A Study in Scarlet

As long as one understands this version of A STUDY IN SCARLET bears no resemblance to its source material, one can enjoy the performance of Reginald Owen -- best known for playing Scrooge -- as the inimitable Sherlock Holmes. The story as such involves a secret group of individuals who are being knocked off one at a time. A fortune is at stake! Holmes is called in and more or less immediately identifies the killer(s), but the movie stretches events out to feature length, and a bad movie it is not. Owen makes an acceptable Holmes, even though the story has been moved forward to the time in which the movie was made. Warburton Gamble's Dr. Watson leaves something to be desired, but most movie Watsons can be found lacking. Only Ian Fleming in 1935's TRIUMPH OF SHERLOCK HOLMES and the Dr. Watsons of the Jeremy Brett TV series come even close to the Watson of the Conan Doyle stories. Worth a look as a novelty.

Sherlock Holmes became such a quick fixture in motion pictures that it is possible to write studies on the various movies and actors centered on that character.

This particular film was an early Hollywood take on Holmes in the sound period. It is interesting to note that it came out only three years after Sir Arthur Conan Doyle died in 1930. By the time this had come out Hollywood had done silent and sound films about Holmes with William Gillette, John Barrymore, and (more recently) Clive Brooks. But the three best Holmes' of the sound period were still to come along: Arthur Wontner in Great Britain, Basil Rathbone in Hollywood, and Jeremy Brett (on television). Holmes in this version was Reginald Owen, best remembered for his "Ebenezer Scrooge" in the 1938 version of "A Christmas Carol". Owen was a very good character actor (villainous in films like "The Call Of The Wild", but funny as anything in "The Good Fairy"). He had played Watson already, so he was one of the few actors to essay both friends parts. But he seemed too laid back to be a good Holmes.

"A Study In Scarlet" appeared in December 1887 in "Beeton's Christmas Annual", a long forgotten magazine in Great Britain, which is only now recalled because of Conan Doyle's novella. If you are lucky enough to stumble onto the Beeton's of that month and year (and it is the original) than hold onto it - it's worth many thousands of dollars.

It's in two parts. The first half is "The Lauriston Gardens Mystery", wherein Dr. John H. Watson (our narrator) introduces us to his friend and roommate Sherlock Holmes, and then to the adventure (set in April 1881) where he first became aware that Holmes was a consulting detective, and was consulted by Scotland Yard's Detectives Tobias Gregson and "G." (no further name ever given) Lestrade (not "Lastrade" as the movie's cast of characters named him). Lestrade would be the best known of the detectives in the saga who would consult Holmes (and would be most memorably played by Dennis Hoey in the Rathbone films). Here he's played by Alan Mowbray - not badly but with little electricity.

The plot of the first portion of the novella is about the murder of two men, one by poison and one by a knife wound in the heart. Holmes traces the story back to the old west, where in the second half (entitled "The Country of the Saints") it is linked to the Mormons in Utah.

Most (if not all) was jettisoned, into a story about murder for insurance, centering around Anna May Wong and Alan Dinehart. Dinehart's character Thaddeus Merrydew, is based on a single line of writing in the four novels and fifty six short stories that were written by Conan Doyle. In "The Adventure of the Empty House", when reading a list of people with "M" in their name (he is searching for the biography of Colonel Sebastian Moran), he finds a reference to "Merrydew of abominable memory." That's it! No "Thaddeus Merrydew", just "Merrydew". Somebody concocting the script remembered that one reference. I may add, this was also the last time in movies there was any villain named Merrydew against Mr. Sherlock Holmes.

As an early talkie film about Holmes, it is worth seeing - but it is not among the best Holmes movies.

