Rosita

"Rosita" (1923) stars Mary Pickford and is directed by Ernst Lubitsch; so...it should be a dynamite piece of film viewing. It's certainly not bad, but it's no masterpiece. Mary is a street singer during what appears to be some century in Seville hundreds of years ago. She is a sort-of François Villon poet/singer who chooses to snipe at the reigning king and his government and the taxes imposed which siphon the wherewithal out of the peasant class. By the upper classes Mary is constantly monikered 'harlot'. She is eventually dragged away by nasty government agent during Carnival festival, but a noble steps up, one who is recently returned from serving military service, and he stops the agent; then gets into a sword duel with him; kills him; then is put into prison where in the morning he will be hanged. Mary is put into the same prison. I'll let it hang there so you can find the film and watch to see what occurs!

Begins slowly. The story is a good one. What happens, though, is that this should have been a good drama. Even a few Pickford light moments would have worked to make this work if it had remained a good drama. Instead...it turns into a second rate meller/romance. Mary doesn't seem happy during this film. Something must have been up. We know historically that is true.

Well worth the watch. But this one does NOT have the Lubitsch touch. Instead, this one's 99 minutes is simply too long. I enjoyed the ending, but I knew it would happen the way it did. Probably would have been better with the Hitchcock touch; or simply letting Mary do her own version. This is on the new Blu-Ray release from Grapevine Video, a Kickstarter project with work done by Jack Hardy and a piano musical score by David Drazin. Score is good, though the Carnival scene music is a tad overwrought.

Also appearing with Pickford are Holbrook Blinn as the king; Irene Rich as his wife, the queen (and who is the person I think did the best job of characterization, and was a pleasure for the little time she appears); George Walsh as Don Diego, Mary's love interest; Mathilde Comont as Mary's mother; George Periolat as Mary's father; and many, many others. Supposedly Charles Farrell and Marion Nixon are here somewhere.

The restoration is a thing of beauty, with sharp images, good tints, a Handschlegel sequence that is charming, beautiful set design, and photography by Miss Pickford's regular cameraman in this period, the great Charles Rosher. Ernst Lubitsch, in his first American film, directs to show off everything, offers a few grace notes, and has turned out an overlong movie.

I admire Lubitsch's comedies endlessly, but I am not so fond of his historical epics. I understand their popularity at the time. With Europe in the last days of the Great War, and a couple of years coming out of it, looking at luxury on screen was all the escape audiences could get from a devastated continent. Yet showing that luxury takes up screen time, and Lubitsch seemed to feel no need to fill it up for those of us who exhausted that pleasure quickly. As a result of this, while the opening sequences of Carnival, waiting for Miss Pickford to appear amidst the innumerable extras, is exciting and fun and even a bit suspenseful, the constant barrage of magnificent clothes and high glass shots while Miss Pickford shows she is a great actress palled on me. She had already shown her range in an assortment of roles eight years earlier, when she played Indian girls, Scottish lasses and Madame Butterfly. In those movies, she had shown her range by offering her audiences drama and comedy. In this movie, it's Mathilde Comont and George who get the giggles, while Miss Pickford gets to do an 18th Century Suffering In Mink role in slow motion. Her features had been an hour in length. This one stretches to 100 minutes.

One of the reasons that Miss Pickford wanted to make this movie is she was tired of the popular movies she had made over the last few years, in which she played children or adolescents. "That little girl killed me" she later said. Did she understand the irony? An actor performs many roles, but when people go to see a star, they have expectations about what they'll be seeing. Miss Pickford was not going to play Lady MacBeth, even though she was undoubtedly capable of giving a bang-up performance. She stretched here to please the critics, and her fans accepted it and even enjoyed it, because it showed she was as good as they thought she was. Yet if it's that little girl killed her, it's equally true she made Miss Pickford one of the half dozen biggest stars in the history of cinema.

I'm sorry, but the audience who rejected this movie in 1923 were right: Mary Pickford just can't play it sexy. Neither is she convincing as a fiery ridiculer of authority. Her usual childlike impishness is sorely out of place here; when the king lusts after her, you have to suspect him of child molesting tendencies. However, the movie does have its funny moments, in a very Lubitsch way; the amusing efforts of the king to avoid the monogamous-minded queen make up for some deficiencies.

Pickford is impressive as the poor peasant entertainer with whom the King becomes ridiculously obsessed. Having seen some of Pickford's earlier 'little girl', romanticism movies this was a refreshing change and demonstrates how she was able to extend her range given the opportunity, utterly convincing as she is playing the fiesty young rebel as a woman with attitude. She reminded me of our contempory performers such as Madonna. Always amusing and beautifully composed by Lubitsch, whilst not a classic a highly enjoyable film.

"Rosita" is an enjoyable film--even with its faults. After all, think about the notion of having Mary Pickford playing a Spanish temptress! But despite this, the film is decent breezy entertainment and a change of pace from the typical roles played by this silent star.

The film is set sometime in the 18th century. The King is a bit of a dirty old man and, as usual, is up to no good. In this case, a priest talks about how wicked a local festival has become--so the King has to go to 'investigate'. His investigations add up to him falling in love with a fiery temptress, Rosita. He orders his men to abduct her--though a very honorable Captain sees what's happening and jumps to her defense--and is sent to prison for his troubles. When Rosita meets the King, he showers her with jewels and a castle and his intentions are mostly dishonorable. But, he seems willing to give her anything she wants--and she wants the Captain out of prison. What's next? Well, a lot of treachery and a happy ending that pops out of no where.

Like so many of Pickford's films, the sets are top-notch and it's an excellent production all around. In fact, Allied Artists even went to the trouble of bringing one of Germany's best directors to do this one and Ernst Lubitsch was on hand to give it his famous touch. My only complaint, other than the odd casting of Mary, is that the film seems a bit lightweight--though it is certainly fun.