Film historians often jokingly refer to this film as the first 'home movie,' as it depicts the filmmaker's home life in a documentary fashion, without any attempt at narrative contrivances.
Contemporary audiences were as fascinated by the movement of the trees in the background as they were by the 'actor's' movements.
Lumiere Film Catalogue no. 88.
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By what name was La colazione del bimbo (1895) officially released in Canada in English?
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