I had never seen Reginald Owen in anything but a somewhat weak Christmas Carol. He plays a larger, more imposing Sherlock Holmes. Holmes' appearance is usually rather striking, so actors play on his idiosyncrasies. In this movie, he sort of blends in. The story has nothing to do with the story. It will probably never be produced as written because of it's religious issues. This is an attempt to apprehend the big cheese in a series of murders involving the "Scarlet Circle." Men are dying according to the same poem used in Christie's Ten Little Indians (And Then There Were None). Holmes is aware of what is going on, but can't really strike quickly. This results in deaths not being prevented. While there is a seriousness to this film, there is a lot of humor as well. The characters are rich and interesting and the acting is pretty good. See it for another angle on the Holmes canon.

KBS Productions paid for the title, but not the plot, of Doyle's 1st Holmes story. Instead, and I might never have known this if not for some helpful contributor to the IMDB, they adapted-- unofficially (and presumably, UNPAID!), Belgian author Stanislas-André Steeman's 1931 detective novel "Six Hommes Morts". I've looked around, and I haven't yet found any evidence that this novel, published in French, has ever been translated into English. However, I've just learned it has been adapted to film at least 4 times, with this being the 1st version. The others were "THE RIVERSIDE MURDERS" (UK / 1935), "LE DERNIER DES SIX" (France / 1941) and "L'inspecteur Wens: SIX HOMMES MORTS" (an episode of the 1975 French anthology TV series, "Les grands détectives")! Now I'm interested in tracking those down for comparison.

Physically, Reginald Owen reminds me a bit of a young Ray Milland (or, a bit, of stage actor William Gillette). He may not look like the traditional idea of Holmes, but thanks to the script, he certainly SEEMD like him, making all sorts of amazing observations that escape the notice of Inspector Lestrade and Dr. Watson (who's mainly here as the audience-identification character, for Holmes to explain the plot to). Owen fares better as Holmes than he did as Watson in Fox's "SHERLOCK HOLMES" only 6 months earlier, while Alan Morbray, who was Scotland Yard inspector Colonel Gore-King in that, returns here as Lestrade.

I've seen this movie at least 4 times now, and have enjoyed it more with each viewing. Part of it is the slowly-developing plot, part is seeing some of the wonderful character actors of the period who I've come to recognize from other films turning up. Among them are Anna May Wong (who once played Fu Manchu's daughter), Halliwell Hobbes (who was in several Rathbone HOLMES films), Olaf Hytten (ditto; he also played "Sheerluck Jones" in the insane comedy short "Lost In Limehouse", which came out only a month before this), and Billy Bevan (a policeman in "Dracula's Daughter", he serves a comic-relief role as a tavern customer, similar to Herbert Mundin in the earlier Clive Brook film).

Given the similarities to "The Five Orange Pips" by Doyle, "Six Dead Men" by Steeman, or "Ten Little Indians" by Agatha Christie, I have to wonder WHICH story Christie might have been borrowing from when she wrote HER novel several years after this!

I only wish someone could locate a complete print of this and do a proper restoration, as between the poor picture and sound quality, and all the words missing due to frequent cuts, this is in almost as bad shape as Raymond Massey's "THE SPECKLED BAND". The screenplay here would have made an excellent installment in the Universal HOLMES series with Rathbone; if it had been, it would have been fully restored by now, as those 12 films were!

I first started reading the Holmes saga almost 40 years ago.Since then,my search has included all of the stories in the Canon,a great number of the pastiches,a vast number of the films,plays,and T.V. specials,and other works.So,while not considering myself a TRUE expert,nonetheless,I have a working knowledge of many of the adaptations.

There has yet,to my knowledge,to be a dramatisation of the original story of this name.And,it seems,for good reason.The plot involves the murder of 2 American tourists to London,both of whom being members of the Church of Latter Day Saints.The framework story then opens,and shows a fictionalized,and highly derogatory account of a Mormon totalitarian police state.Dissidents are terrrorized,nonconformists are murdered,and travelers are slaughtered so that new additions can be obtained for the harems of the Elders.

Understandably,given these details,one can understand as to why NO adaptation has yet,and probably never will be completed.Not only would it never play in Salt Lake City,but it would also alienate a major religious body.