daughter of a rich man going through financial difficulties takes a job as a maid and falls in love with the chauffeur.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Sig Ruman
- Hans Hansen
- (as Siegfried Rumann)
Recensioni in evidenza
Attended a packed screening of Servants' Entrance at the 2025 TCM Classic Film Festival - where Andrea Kalas introduced the film with a focus on its animated sequence. Alicia Malone even stopped in briefly just to catch that part before heading off to present another film. That moment clearly has its fans.
The Disney sequence - a nightmare where dishware comes to life and attacks the heroine - is technically impressive. Walt likely used this as a trial run for his future live-action integrations. But while the animation garners attention, the real value lies in the film's allegorical structure.
Janet Gaynor plays Hedda Nillson, a plucky heiress entering the working world. Her charm, work ethic and perfect delivery ground a mostly satirical narrative in something believable. Meanwhile, Lew Ayres' Erik Landstrom starts off detestable - passive-aggressive and dismissive - but retrospect reveals a man protecting his career and dignity. His resistance to Hedda becomes a reflection on ambition and restraint.
The film offers a thoughtful meditation on class, attraction and motivation. It's old. It's not in color. But Servants' Entrance deserves more than a glance for its animation gimmick. The real magic is in the human story it quietly tells.
The Disney sequence - a nightmare where dishware comes to life and attacks the heroine - is technically impressive. Walt likely used this as a trial run for his future live-action integrations. But while the animation garners attention, the real value lies in the film's allegorical structure.
Janet Gaynor plays Hedda Nillson, a plucky heiress entering the working world. Her charm, work ethic and perfect delivery ground a mostly satirical narrative in something believable. Meanwhile, Lew Ayres' Erik Landstrom starts off detestable - passive-aggressive and dismissive - but retrospect reveals a man protecting his career and dignity. His resistance to Hedda becomes a reflection on ambition and restraint.
The film offers a thoughtful meditation on class, attraction and motivation. It's old. It's not in color. But Servants' Entrance deserves more than a glance for its animation gimmick. The real magic is in the human story it quietly tells.
"Servants Entrance" is a good, funny comedy with a silly storyline which must have passed for an 'escapist' picture, this being the depths of the depression. Janet Gaynor is an heiress who feels she must go out and get a job after her wealthy father's business goes under. She learns right off that she has no skills, and falls into a housemaid's job. Lew Ayres is the chauffeur of the household in question, and takes an instant dislike to our tiny heroine. Naturally, things change before the end of the movie.
There are several hilarious scenes sprinkled throughout the film, the best, as a previous reviewer noted, is with Ned Sparks as a humorless cartoonist. Another scene is animated by the Disney studio and is a sheer delight - moviegoers will recognize the voice of one of the characters as the voice of 'Goofy', Pinto Colvig. Also in the cast is Ann Doran, in a small role as a maid. She is one of the contenders for Most Screen Credits, with 358.
"Servants Entrance" is an amiable enough comedy and is a forerunner of what was to become a staple of the 30's, a screwball comedy. All concerned do good work, and strangely enough, this picture is supposed to take place in Sweden!
There are several hilarious scenes sprinkled throughout the film, the best, as a previous reviewer noted, is with Ned Sparks as a humorless cartoonist. Another scene is animated by the Disney studio and is a sheer delight - moviegoers will recognize the voice of one of the characters as the voice of 'Goofy', Pinto Colvig. Also in the cast is Ann Doran, in a small role as a maid. She is one of the contenders for Most Screen Credits, with 358.
"Servants Entrance" is an amiable enough comedy and is a forerunner of what was to become a staple of the 30's, a screwball comedy. All concerned do good work, and strangely enough, this picture is supposed to take place in Sweden!
Samson Raphaelson, one of Lubitsch's favorite screenwriters, tackles the script of this comedy of manners, Frank Lloyd directs and Janet Gaynor stars, ably supported by an excellent cast -- and they pull it off.
First, this is probably Miss Gaynor's most successful venture outside her usual acting vein in the talkies. She's very good at playing hard-working, honest, vulnerable girls. But she starts out with a scene with G.P. Huntley as the two most useless featherbrains in the world that left the tough Museum of Modern Arts audience gasping for breath from laughter, and continues with the plot in place, with the occasional belly laugh that keeps you interested. There are some lovely cameos, including a turn by Ned Sparks that will make you fall out of your chair. Even Lew Ayres, not noted for his comic abilities does a few lovely double takes.
Director Frank Lloyd is thought, nowadays, to have been another competent studio hack, useful enough for big productions like MUTINY ON THE BOUNTY but not for anything that required nuance. Here is one of the films that makes that claim a lie. This is still a comedy of manners, but we can see the Screwball Comedy evolving here, with its dual class warfare/war of the sexes themes.
If you have a chance to see this, do not pass it up.
First, this is probably Miss Gaynor's most successful venture outside her usual acting vein in the talkies. She's very good at playing hard-working, honest, vulnerable girls. But she starts out with a scene with G.P. Huntley as the two most useless featherbrains in the world that left the tough Museum of Modern Arts audience gasping for breath from laughter, and continues with the plot in place, with the occasional belly laugh that keeps you interested. There are some lovely cameos, including a turn by Ned Sparks that will make you fall out of your chair. Even Lew Ayres, not noted for his comic abilities does a few lovely double takes.
Director Frank Lloyd is thought, nowadays, to have been another competent studio hack, useful enough for big productions like MUTINY ON THE BOUNTY but not for anything that required nuance. Here is one of the films that makes that claim a lie. This is still a comedy of manners, but we can see the Screwball Comedy evolving here, with its dual class warfare/war of the sexes themes.
If you have a chance to see this, do not pass it up.
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- ConnessioniVersion of Vi som går köksvägen (1932)
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Dettagli
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Chiaro di luna (1934) officially released in India in English?
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