Murina

The director and the actors did a great job getting the feelings of each person on the surface. Suddenly, in the so-called East democracies we live along with the referred in the film stereotypes. A fair criticism to the patriarchal family which oppresses mainly the female members whose unhappiness inevitably drives to a miserable if not unloving family. See the twenty-first century shame through the eyes of a girl which is taught to suppress it's freedom... but decides to claim the happiness everyone stole her... Deserved the awards it got, beautiful landscapes. The ending left me feeling optimistic!

Outstanding and well directed story which unfortunately didn't totally convince me due to some setting/plot and acting weakness. I won't spoil the storyline/script problems I found (I assume the english subbing was faithful): they are not really important but prevented me to fully enjoy the film.

G. Filipovic, the absolute protagonist - though a talented mediterranean beauty and a pleasure to watch (the writer/director agrees and indulges in a lot of revealing swimsuit shots) - doesn't always show a proper range. In some instances either fails to convince (not conveying the dramatic tension required in some scenes) or gets out of character (turning from silly girl to wise housewife to plotting homewrecker and back with too much ease) - proving that eyes actually lie.

Overall though, a very good drama about a family living in a secluded villa on the croatian coastline, and inexorably disintegrating when an affluent friend considers investing in the land.

As an insignificant side note: I'd have likely never watched this movie if it hadn't won the Cannes' "camera d'or" prize over "Rien a foutre" which recently made a great impression on me. Another drama about a young woman. Another film that deserves to be watched - though IMO not in the same category.

That will remind you that the hvratskanian archipelagos is one of the most prescious and beautiful places on earth, warm water clear seas, and finally a film with an actor that really knows how to swim (im a swimfan you know), good looking she is too to say the least, a film about a small family that is on the brink of devastation, a dominant and commanding kinda psychopath, seaworthy but landfast captain of the sea, a fragile daughter whos adolescence and urge to break free is imminent, and where the mother stands helpless inbetween them both. When a long lost friend visits everything turns cataclysmic..-.

Its an european art movie that will be praised by most critics, even by the grumpy old man, who dove a lot in this area when a young boy, still feeling the itching spikes of the black sea urchins of paradise. A film to watch for natural beauty, both human and scenic, great filmography and a sore and at times agonizing and asphyxiating on the issues of family relations.

Julija loves the sea and to foray, but is she the metaphorical moray, trapped in a creel, caught on a reel, with a father that treats her as quarry.

Beautiful film, top drawer performances, growing up can be tough!

Cowriter (with Frank Graziano)/director Antoneta Alamat Kusijanovic's Camera d'or winning feature debut recharges the coming-of-age story with multi-generational sexual heat and a constant threat of danger in a sun-splashed, Adriatic setting. Before the man Ante describes as 'god on earth' arrives, Julija dutifully accompanies her father to spearfish for the titular eels before returning to her room where she watches vacationing teenagers flirt on a yacht below her window.

When she's not capturing the sparkling sea and dramatic underwater scenes, cinematographer Hélène Louvart ("The Lost Daughter") uses angles like these to add weight to the viewer's point of view - Murina will look down again from a height at a very different type of flirting (and we will gaze up at her, a statuesque sea nymph in an aqua one piece). There will also be tight spaces promising danger, like the rocks Ante recklessly pilots a boat through or the underwater crevice Julija risks for an escape.

Then Javier arrives and he appears to be everything Ante is not, appreciative of the women's beauty, encouraging Julija to expand her dreams and think of going to Harvard. Javier's attentions make Julija bolder and Ante angrier. Julija tells Nela that Javier is obviously in love with her and that they should leave with him, but the older beauty knows better. Afraid that his daughter's rebellious behavior will sink his business deal, Ante does what she's been accusing him of wanting to do, literally locking her up in a boathouse. The man needs to watch his back.

Kusijanovic counters sensuality with tension throughout, accentuated by the tautly vibrating violins of "Loveless" composers Evgueni and Sasha Galperine. The overlapping interplay of two sets of three, the dysfunctional family and the flirtatious love triangle, is beautifully acted, Filipovic wordlessly displaying mercurial emotions between the extremes of Lucev and Curtis. "Murina" is a bold and beautiful expression of one young woman's bolt for freedom.