Charlot inserviente di banca

Chaplin's comic persona still wasn't fully formed when he made this 1915 short for Essanay, but his development was gathering pace and, while there are still dislikeable elements about his character he is not as mean-spirited as he was in his earlier incarnations. Here he plays Charlie the janitor, a lowly worker at a bank who mistakenly believes the pretty teller (played by Edna Purviance) loves him, when she really loves a dapper bank clerk by the same name.

Chaplin's comic timing is perfect as always and he makes difficult tricks look easy as he wages war on a fellow worker. Oddly, while the film works a little too hard to tug at the audience's heartstrings, there is no happy ending to this one, and by the final credits the true colours of both Charlie and his love rival are exposed.

Good Chaplin short with Charlie as a janitor in a bank. Movie consists of 3 parts. First Charlie gets in a fight with another janitor as they don't really help each other. Then we meet Edna, Charlie's secret love, but engaged to a cashier. The third part is when some gangsters try to rob the bank, but then Charlie comes in and saves the day, gaining the respect and love of Edna (or does he?).

Funny slapstick by Charlie, in particular in the last part when he fights of the robbers. Though not his best, certainly great entertainment for Chaplin fans (and boy am I one of them). Great, bittersweet ending as well.

Peculiar thing happened when I turned off my dvd player and the Dutch 'Tros tv-show' was on with Geraldine and young Oona as guests! Now that can't be a coincidence...

Final score: 7/10.

This is one of the best of Charlie Chaplin's many early short films (i.e. from 1914-1916). Besides containing a lot of slapstick humor, the bank setting leads to some interesting subplots and themes.

Charlie is a janitor in the bank, and he usually manages to create more messes than he cleans up. Much of the first part of the movie is a series of comic misadventures while Charlie is trying to do his job, producing a lot of laughs. Then we find that Charlie has his eyes on a girl, and meanwhile some bank robbers come on the scene.

All of it leads to some good comedy, while also having some moments of humanity similar to those in the great films that Chaplin would create later. Charlie's character in this one is sympathetic and memorable. "The Bank" is a short feature with humor and substance, and it is one of the best examples of Chaplin's earlier work.

"The Bank" (1915, Chaplin) "The Bank" was one of Charlie's 1915 Essanay films. While these group of films are more watchable than their 1914 counterparts, this one seems a bit below average. The gag with the janitorial double combo-locked vault and the tough-luck ending that has Charlie waking up from a dream, in which he is stroking the lead lady's hair, only to be stroking the head of a mop he had used as a quasi pillow, are both classic Chaplin moments. They are both ironically the beginning and the end. The middle is filled in with fighting with the rival co-worker janitor and busting up a bank robbery to win the girl. The mop is probably the greatest physical prop of this movie and Charlie uses it to expert comedic effect whether while it is the intention of his character or not. The mop seems to be Charlie's alter-ego doing things he wishes he could do but wouldn't with his own two hands. Interesting stuff but there's better.

Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

From his Essanay period after leaving Keystone, 'The Bank is not one of his very best but is one of his best early efforts and among the better short films of his. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'The Bank'.

The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety.

On the other hand, 'The Bank' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.

While not one of his most hilarious or touching, 'The Bank' is still very funny with some clever, entertaining and well-timed slapstick and is one of his first to have substance and pathos. It moves quickly and there is no dullness in sight.

Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality and substance of the role. The supporting cast acquit themselves well.

In summary, very good and one of the best from Chaplin's Essanay period. 8/10 Bethany Cox