Down to Their Last Yacht

A shipload of supposedly rich and connected folks runs aground in a strange kingdom populated with Hawaiians and white folks who have been dyed dark which are led by a ditsy American white lady who wears evening wear and a tiara. Supposedly these are Zulus--but the film and the island where it's set have nothing to do with South Africans. One anachronism after another occurs in this 'primitive' land--including natives who pack Thomson machine guns! Most of what happens on the island is a lot of nonsense.

"Down to Their Last Yacht" is a very unusual musical comedy for many reasons. First, it has no stars to anchor the movie--just various supporting players who didn't have the charisma and range to helm the project. So, while Mary Boland, Ned Sparks and Polly Moran COULD have been funny (they all have had some nice roles in support in other film comedies), there they have no one to act against and they simply are out of their league. Second, for a comedy, it seems to have an amazingly small amount of laughs. While the situations could have been funny, nothing was done to exploit the humorous aspects of the plot. Third, the music...UGGHH! Not only are the songs poor, but the voices are dreadful--and very dated. Considering that IMDb says the movie needed retakes, I assume that even in 1934 it was pretty bad and the studio was trying, in vain, to salvage the project. It all makes you wonder WHAT the folks at RKO were thinking when they made this film!! A real clunker!

This movie is fantastic! Pour yourself a cocktail (and have more ready to pour) and sit back and be ready to laugh at what should be a camp classic. It's over the top, it's ridiculous, it's hilarious! The characters are completely over-the-top - it's like everyone's a drag queen. And it's a rarity in that it's a musical where everyone sings live on film. The highlight is Mary Boland, who you probably know as the Countess De Lave from The Women - she's even more hilarious in this.

Such a fun group -- Mary Boland (The Women), Ned Sparks (Bride Walks Out, Imitation of Life), Sterling Holloway, Sydney Blackmer. Too bad they couldn't have given that group a better script to work with, but here it is. As the title suggests, the family is quickly running out of cash, so they rent out their "last yacht" for a big cruise to the upper crust. The script starts out with a plausible story, but goes silly about halfway through, and i'm also not a fan of all those musical song-and-dance numbers. Ned Sparks is his usual awesome self, with his slow, dry, sarcastic statements, as the captain. When the ship runs aground, they have to deal with "Queenie" (Boland), who pretty much carries the second half of the film, with her musings and wisecracks. and that final song and dance number... it just goes on for-everrrrrrrr! this one is just campy and silly enough to be fun, but the story line goes off the rails, for sure. fun, if just for the historical value. Directed by Paul Sloane, who had been around since the EARLY days of silents. It's watchable, and has two of my favorite character actors... Boland and Sparks! Check it out! it's fun and upbeat.

After the 1929 market crash, the Colt-Stratton family falls from high society to the working poor. Their last major possession is a large luxury yacht where they live. They are forced to rent to the newly rich loud-mouthed Nella Fitzgerald for a gambling trip. The ship runs aground on the South Sea Island of Malakamokolu which is ruled by white Queen Malakamokalu (Mary Boland).

This is a weird little comedy musical adventure. I like the opening premise but it turns into a bit of mess with too many characters. I don't like the music generally although I can't hate that too much. This takes a weird abrupt turn in the middle. It's old Hollywood exoticism with some brown-faced acting and a white crazy Queen. The movie may as well start with the shipwreck and let its freak flag fly.

I'm not sure if this movie is bizarre, as several previous reviewers have claimed, or just a silly attempt to slap something together that will appeal to audiences after they have sat through whatever the main feature was.

For this must certainly have been made as the B movie for houses that showed double features.

Humor: Mary Boland is her usual funny self. Sterling Halloway, who could be funny, doesn't get much to work with.

Sex: You get to see lots of "native" men and women in skimpy outfits. For 1934, this could have been titillating. No one would have mistaken them for real "natives," however. Some of them sing with noticeably New York accents.

Music: The big production number near the end, the second-last number, is pleasant.

Production values: Some of the editing of that production number is interesting.

And there you have it. For 64 minutes, it's fine. Longer than that would have been too long for something so unsubstantial.

I can't imagine anyone would have paid money to see just this, without a better main feature.