House of Mystery

THE HOUSE OF MYSTERY begins with an archaeologist named Prendergast (Clay Clement), who goes missing after profaning a Hindu temple. After his investors locate him, they are invited to Prendergast's mansion, where he tells them of his travails, and that he has been cursed. It's also revealed that a fortune is hidden somewhere in the vast house. Not-too surprisingly, everyone spends the night, and terror unfolds.

Another "old dark house"-type movie, complete with a seance, a killer go-rilla, cryptic messages, befuddled cops, mumbo jumbo, and the inscrutable mystic, Chandra (Joyzelle Joyner). This movie is one of the more comedic of its sub-genre, along the lines of ONE BODY TOO MANY. An entertaining romp...

In the 1930's there seemed to be three types of poverty row films that were made over and over again: (1) mystery films, (2) old dark house movies, (3) films featuring men in gorilla suits. The makers of House of Mystery evidently came to the natural conclusion that all of these elements should be combined together. In fact, along with films such as The Gorilla and Son of Ingagi, this film was part of a very specific sub-genre that can best be described as 'Gorilla Hiding in a House' movies.

Comedian Harry Enfield did a funny sketch once where the Arsenal football team of the 1990's played the one from the 1930's. The latter team's tactics were to kick the ball and then chase after it in a large group. Funnily enough, this is exactly what happens in these old dark house mysteries from the 30's. In them a large group of people move from room to room en mass trying to get to the bottom of some mystery or other. From a 21st century stand-point I don't think we will ever truly understand why so many films were made involving large groups of people moving from room to room in houses with hidden passageways, moving paintings and, well, men in gorilla suits. But, they sure made a lot of them in the 30's, so audiences must've liked them I guess.

In this one an immoral adventurer kills a sacred monkey in India. Once back in the USA, he gathers a group of investors together to give them the chance to obtain a fortune in gems from the Hindu temple. But naturally, things are not what they seem.

Like pretty much all of these types of movies this one is nothing great. It's creaky and obvious most of the time with only the killer gorilla providing anything in the way of thrills. I can't really recommend it exactly but if you've seem a few of these types of movies, well, this one is more of the same I suppose.

From the time I was a small child, watching our first TV set, I was intrigued by the movies of the 30's and 40's featuring men in gorilla suits. We were to take them seriously (my favorite was the one in the Laurel and Hardy movie in Switzerland). Here we have the standard mystery with the central character a boorish man who supposedly has a curse on him. He has done shameless things in a foreign country in the past, and now decides to meet his investors a mansion to pay them their rightful earnings from their investments. It is a cast of the usual buffoons where several are murdered. Still it is quite a bit of fun.

The movie begins in Asia (India) in 1913, where the main character (a Mr. Prendergast) kills a monkey, & then moves ahead to 1932-33 in the US, where the Curse of Kahli follows him. This is a solid old dark house kind of movie that has comic elements & a seance. It's a treat for fans of the Hopalong Cassidy B western series to see a 47 year young beardless George Hayes in a small role. There are lots of murders, several surprises, & the mandatory man in the gorilla suit. Chanda (played by Laya Joy, AKA Joyzelle Joyner), after an early stint in the movie as an exotic dancer (she's does a good job at that) walks around the rest of the movie zombie-like, almost speechless. Fans of the old dark house genre will certainly enjoy this one.

The theme is nice and supernatural, nearly but it's a murder mystery. I didn't expect there to be comedy too. I found the film in the first half hour interesting but the second was silly. The policemen were comics and it became too over the top daft. I like old films but this one was just not my kind of thing. The ending felt rushed and I wanted to see a bit more to round it off.