Thuramukham

I was super excited for this one just like any other film enthusiast in Kerala cause of the casting and the continuous delay for the release. All this excitement and delay definitely build up a huge hype around this movie from the day it was announced. However to my surprise the film ain't living up to the hype, i would say the script itself killed this film. The script seems to be one of the most laggy and boring ones i have seen this year or the past. The cast seems to be the only good thing about this film. Joju George, Arjun Ashokan and Poornima Indrajith have all performed pretty well comparing others on this slow pace script. Nivin Pauly seems to be a pretty bad choice for the cast here, feels like he is undermining his former performances. The background scores are dull and depressing to every single scene on this film. The director might have wanted to pay respect to the original story behind the script but the film just doesn't make it work for me. The movie starts off with a little energy and it slowly digs its own grave as the story progresses. By halftime all most everyone in the theatre was like where the hell is this movie going!!! The supposingly second half is way more dull and dead, characters end up here n there with the story going somewhere else. I would only recommend this film to those who are really spiked about the true story behind the script and has got 3 hours to kill. Definitely didn't expect this level of dullness from the director and crew, could've done a lot better!!!

Elongated script for a movie that had no true length. Not sure, what the director was even trying to depict, is it the focus on the characters or the poor script. Sheer waste of good talents. Nivin and Dharshana were wasted with hardly a zilch to add much into the story.

The music was one of the worst torment of the movie.. there was absolutely no sync to whatsoever of the scene or the music bring played.. it was as though, the music director was on a rolled out budget, that he blew the music only on a trumpet that was pathetically composed.

There were so many loose ends, that at some point it leaves you wondering, what is even happening.

Please don't watch. Not worth a single dime.

I enjoyed the slow and definitive approach to story telling that the movie has adopted. While there is so much to say, the slow and detailed presentation let the content sink in.

Joju George started the movie off on an excellent footing. Remarkable charisma, acting. Most of the prologue section is shot at night. Excellent camera work.

Nivin Pauly came in after the titles, and there was a slight dip from the standard that Joju had set. Nivin has some limitations in his acting abilities, and while there were a few scenes where the limitations surfaced, there were many that were pleasantly perfect.

Music and lyrics work have been excellent. There is a unique story telling style that Rajeev has adopted in this movie, the scores have aligned very well with that, and there are many remarkable songs with high quality experimentations.

There is a genuineness to the character portrayals. Cinema heroes have a way of being at the right place at the right time, with all the necessary knowledge and skills, and a win-at-anything. Characterizatons in Thuramukham were a welcome contrast and felt very genuine.

Arjun Ashokan has done excellent work as the timid younger brother, with a subdued revolution within him. Played out a lot of undercurrents extremely well.

Many other faces from various Rajeev Ravi movies show up and they have all done excellent work.

Cinematography is excellent. Revolt shots, closeups. Right framing for the right purpose. The movie felt like a master class in cinematography.

Action scenes were stunt directed very well, and felt very realistic. There are a bunch of action scenes, and each one was done well.

The intense emotions in the closeups of so many actors in the crowd scenes were all remarkable.

Script is amazing. There are certain moments that are poetic. There is a shot where Nimisha suddenly wakes up from her sleep and goes back. The context in which that was written was very beautiful.

It is a movie that needs multiple viewings.

It is a slow, drawn out movie, which takes time to tell you what it needs to tell you.

I have to say that it is the worst film I've seen in a long time. There was nothing redeeming about this one. No matter what aspect you look at, the film fails to deliver. The story is dull and uninspired. The film tries to tackle several themes, but it fails to do so with any depth or nuance, making the experience a tedious one.

I would not recommend this film to anyone, as it falls short in every aspect. I am surprised that a filmmaker like Rajeev Ravi, who has been known for his exceptional work in the past, could produce such a mediocre film. This film was a complete waste of time and I would advise others to steer clear of it and choose something more deserving of their time and attention.

After watching Rajeev Ravi's long-delayed Thuramukham, I begin to wonder whether Gopan Chidambaran's script was intentionally stripped off its commercial elements and high moments, or if it was entirely the director's vision (or choice) to deliver a straightforward, realistic account of the harbor workers protest in the '50s. Whatever the case may be, Thuramukham ends up feeling half-baked. By placing its focus on Nivin Pauly's anti-hero Moidu, the screenplay dangles on slippery ground. The protagonist here is clearly Moidu's brother Hamza (Arjun Ashokan, who puts up a good show) but the writing lends him the short end of the stick. As for the unhinged, two-minded Moidu, the arc is all over the place. The cold sibling rivalry in the film is thematically similar to Chidambaran's earlier screenplay for Amal Neerad's Iyobinte Pusthakam, but that film had greater commercial inclinations, which also made it supremely enjoyable.

Thuramukham's best stretch is indeed the black & white opening act featuring Joju George, Sudev Nair, and Poornima Indrajith. When the story fast-forwards to the adulthood of Moidu and Hamza, in addition to building tedious reasons for the workers protest to gain steam, the film restrains from offering anything exciting. The performances from the ensemble remain solid throughout, but the flaccid plot developments and the lack of coherence in the treatment of Pauly's character bring the film down several notches. Additionally, the songs and the score felt so one-note (this is coming from someone who relished K's work in Kammatipaadam) and the random fade-outs in several important scenes almost took me out of the story.