VALUTAZIONE IMDb
7,6/10
15.273
LA TUA VALUTAZIONE
Merab si è formato fin da giovane al National Georgian Ensemble con la sua compagna di danza Mary. Il suo mondo si capovolge quando arriva Irakli che si rivelerà essere un grande rivale.Merab si è formato fin da giovane al National Georgian Ensemble con la sua compagna di danza Mary. Il suo mondo si capovolge quando arriva Irakli che si rivelerà essere un grande rivale.Merab si è formato fin da giovane al National Georgian Ensemble con la sua compagna di danza Mary. Il suo mondo si capovolge quando arriva Irakli che si rivelerà essere un grande rivale.
- Premi
- 29 vittorie e 26 candidature totali
Ana Makharadze
- Sopo
- (as Anano Makharadze)
Nino Gabisonia
- Ninutsa
- (as Ninutsa Gabisonia)
Eka Mzhavanadze
- Aurora
- (as Eka Mzhavandze)
Recensioni in evidenza
For director the one challenge is to shoot a film about LGBTQ issue and not to dramatize script, another is to take Georgian film about the same issue and do not express a enormous wave of aggression to homophobia and to catch the balance. If you ask me why I will answer: In Georgia plenty people are on the side of homophobia. From my point of view the main problem is that they think LGBTQ people are strangers, they live somewhere not near them, not in their families, not in their neighborhood or in the circles of friends. They think gays are some savage, immoral people without families or normal lives.
And then there is the movie AND THEN WE DANCED. Director is catching the balance, it doesn't show any aggression, it only tells that gay people are between us, as normal as anyone and we only need to face that and to be humane.
The film is kind and emotional. RECOMMEND! Maybe after watching this film people haunted by homophobia will rethink the issue.
And then there is the movie AND THEN WE DANCED. Director is catching the balance, it doesn't show any aggression, it only tells that gay people are between us, as normal as anyone and we only need to face that and to be humane.
The film is kind and emotional. RECOMMEND! Maybe after watching this film people haunted by homophobia will rethink the issue.
I have never seen a Georgian movie before. Because of this movie, I searched curiously about the protagonist's city, Tbilisi and Batumi, and was shocked by their beauty. In my impression, Tbilisi only has a dark underground printing house, or a mountainous drought like Afghanistan, and Batumi is unheard of. The photos recommended by Google Maps are as beautiful as the magic world, steep cliffs, vast forests, a cathedral with a history of more than a thousand years, and highly saturated buildings. I ca n't wait to travel to Georgia tomorrow.
There are many places in the movie that remind me of "Please call me by your name". The feminine male hero broke through the shackles of the heart through unlovely love, and the ending of the love is not so important. The difference is that one through literature and art, the other through dance art. The male dancer's dance is too beautiful, coupled with the thin and romantic look, people don't want to stop at a glance. The whole movie has a strong artistic temperament, photography, and lighting, which reflects the director's high artistic level. In addition to the rich natural and cultural environment of Georgia, the breathtaking Georgian national dance, I watched and regretted that I didn't have a life. In a country where music and art are part of everyday life.
Although the director is a descendant of Georgia grown in Sweden, the whole movie is not the ethereal and brisk style of Northern Europe, but the gloomy and aesthetic style of the former Soviet Union. It may be filmed in Georgia with the film, and with the heavy history of this ancient Caucasus country and with the Soviet Union. The complicated relationship is related; the mottled dance rehearsal hall floor reminds me of Jia Zhangke's "Twenty-Four Cities". More realistic than "Please call me with your name" is that "Please" is like a utopian castle in the sky. The two male heroes have no risk of livelihood. They just had a love relationship in a beautiful paradise; and this movie The male host Meribu (and the entire Georgia) is living in a forced environment. The dancer ca n't make a living, and has to go to the restaurant to work; the home often has a power outage, and the mobile phone will also owe money. In addition to survival, there is also his dance. The style contradicts the "national spirit" of the tough style left over by the Soviet Union, so it is not a question of appreciation. Meribu's talent for dancing is undoubtedly extremely high ("I will dance when I can walk"), but his brother pointedly pointed out, "There is no future for you", individualism will be bound by ideology; and in In addition, under the general environment of Orthodox Church and ancient traditions, homosexuality is also regarded as immoral, and the critics mentioned repeatedly that a homosexual friend was cruelly excluded from the mainstream society. Livelihood, career, love, there is no way out, what else can he do?
