Quattro persone spaventate

This film has long been maddeningly elusive on both home video and even television, where it would seem like a natural for AMC or TCM. It's directed by the legendary Cecil B. DeMille, features a solid cast in William Gargan, Herbert Marshall and Mary Boland, and best of all lets us see the most beautiful woman to grace the screen in the 1930s, Claudette Colbert, undergo an alluring transformation from prim, mousy schoolteacher to a self-assured jungle woman in a midriff baring leopardskin.

Not that DeMille gives us a picture of the jungle as a totally idyllic Paradise. The story, which focuses on four people who have escaped a plague outbreak on their ocean liner and who are trekking through hundreds of miles of jungle to reach civilization, shows them going through many travails from snakes to ugly insects to hostile natives etc. Along the way, DeMille mixes in comic relief, intense drama and character studies, philosophical and religious musings, and a generous amount of Claudette showing off her magnificent form. In short, he gives us exactly what he also served up in his spectacle pictures, without the spectacle itself. That absence of spectacle may account for why the picture ultimately failed and is forgotten today. Too bad, because it's quite fascinating to watch.

DeMille obviously enjoyed showcasing Colbert in revealing outfits, since he would do so two more times in the next year, first in "Cleopatra" and then in "Sign Of The Cross."

Interesting Cecil B. DeMille film about four passengers fleeing a plague-infested ship and having to fight their way through the jungle. William Gargan is a pompous reporter who's the he-man of the group, pointing his gun at everything that moves and barking orders. Mary Boland is a talkative middle-aged socialite who provides most of the movie's humor and is pretty much the highlight. Herbert Marshall is a sarcastic chemist who discovers his masculinity through the ordeal. Claudette Colbert plays a mousy geography teacher with pinned-up hair and glasses. As the film progresses, she lets her hair down, loses the glasses, and wears less clothes. So naturally she becomes increasingly sexy and self-confident! The two men, of course, start to notice her more. Leo Carillo is an English-speaking native guide who is terrible at his job and gets the group lost!

As I said, it's an interesting film for DeMille, who is known as a director of epics. This is a smaller, more character-driven story. It's a nice little film, if a slight one. Corny at times but enjoyable enough. The cast is good and the direction solid. Colbert is lovely and makes the most of a silly part. Try not to take it too seriously and I'm sure you'll enjoy it more.

Utter balderdash with the DeMille touch, although it is missing a big set piece which in his later films was standard, has to do with people stranded on an island fending off man and beast. Somehow going through the rigors of the jungle makes Claudette more attractive rather than less, she even has an indistinct but very definite nude scene under a waterfall. Herbert Marshall is fine as usual but the real standout is Mary Boland doing her best fluttery nincompoop, the periods when she disappears from the film it really suffers because of it. A notorious flop in its day this is enjoyable if you are a fan of DeMille's excesses but he's definitely made better films.

Four Frightened People is an interesting, if badly named, survival thriller from the 1930s. It was somewhat ahead of its times, with a brief nude sequence and a muted feminist theme, with an active heroine by the standards of its time.

The film follows four people who flee a cruise ship that has been infested by the bubonic plague. They land in a jungle portion of Malay and have to travel through the wilderness to get back to civilization. Along the way, they confront wild animals and hostile indigenous people.

This film takes some unexpected turns that make it more interesting. At the beginning, we assume the heroine will end up romantically attached to the brash leader of the group. However, DeMille takes the plot in a much different and more satisfying direction, making good use of character development to defy our expectations.

Four Frightened People also defies expectations through its treatment of Claudette Colbert's heroine. Initially a whiny, easily pushed around schoolmarm, she becomes arguably the most influential member of the group, pushing the men to become more proactive. Although the film's ending and a few damsel in distress scenes undermine the proto-feminist theme, the film is still quite progressive for 1934.

The film's content is also surprisingly risqué. At one point, we see Claudette Colbert's character showering nude, and the supporting female character gets Malay women to deny their husbands sex.

One aspect that does date the film is an undercurrent of racism. The depiction of the indigenous people is definitely patronizing, particularly the character of Montague. Still, the film is far better in those terms than other old jungle films such as White Pongo.

This bizarre, hideously ignored Cecil B. Demille comedy has a bit of everything! Sarcastic/ironic humor, adventurous action, sex, melodrama, romance and camp shift in and out of focus, giving way to each other throughout.

Without going into much plot detail, four passengers (Claudette Colbert, Herbert Marshall, Mary Boland and William Gargan) escape a plagued ship and come ashore only to find they must travel through miles and miles of jungle area in order to reach help. Gargan turns in a memorable performance as a determined journalist just dying to re-reach civilization to share the latest, greatest news story. Marshall and Boland are equally adept. However, this picture ultimately belongs to Demille's unique directional touches and the dynamic, versatile skill of Colbert. Fans of films fitting this description will likely find 'Four Frightened People' to be a delightful, forgotten treasure.