Jimmy il gentiluomo

This pre-code film starring James Cagney has him playing Jimmy Corrigan who is a private detective specializing in finding heirs to large fortunes. He's in competition with Alan Dinehart who calls himself a "geneologist" and has just about the same set of ethics Cagney has. The only difference is Cagney lacks the polish of Dinehart and is less a hypocrite.

Now no one ever confused James Cagney with Ronald Colman on the screen and I daresay they probably were never up for the same parts, but Cagney dumbs it down to Leo Gorcey levels in order to contrast himself with Dinehart. It's effective though.

What makes this film special is that the leading lady is Bette Davis who was a year away from finally getting Jack Warner to give her a role with substance in Of Human Bondage. Speaking of class, you can see that Ms. Davis has it in abundance and that she wasn't going to be held down with supportive leading lady roles. Later on Cagney and Davis were given The Bride Came COD when both were big box office names.

Cagney is quite the operator here and I won't tell you exactly what he does, he does bend our legal system over backwards though. And if he's not exactly reformed, he does learn the difference between class and manners.

Con man Jimmy Corrigan (James Cagney) runs an agency that finds heirs of those who died without a will and he's not above providing phony heirs in order to collect his fee. His girlfriend (Bette Davis) didn't approve of his underhanded techniques so she left him to go work for his supposedly honest and respectable competitor. In order to win her back, Jimmy tries to prove he can go straight and become a respectable gentleman.

Cagney and Davis are both enjoyable in this snappy comedy, each getting plenty of good lines. Cagney, with his bow-tie, crew cut, and nasal accent, is different than most other pictures I've seen him in from this period. Another fine example of what an underrated actor he was, even doing these WB programmers. They're backed up by a fine supporting cast including Allen Jenkins, Arthur Hohl, and Alan Dinehart. A fun one for fans of Jimmy and Bette.

I loved this amazing movie. I can't believe the amount of plot and dialogue weaved into 67 minutes by Cagney and Curtiz.

Cagney just does not shut up, thankfully. He is brilliant. The idea that he was a shady geneologist who goes semi-straight and that Bette Davis was his foil was interesting. Lots of lauggh out loud scenes in this movie.

Aesthetically speaking, this is a pretty average Jimmy Cagney film. It stars Cagney as the pretty typical fast-talking but likable schemer and Bette Davis in a rather forgettable role she probably detested. Miss Davis reportedly liked Cagney but longed for roles where she was more than just "the girlfriend". In this film she is slightly more, as she's bright and pretty assertive, but once again it was the type of role that would neither hurt nor help her career to get to the next level. She was quite good in the film, but indications of her future greatness just aren't all that obvious.

However, despite the film's averageness and Miss Davis' limited character and the film only earning a 6, I actually enjoyed the film quite a bit. It's exactly the type of formulaic Warner Brothers film I enjoy and I try to see every Cagney, Pat O'Brien or Edward G. Robinson film of this era I can find because they are just a lot of fun to watch. Yes, they are rather predictable, but somehow Warner still made the characters likable and compelling. In this case, Cagney plays his typical guy skirting the edges of larceny in the form of a guy running a company that seeks out lost relatives to inherit fortunes. I also thought that juxtaposing this unsophisticated lout of a character with the classy charmer who is wooing Bette was an excellent move--particularly in how this played out in the end.

A typical Cangey film with some very unusual plot elements and twists, this movie is just plain fun.

Cagney was tired of playing mugs by this point in his career, but he played this one comically.(Humor is a Cagney trait in any of his roles.) He intentionally had the studio barber put bottle scars on his head just to annoy Hal B. Wallis!!! Ya gotta love that. His attitude towards Warner's was getting worse,understand? He could play a thug like DaVinci could draw a dame named Mona. But in spite of his frustrations with the studio,I personally view this as one of his most memorable performances of the 30s!!