VALUTAZIONE IMDb
6,4/10
2046
LA TUA VALUTAZIONE
Un giovane si traveste da donna per poter vedere la propria amata dopo che il padre ha proibito alla ragazza di vederlo.Un giovane si traveste da donna per poter vedere la propria amata dopo che il padre ha proibito alla ragazza di vederlo.Un giovane si traveste da donna per poter vedere la propria amata dopo che il padre ha proibito alla ragazza di vederlo.
Billy Armstrong
- Father's Friend
- (non citato nei titoli originali)
Marta Golden
- Her Mother
- (non citato nei titoli originali)
Charles Inslee
- Her Father
- (non citato nei titoli originali)
Edna Purviance
- Daughter of the House
- (non citato nei titoli originali)
Margie Reiger
- Father's Lady Friend
- (non citato nei titoli originali)
Jess Robbins
- Soda Vendor
- (non citato nei titoli originali)
Leo White
- Idler in the Park
- (non citato nei titoli originali)
Recensioni in evidenza
Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.
From his Essanay period after leaving Keystone, 'A Woman' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'A Woman'.
'A Woman' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety and less more of the same repeition.
On the other hand, 'A Woman' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work (even when deadlines were still tight) and not churning out as many countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.
While not one of his funniest or original, 'A Woman' is still very entertaining with some clever, entertaining and well-timed slapstick. It moves quickly and there is no dullness in sight, it's also very charming and sweet without being cloying.
Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well.
In conclusion, pretty good. 7/10 Bethany Cox
From his Essanay period after leaving Keystone, 'A Woman' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'A Woman'.
'A Woman' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety and less more of the same repeition.
On the other hand, 'A Woman' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work (even when deadlines were still tight) and not churning out as many countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.
While not one of his funniest or original, 'A Woman' is still very entertaining with some clever, entertaining and well-timed slapstick. It moves quickly and there is no dullness in sight, it's also very charming and sweet without being cloying.
Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well.
In conclusion, pretty good. 7/10 Bethany Cox
A Woman is one of the most sexually charged Chaplin films I've ever seen, and not only because Charlie spends a lot of it dressed as a woman. From the very opening of the film ("Charlie Chaplin in A Woman") to the scene where he's having tea and bagels. He takes a long, phallic knife and skewers the bagels, allowing them to slide down the shaft onto their plates, and then he quips, "I do this trick in my bath - when I have one."
When you have one what, Charlie?
The rest of the film, however, is family friendly fun, even when Charlie is dressed as a woman. Most of the time he is playfully fending off the advances of a man who was furious with him minutes before, but now is completely fooled by the disguise. Charlie slaps and pushes and shoves him, knocking him over backwards and over furniture and whatnot, a lot of the typical slapstick that we have come to expect from Chaplin's short comedies of this era.
This is not the only time Chaplin has dressed up as a woman in one of his short films, and once again he is surprisingly, almost disturbingly, convincing in the costume. A lot of the comedy of his silent slapstick comes from the effeminate nature of his mannerisms, and he puts those to good use here.
The first half also takes place in a park and therefore resembles countless of his other short films that take place in a park, which used to be Chaplin's favorite place to go and set up the cameras and just let a little comedy happen, and it's clear that that was what was happening in this film. But the second half makes up for the unsurprising first half. Not a bad little film at all.
When you have one what, Charlie?
The rest of the film, however, is family friendly fun, even when Charlie is dressed as a woman. Most of the time he is playfully fending off the advances of a man who was furious with him minutes before, but now is completely fooled by the disguise. Charlie slaps and pushes and shoves him, knocking him over backwards and over furniture and whatnot, a lot of the typical slapstick that we have come to expect from Chaplin's short comedies of this era.
This is not the only time Chaplin has dressed up as a woman in one of his short films, and once again he is surprisingly, almost disturbingly, convincing in the costume. A lot of the comedy of his silent slapstick comes from the effeminate nature of his mannerisms, and he puts those to good use here.
The first half also takes place in a park and therefore resembles countless of his other short films that take place in a park, which used to be Chaplin's favorite place to go and set up the cameras and just let a little comedy happen, and it's clear that that was what was happening in this film. But the second half makes up for the unsurprising first half. Not a bad little film at all.
The king of comedy Charles Chaplin is hilarious in this 1915 silent short comedy.Once again Charlie gets in trouble.He is chased by two men and they go in a house.Chaplin goes upstairs as a man and comes down as a woman.And the chasers find him very attractive.Edna Purviance finds this situation very amusing.Man as a woman has been seen very many times in movies and many times it's funny.Chape certainly proves it in this movie.Chaplin makes a perfect lady.This movie is 20 minutes of fun.A Woman is a very lovable comedy flick from the master.I recommend it for everybody who likes to see Chaplin as a woman.And this was made long before Tootsie.
While much of this is fairly simple comedy, it's interesting and worth watching for a couple of reasons. The first half is a slapstick sequence that could have come from any number of Chaplin's early short features, but it is a little better than average for knockabout slapstick, because the timing is generally pretty good and the situation is developed enough to make it amusing. The second half, for which the movie is better known, focuses on Charlie's appearance as "A Woman", and it is carried off pretty well. Unlike many such sequences, it doesn't try to get more out of the situation than is there, so it works pretty well. Overall, this movie is a little better than average among Chaplin's earlier short comedies.
This is one of the most interesting firsts film of Chaplin. In reality, the plot is similar to all the other short films of the great Charlot, with a narrative construction that's just a pretext to generate all kind of gags, mostly based on body and slapstick sketches. But here we can see also Chaplin act as a woman and his ability to understand all the movements and cliché of a comedian mask: if you have never seen this movie and you watch just the scene of woman version Chaplin, you can't recognize him, that looks also really cute! One of the proves of Chaplin acting abilities.
Lo sapevi?
- QuizThis is the last time Chaplin appears on screen without a mustache (because he is in drag), until Luci della ribalta (1952).
- ConnessioniEdited into Chase Me Charlie (1918)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- A Woman
- Luoghi delle riprese
- Lincoln Park, Los Angeles, California, Stati Uniti(Eastlake Park)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione26 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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By what name was La signorina Charlot (1915) officially released in India in English?
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