Dead Mail

Dead Mail (2024): Another Neo-Noir thriller which trespasses on horror territory. Shot in grainy slightly faded colour it gives us the feel of it's 1980's setting. Though the actors play their roles straight, a Coenesque line of humour runs through the film, just about strong enough to leaven the dark horror and violence which also permeates Dead Mail. Jasper (Tomas Boykin) is a dead mail agent, he can track down correct addresses from arcane pieces of information, checking with the weather bureau or if all else fails an overseas hacker friend. Coming across a blood stained scrap of paper supposedly from a kidnapped man Jasper gets cracking. We already know from the opening scene that the "letter" is genuine. The kidnapper breaks into the post office and attacks Jasper. We then flashback to how the kidnapper met up with his victim. A tale of compering synthesizer designers. Unrequited love and a touch of Killing for Company as the kidnapper does have a Dennis Nilsen vibe about him. The dark comedy of the film is what sets it apart from more mundane thrillers along with taut direction and a clever script which makes all the twists and turns make sense. You'll gasp, laugh and maybe cry but I reckon in the end you'll agree that this is a good Noir/Psychological Horror movie. Directed and Written by Kyle McConaghy and Joe DeBoer. 8/10.

Don't know what it is with some of these reviews they could'nt have been watching the same movie .This movie was alright i thought definetly an indie movie and i actually thought that this was an 80's movie because they seemed pretty accurate with the 80's synths and the general look of the film etc. I thought it was quite original .Took me a while to grasp the concept because the movie is told in flash back i thought that it was clever how the whole movie comes together. The acting was'nt that groundbreaking except for maybe the actor who played the kidnapper he was pretty good . Overall i thought the movie was pretty good definetly worth a look.

This 2024 Shudder original called Dead Mail, with a rather interesting-looking poster and a decently intriguing plot synopsis on IMDb, was shot in slightly faded color with grainy visuals, really giving it those 80s retro vibes. Sadly, that's about the only thing this movie does to make itself entertaining or stand out from most other releases nowadays. It's a style choice that can work and mostly does in this film but the narrative needs to be more than a rather dull kidnapping story like the one we get here.

We follow different characters after an ominous help note finds its way into a post office. The movie presents various perspectives; from the victim, the abuser, and other side characters while also incorporating a few time jumps, which are easy enough to follow. And even though the story has some interesting elements and brings a bit of uniqueness to the table, it's overall really dull. It reminded me a bit of 2021's Censor, which had similar problems in my opinion, though it featured stronger pacing and a more engaging narrative.

In this film, I kept finding myself bored and unable to immerse myself in the story or connect with the character arcs. The acting from the main cast is pretty solid, and there's definitely talent involved both in front of and behind the camera. The movie features several scenes that feel unnecessarily drawn out, seemingly only to show off some aesthetically pleasing visuals. That being said, this is definitely a slow burn, and people who don't enjoy that kind of horror should stay away from this one.

If you're a fan of slow-burn horror, this might be worth a watch. However, I personally didn't find anything particularly compelling here and will probably forget about this movie soon. [4.9/10]

I enjoyed this movie despite the absurdity of the plot. Some people have complained about the acting but I saw nothing wrong with it. The actors playing Trent and Jasper were especially strong. This is one of those plots where seemingly insignificant details come together at the climax, and no loose ends were left dangling. The cinematography and look of the film fit the vibe perfectly, giving it a retro 80's feel. I understand that a lot of people will find this movie slow and boring, but I was interested throughout. Give it a shot, you'll know in the first 20 minutes if you want to consider watching or not.

"Dead Mail" was actually a better film than I'd expected, and for that it gets points. It starts off with a very interesting scene of a bloody, chained man crawling to a mailbox to toss in a blood stained scrap of paper, and then stopped and pulled back into a house by a panicked kidnapper. It then switches to the post office, where a man named Jasper is a miracle worker when it comes to locating the people for whom dead mail was intended to go. Jasper-in spite of living in a halfway house-seems to have a Russian agent contact who he gets information from as well as other people who are capable of bringing up detailed facts and figures. I used to work for a company where my job was to try and locate lost equipment we'd rented out and it was fun and interesting, but I wish I'd had Jasper's contact list.

So at this point I'm assuming the movie is going to be about Jasper finding the man at the beginning before he gets killed. Instead, it switches to the story of how the man was kidnapped and why and the continuation of that story without Jasper. That's where I became much less interested. I liked Jasper and I wanted to know his story, not the kidnapped guy's story.

That disappointment notwithstanding, it still was a reasonably interesting film, with decent cinematography and performances. But the kidnapper's weirdness was only good enough for numerous "WTF??" moments, and I really didn't feel much for the victim. The only one I was emotionally attached to was-you guesses it-Jasper, and he had a very short story arc. And the ending was rather unfulfilling, and didn't clarify what happened to the postal worker who went to the house and got caught. Ultimately it was an okay film that had promise, but took a wrong turn.