Torch Singer

Hollywood sometimes went pretty far afield to find offbeat plots and Torch Singer is one the most offbeat you will see. It starts off soapy and ends up as a love story of sorts and in between there is some comedy and some musical numbers - something for everyone. I kept waiting for it to descend into bathos and tears but Claudette Colbert was so excellent that she singlehandedly kept the show afloat.

Ordinarily I don't care for Colbert much but I found new respect for her acting ability and was amazed to learn she sang her own songs in this picture. Other readers have rehashed the story but I just want to add a few words about the supporting cast. It was refreshing to see Ricardo Cortez in a role that was not sinister - in fact, he was kind-hearted and almost tender. I can never get enough of Lyda Roberti, who I thought had a future as a top film comedienne but died too soon. Here she's only on screen for about 15 minutes. In a night club scene you can get a glimpse of Dennis O'Keefe behind David Manners' shoulder.

This picture was headed for a sub-par rating from me as it is a very odd and contrived story, but as reported it was salvaged by Colbert's performance. Just enjoy it and don't ask too many questions.

This is a touching if not extraordinary film about a woman who has a child out of wedlock, gives it up for adoption and suffers a great deal despite achieving wealth, glamour and fame first as a nightclub torch singer and then as a children's radio personality. This may have been Claudette Colbert's first great cinematic tour de force, gorgeously photographed by Karl Struss (through whose lens she also appeared to huge advantage in Sign of the Cross and Four Frightened People), sheathed in a variety of Travis Banton gowns and singing rather ludicrous songs by Ralph Rainger and Leo Robin in her own voice and let's give her a nod for that! The role is as juicy as can be, giving her the opportunity to essay mother love, humiliation, anger, despair, bitterness, drunkenness, nobility, eroticism - you name it. What a showcase! The screen bursts with life when she is at its center. The other performers, including an underused Lyda Roberti as a fellow unwed mother and a stiff David Manners as the father of the child, serve as window dressing. The only standout aside from Colbert is Ethel Griffies as Manners's stodgy, coldhearted aunt; acting like hers, in the grand old fashion, died decades ago but not until talkies captured the work of some of its practitioners, and it is still a treat to watch.

It's fun to see Colbert warbling the blues (several times) and kiddies lullabies in this well made and directed soap. Unwed and unable to manage she gives up her baby and becomes a disreputable torch singer and the hottest attraction around. Colbert goes from forlorn unwed mother to Mae-Westian blues singer in a captivating role. "Realization" puts her "back on track" to find her daughter. All this in 72 minutes! Good support from Lyda Roberti, Ricardo Cortez and David Manners. It's a shame this isn't available on video.

This 1933 Paramount film, is a sophisticated and greatly acted drama, with the Depression as background and a powerful performance by the great comedienne and actress, Claudette Colbert, as a chic "fallen" woman. I'd even dare to say that this one pleased me even more than that other favorite 1934 tearjerker, "Imitation Of Life".

Awesome Miss Colbert's costumes, designed by the best Hollywood costume designer of all time, Travis Banton, to "showcase" her "conversion", when she turns into the successful "Torch" Singer-Mimi Benton-of the Title.

Great performance by latin-named, but European born, Ricardo Cortez, as Miss Colbert's lover and mentor and a good one too by David Manners, as the rich guy, who "unwantedly" & "unknowingly" disgraced Miss Colbert's life.

Nice acting by beautiful Mildred Washington, who plays Miss Colbert's maid, and "punchy" Lyda Roberti, who plays an earthy woman who befriends Colbert in the beginning of the film. Ethel Griffies, gives a good "nasty" performance, as Manners' stiff-upper-lip, aristocratic, embittered aunt.

Mention apart deserves Charley Grapewin as the mischievous sponsor of Miss Colbert's Radio Show. He delivers some great lines!

I won't add anything more about the plot of the movie, 'cos you oughta watch it for yourselves! A must see for Pre-Code and 1930's film lovers!

An unwed TORCH SINGER uses her children's radio show to search for her illegitimate daughter.

Claudette Colbert has a fine time in this Pre-Code melodrama playing a distraught female who covers up for the necessary separation from her child by embracing a life of empty decadence. While highly fanciful--the heroine is both sultry nightclub chanteuse and kindly kiddy radio hostess--the plot is still most enjoyable, with Colbert wringing every bit of pathos from her character's plight.

Ricardo Cortez plays the refreshingly decent producer who assists Colbert to become a celebrity. David Manners ably plays her long-lost lover. Peppery Lydia Roberti is most enjoyable as a high-spirited young mother; her character is sorely missed when she disappears early in the film. Old Charley Grapewin adds some spark as the flirtatious breakfast cereal tycoon who sponsors Miss Colbert's radio show.

A quartet of character actresses lend able support in small roles: Florence Roberts as a sympathetic nun; Virginia Hammond as Grapewin's suspicious wife; Mildred Washington as Miss Colbert's energetic maid; and aristocratic Ethel Griffies as Manners' inflexible aunt. Baby LeRoy, nemesis of W.C. Fields, appears in only one scene as Miss Roberti's infant son.

Movie mavens will recognize unbilled Scots actress Margaret Mann as a nanny.