As the name of the movie says, I can still dance. When Meribu danced, he was immersed in his own spiritual world. At the end of the film review, he danced in a crimson Georgian traditional costume audition, which was a disdain for all these things. He has his own dance and his own spirit. I do n't know what the result of the audition will be, but in the previous paragraph, what my brother said when comforting the broken love Meribu is undoubtedly also a hope for the audience: "You have to go out and leave here." Just like the director himself, he left Georgia 's homeland Only when you go out can you look back and face up to what has shaped your core.
There are many places in the movie that remind me of "Please call me by your name". The feminine male hero broke through the shackles of the heart through unlovely love, and the ending of the love is not so important. The difference is that one through literature and art, the other through dance art. The male dancer's dance is too beautiful, coupled with the thin and romantic look, people don't want to stop at a glance. The whole movie has a strong artistic temperament, photography, and lighting, which reflects the director's high artistic level. In addition to the rich natural and cultural environment of Georgia, the breathtaking Georgian national dance, I watched and regretted that I didn't have a life. In a country where music and art are part of everyday life.
Although the director is a descendant of Georgia grown in Sweden, the whole movie is not the ethereal and brisk style of Northern Europe, but the gloomy and aesthetic style of the former Soviet Union. It may be filmed in Georgia with the film, and with the heavy history of this ancient Caucasus country and with the Soviet Union. The complicated relationship is related; the mottled dance rehearsal hall floor reminds me of Jia Zhangke's "Twenty-Four Cities". More realistic than "Please call me with your name" is that "Please" is like a utopian castle in the sky. The two male heroes have no risk of livelihood. They just had a love relationship in a beautiful paradise; and this movie The male host Meribu (and the entire Georgia) is living in a forced environment. The dancer ca n't make a living, and has to go to the restaurant to work; the home often has a power outage, and the mobile phone will also owe money. In addition to survival, there is also his dance. The style contradicts the "national spirit" of the tough style left over by the Soviet Union, so it is not a question of appreciation. Meribu's talent for dancing is undoubtedly extremely high ("I will dance when I can walk"), but his brother pointedly pointed out, "There is no future for you", individualism will be bound by ideology; and in In addition, under the general environment of Orthodox Church and ancient traditions, homosexuality is also regarded as immoral, and the critics mentioned repeatedly that a homosexual friend was cruelly excluded from the mainstream society. Livelihood, career, love, there is no way out, what else can he do?
As the name of the movie says, I can still dance. When Meribu danced, he was immersed in his own spiritual world. At the end of the film review, he danced in a crimson Georgian traditional costume audition, which was a disdain for all these things. He has his own dance and his own spirit. I do n't know what the result of the audition will be, but in the previous paragraph, what my brother said when comforting the broken love Meribu is undoubtedly also a hope for the audience: "You have to go out and leave here." Just like the director himself, he left Georgia 's homeland Only when you go out can you look back and face up to what has shaped your core.
This was a look into a society that few people know much about in Western Europe. Georgia, despite being in Europe seems so far away and it is, in both geographical distance and attitudes.
Not only homophobia was on display here. I wasn't aware of the level of hatred and discrimination against Armenians there. The disgraced dancer Zaza's transgressions were made worse by their having been committed with an Armenian in Yerevan. When Merab's brother was forced to marry, disparaging rumours and gossip were spread about his wife's family possibly being of Armenian origin.
