Educande d'America

A great cast can't help this dated look at "Finishing School," from 1934. I decided to watch it based on the presence of Frances Dee and Ginger Rogers, both of whom are always delightful. They are here, too.

Francis Dee plays a young woman, Virginia, who is sent to finishing school at the behest of her shallow mother (Billie Burke). She is turned over to the head of the school (Beulah Bondi) and given a set of rules.

When she meets her roommate (Rogers) and her roommate's wild crowd, she discovers that the only one paying attention to rules is her. She agrees to go away for a weekend with Rogers, friends, and Rogers' aunt (an actress playing a role).

Then it's a wild time in the city, especially when Virginia meets Dr. Ralph McFarland, who works as a waiter (read: unacceptable job) while doing his internship. They fall in love, but the upper crust at the school, only interested in appearances, attempt to break them up. Alas, it's a little too late for that. And you really have to be sharp to figure out why!

I'd like to think this sort of thing has gone out of style, but I have a nagging feeling that it hasn't. Can there really still be places that teach one the difference between a tea and a reception, and how many calling cards to leave when people are not at home?

Well, they still do have débutante balls, so maybe there are - but let's face it, "coming out" parties have a new meaning today. We do know that there is still a lot of shallowness in the world, so perhaps "Finishing School" isn't so dated after all.

Bruce Cabot is enjoyable and good-looking as Virginia's suitor, and there is a nice performance from Anne Shirley, who wants to fit in with the older set.

Rogers stands out as usual in her supporting role and keeps the pace going. Dee was so pretty and natural, it's a shame she left movies, but hey, I would have done that - and more - for Joel McCrea.

Interesting for the cast and as a look at an upper class woman's responsibilities back in the '30s.

This was Made just a Heartbeat away from the Full Implementation of the Hays Code and it Confronts a Virginal, Pre-Marital Reproductive Concern that would be Totally Absent in just a Year and would be Virtually Gone from Cinema for Decades.

The Third Act is Unimpeded by the Code and Francis Dee's "Situation" is a Result of Her Affair with Bruce Cabot . But that is Only One Facet of the Depression Era Societal Philosophies in this Dram-Com. The Income Inequality and Pompous Personalities of the Ruling Class Elite is Central to this Fine Film.

Ginger Rogers Peppy Character Pony (wanna go for a ride?) is a Welcome Upbeat Relief from the Drama as the Movie is Brutal in its Display of Parental Disconnect and the Regimental and Stifling "Finishing" of Upper Crust Debutaunts. Their Hypocrisy and Hubris are Picked Apart and Pounced Upon in this Scathing Dismantling of the Heartless 1%.

Certainly some big names in this dated film from 1934. Pretty early-on in Ginger Rogers' film career... as well as Frances Dee's. Of course, the biggest name here is really Billie Burke, who not only married Ziegfeld of "Ziegfeld Follies"... but was also Glinda the Good Witch in Gone With the Wind! Here, Burke plays "The Mother" who sends her daughter Virginia (Dee) off to finishing school. Virginia rooms with "Pony" (Rogers), who shows her the ropes. Of course they get into all kinds of mis-haps, but poor Virginia keeps getting caught, and is pretty much ignored by her parents, who are too busy jet-setting with the other rich folk. It's rather dry, bland, and a dated story of the 1930s, showing how the rich folks lived prior to the market crash. Pretty far from anyone's experience today. Virginia meets local med student "Mac", who she hopes will take her away from her tortured life. It's all well done, but such a simple, out-dated story doesn't really hold up with today's world and moral standards. Lots of implied things going on, and we can tell why the film was put on the "condemned films" to avoid by the churches at the time. Made JUST prior to when the film code began to be enforced, and these subjects would be completely avoided. Kind of seems like it got much more serious and deep in the last 20 minutes of the film; up to then, it was all set-up. Originally a play by Katherine Clugston. Good to see Ginger Rogers and Billie Burke, years before their bigger roles.

The first indication that "Finishing School" is worth watching is that the Catholic church placed the film on its condemned list for 1934. But it has so much more than that to recommend it.

The star of the film is Francis Dee, who plays Virginia Radcliff, the teenage daughter of rich parents who send her off to get educated in the finer aspects of life. The mother--played by Billie Burke--seems to have little use for the daughter and is quite happy to "drop her on the doorstep" and retire to her social agenda.

Crockett Hall is an exclusive girls school where exclusivity implies a lack of racial diversity and an emphasis on blueblood backgrounds. At first the school seems like a backdrop for a film comedy about coming of age and the harmless hijinks of young women. But Virginia soon learns that Crockett is little more than a prison where the ridiculous rules of etiquette are but a small part of the personality engineering to which the girls are subjected.

Virginia forges quality relationships with a small clique, including "Pony" Ferris, played by Ginger Rogers. Being a fan of Ms. Rogers, I was pleased to find that by this time in her career she is a fully-formed, competent actress.

As the harsh headmistress, Miss Van Alstyne (played by Beulah Bondi), cracks down on the indiscretions of Virginia--especially the indiscretion of being "too different"--and we find that this teen comedy has morphed into a significant drama. Francis Dee is more than up to the challenge with her convincing portrayal of a woman who is fighting for her sanity and her life. Indeed, she raises Virginia to the level of heroine.

"Finishing School" is a stylish film with great acting. It deals with sophisticated issues and gives the viewer an emotional journey.

FINISHING SCHOOL starts with a whimper: FRANCES DEE enters the same finishing school her mother (BILLIE BURKE) attended, a school burdened by rules that most of the girls never follow--including Dee's new roommate, GINGER ROGERS. And it doesn't end with a bang.

BEULAH BONDI is the prissy lady who tells Dee about all the rules. ANNE SHIRLEY is a naive girl who wants to be part of the gang but is rebuffed by Ginger's set.

The dialog is not exactly crackling with gems. "One step lower and I'll be in the movies," says one old gal who deceives the school mistress by playing the good aunt taking the girls to a matinée instead of a wild week-end rendezvous with men. When Dee passes out on her wild weekend, it's BRUCE CABOT, a waiter at the hotel, to her rescue. He pays a passing milkman 12 cents for a quart of milk so Dee can have some breakfast. Oh, the good old days!! Even with some good names in the supporting cast, it never manages to be more than an innocuous treatment of an innocuous theme. Dee is pretty but her acting, as usual, is pretty forgettable. Bruce Cabot does well enough in one of his few likable roles as a young man studying to be an intern while waiting tables on the side. As for Ginger Rogers, at least she adds a little spice as Dee's friend.

Watchable but underwhelming as a feature that probably played the lower half of double bills in the '30s.