Un impiegato di un negozio di beneficenza è pronto a vincere una gara di talenti nazionale. Ma quando le azioni di cinque persone egoiste gli fanno perdere l'audizione, decide di cercare una... Leggi tuttoUn impiegato di un negozio di beneficenza è pronto a vincere una gara di talenti nazionale. Ma quando le azioni di cinque persone egoiste gli fanno perdere l'audizione, decide di cercare una vendetta mortale.Un impiegato di un negozio di beneficenza è pronto a vincere una gara di talenti nazionale. Ma quando le azioni di cinque persone egoiste gli fanno perdere l'audizione, decide di cercare una vendetta mortale.
- Regia
- Sceneggiatura
- Star
- Premi
- 10 vittorie totali
Recensioni in evidenza
An embarrassingly cheap British rip-off of SPREE which sees a guy losing his talent show audition before going on a rampage of revenge. Made for a pittance during the pandemic and it shows; everything is stilted making this feel like a sketch show at times. Sadly, it's also not in the least bit funny, with the humour over obvious and awkward in that British way. A shame as there are some normally reliable faces (Kris Marshall, Pippa Heyward) here.
Was a little hesitant after reading all the bad reviews but ignore them its a great watch. It's a little comedy mixed with gore,romance and has you feeling sympathy for the reluctant hero. Give it a go and you'll be pleasantly surprised.
10adz_d
This comedy-horror is destined to become a cult hit like Tucker and Dale versus Evil. Our hero is rushing to audition for a talent show (bit like Britain's Got Talent), but various bullies and jobsworths contrive to get in his way. Things go from bad to worse and his dreams are shattered. It was his big chance at fame and fortune! Life is so unfair for the little man... until the little man decides he's had enough and is going to get even, or die trying! Cue all hell breaking loose!
As you might already be able to glean from the above, this movie has important satirical themes concerning class, capitalist society (even the Church is on the make), social inadequacy, social welfare and, well, just about everything else too. It's not just some idle piece of self-indulgent gore. It's a film with both smarts and heart.
And the cast is absolutely stellar, including the cream of British comedic actors (e.g. Johnny Vegas, Kevin Bishop and Katherine Parkinson). June Watson (The Lady in the Van, The Death of Stalin, and more) plays Paul's mum, and she is brilliantly poignant - definitely my fave character... although Mandeep Dhillon as the community police officer (and puts up with no end of grief for not being a 'proper' police officer) is equally fab.
I'm not too proud to confess I properly cried in both the middle (sad tears) and at the end (happy tears). Yet I laughed just as much as I cried. Like life, this film is a rollercoaster of emotions. I like 'light and shade' in my movies, as it generates that bitter-sweetness that is quintessentially British humour or irony (the latter term, ironically, can't even be pronounced correctly by certain American critics, LOL!).
I believe the film also represents a bit of a breakthrough for the lead scriptwriter, one Matthew White, so it's great to have a bravely fresh British 'voice' coming to the screen. If you haven't seen the movie yet, then get your life priorities sorted or die trying! The film scores a deadly 9.9 out of 10 from this enlightened critic!
As you might already be able to glean from the above, this movie has important satirical themes concerning class, capitalist society (even the Church is on the make), social inadequacy, social welfare and, well, just about everything else too. It's not just some idle piece of self-indulgent gore. It's a film with both smarts and heart.
And the cast is absolutely stellar, including the cream of British comedic actors (e.g. Johnny Vegas, Kevin Bishop and Katherine Parkinson). June Watson (The Lady in the Van, The Death of Stalin, and more) plays Paul's mum, and she is brilliantly poignant - definitely my fave character... although Mandeep Dhillon as the community police officer (and puts up with no end of grief for not being a 'proper' police officer) is equally fab.
I'm not too proud to confess I properly cried in both the middle (sad tears) and at the end (happy tears). Yet I laughed just as much as I cried. Like life, this film is a rollercoaster of emotions. I like 'light and shade' in my movies, as it generates that bitter-sweetness that is quintessentially British humour or irony (the latter term, ironically, can't even be pronounced correctly by certain American critics, LOL!).
I believe the film also represents a bit of a breakthrough for the lead scriptwriter, one Matthew White, so it's great to have a bravely fresh British 'voice' coming to the screen. If you haven't seen the movie yet, then get your life priorities sorted or die trying! The film scores a deadly 9.9 out of 10 from this enlightened critic!
What starts out as a goofy comedy turns into a revenge film. What better way to be on a lunch break then to seek revenge on those who crushed his dreams and left your mom to die. A delightfully funny film with deadly twists. Director Nick Gillespie wowed me with this gem!
With quite a good array of British comedy talent I expected more. This was just horrific in writing and performance. I can't believe the pittance it cost to finance was actually offered up by producers after reading the script.
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- Colonne sonoreI Ran
written by Francis Maudsley, Paul Reynolds, Alistair Score, Michael Score
performed by A Flock of Seagulls
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- Tempo di esecuzione1 ora 35 minuti
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By what name was Paul Dood's Deadly Lunch Break (2021) officially released in India in English?
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