Then the homophobia. It seemed ingrained in Georgian society. Unfortunately the film didn't help in one respect. Apart from Merab and Irakli, the only other gay people portrayed were shrieking drag queens and stereotypical and dissolute gays and lesbians in seedy clubs. Many of the gay minor characters were portrayed as prostitutes. I admire the bravery of the film, but I think that this was a mistake
The dance itself encouraged masculine, hettie stereotypes too. At one time, Aleko tells Merab that there is no place for weakness or effeminism in Georgian dance, that all that was done away with fifty years previously. Nonetheless, the art form has engendered an interest in me and I'll be looking up some performances to watch online.
Merab's dance in the closing scenes was a tour de force, rejecting the imposed, ossified and constricting confines of traditional dance. It so scandalised the auditioner from the national dance group that he walked out, but the musicians and Aleko, as well as Mary, looked on fascinated.
I'd had this film for ages. I don't know why I hadn't watched it before. I think I'd been put off by the length, which was an hour and fifty three minutes. I needn't have been. I wasn't bored for a single second.
Not only homophobia was on display here. I wasn't aware of the level of hatred and discrimination against Armenians there. The disgraced dancer Zaza's transgressions were made worse by their having been committed with an Armenian in Yerevan. When Merab's brother was forced to marry, disparaging rumours and gossip were spread about his wife's family possibly being of Armenian origin.
Then the homophobia. It seemed ingrained in Georgian society. Unfortunately the film didn't help in one respect. Apart from Merab and Irakli, the only other gay people portrayed were shrieking drag queens and stereotypical and dissolute gays and lesbians in seedy clubs. Many of the gay minor characters were portrayed as prostitutes. I admire the bravery of the film, but I think that this was a mistake
The dance itself encouraged masculine, hettie stereotypes too. At one time, Aleko tells Merab that there is no place for weakness or effeminism in Georgian dance, that all that was done away with fifty years previously. Nonetheless, the art form has engendered an interest in me and I'll be looking up some performances to watch online.
Merab's dance in the closing scenes was a tour de force, rejecting the imposed, ossified and constricting confines of traditional dance. It so scandalised the auditioner from the national dance group that he walked out, but the musicians and Aleko, as well as Mary, looked on fascinated.
I'd had this film for ages. I don't know why I hadn't watched it before. I think I'd been put off by the length, which was an hour and fifty three minutes. I needn't have been. I wasn't bored for a single second.
Scenes are beautiful, cast is amazing, soundtracks are charming, and the entire movie is very emotional and just phenomenal! Don't believe the false reviews!!! They are written by homophobes or people who were paid to do it!!!
There is no sexuality in Georgian dance. There is also no place for individuality, nor for weakness. There is tradition, there is pride for the country. And nothing more. Using the beautiful traditional male Georgian dance as a metaphor, Levan Akin's 'And then We Danced' explores themes of fragile masculinity and sexuality in a way that is refreshing, organic, and powerful. This gorgeously lensed film also offers tender and warm story about identity, self-discovery, first love and sexual awakening, led by an outstanding performance from Levan Gelbakhiani.
Lo sapevi?
- QuizThe filmmakers initially asked the prestigious Sukhishvili Georgian National Ballet for support, only to be declined immediately and told "homosexuality does not exist in Georgia". The head of the company then notified other dance companies in Georgia of the film and told them not to cooperate with it, which severely hindered the film.
- ConnessioniFeatured in MsMojo: Top 10 Most Underrated Ballet Scenes in Movies (2024)
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- Data di uscita
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- Siti ufficiali
- Lingua
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- Và Chúng Ta Từng Cùng Khiêu Vũ
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Botteghino
- Lordo Stati Uniti e Canada
- 177.262 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.880 USD
- 9 feb 2020
- Lordo in tutto il mondo
- 621.446 USD
- Tempo di esecuzione1 ora 53 minuti
- Colore
- Proporzioni
- 1.78 : 1
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By what name was And Then We Danced (2019) officially released in India in English?
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