Trovare un fantasma di nome Ernest che infesta la loro nuova casa trasforma la famiglia di Kevin in sensazioni notturne sui social media. Ma quando Kevin ed Ernest indagano sul mistero del s... Leggi tuttoTrovare un fantasma di nome Ernest che infesta la loro nuova casa trasforma la famiglia di Kevin in sensazioni notturne sui social media. Ma quando Kevin ed Ernest indagano sul mistero del suo passato, diventano un bersaglio della CIA.Trovare un fantasma di nome Ernest che infesta la loro nuova casa trasforma la famiglia di Kevin in sensazioni notturne sui social media. Ma quando Kevin ed Ernest indagano sul mistero del suo passato, diventano un bersaglio della CIA.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
- Kevin Presley
- (as Jahi Winston)
- Sheriff Brown
- (as Scott Martin)
- Ramona Scheller
- (as Peggy Walton Walker)
- Young Ramona
- (as Sherri Eakin)
Recensioni in evidenza
We Have a Ghost is the latest film from writer director Christopher Landon who had previously made a name for himself with the two Happy Death Day films as well as the body switch slasher Freaky. Based on the short story Ernest by Geoff Manaugh, Landon taps into more high concept territory as he takes the familiar premise of comic haunted house movies (such as 95's Casper and especially Burton's Beetlejuice) and puts his own spin on it for the modern age. Like Landon's previous efforts, he takes a well trodden formula and makes it feel fresh thanks to a smart script, strong direction, and good performances from the ensemble.
At the center of the film is undeniably David Harbour as the titular ghost and it's a fantastic performance from Harbour in spite of the fact he can't speak. Harbour was hesitant to take on the role as it would be challenging to create a compelling character without words, but Harbour shows just how versatile and charismatic of a presence he is not only scoring big laughs from his physicality and the pantomime nature of his performance, but also eliciting some strong emotional resonance and a sense of sadness and tragedy that makes you really care about him. Outside of Harbour, the movie is supported by a terrific ensemble. Jahi Winston is very good as the co-lead and he makes a solid audience proxy whom we enjoy seeing go through the supernatural shenanigans. Winston does a good job of making his interactions with Ernest and his neighbor and love interest Joy played by Isabella Russo very endearing and when the three of them are together in the movie they play off nicely against each other. Anthony Mackie, Erica Ash, and Niles Fitch get some good mileage playing Kevin's family and their varying reactions to how the ghost affects their lives with Frank booking TV appearances, Fulton using it for popularity and Mel at her wits end with the crowds of Ernest fans and TikTokers camped outside their house leads to some fantastic comic set pieces. Tig Notaro is also very good as Dr. Leslie Monroe who serves as our primary antagonist and serves as a more nuanced take on the role Walter Peck played in Ghostbusters. Tig brings a lot of humanity to the role and does well playing a driven and quirky CIA agent.
At it's core the movie is essentially a mash-up of Beetlejuice by way of Starman or E. T. (particularly in the second half). While the stuff around centered around the house is very good with the satire of internet fame and haunted house trappings, Landon takes the action on the road in a creative way as Kevin, Joy and Ernest search for more clues to Ernest's identity and we get some really creative and humorous sequences that often had me giving solid belly laughs. We Have a Ghost runs strongly for a good 75% of the runtime, but around the last 25% I started to notice some things began to drag. I personally think the movie runs a little long at two hours, and while it does stay funny there is a "flabbiness" in the structure that made the comic rhythm stumble a bit. I also felt like the movie had two different ideas of how it wanted to end because they introduce a secondary antagonist towards the end of the second act and it feels like it deviates a bit too far from the established pieces in my opinion and it probably could've been tied up better by having a singular antagonistic force.
We Have a Ghost is a strong high concept comedy that features a great comedic performance by Harbour and a likable ensemble strongly directed by Landon. Landon's script remains funny for a good chunk of the running time, but does feel like it loses some integrity around the 90 minute mark and feels like the third act could've done with a bit of tweaking. A solid recommendation especially if you've an affinity for the likes of Beetlejuice, Ghostbusters, or Starman.
Unlike his earlier films that have more intensity and heightened elements of fear and horror, We Have a Ghost is a much more tapered-down version of his somewhat uniquely unhinged style typical with wistful turns.
The story is much similar in spirit to one of the most-known iconic films "Ghost", directed by Jerry Zucker and played by Patrick Swayze and Debbie Moore. Although Jerry Zucker's Ghost is a love story, Christopher Landons' We Have a Ghost is a story of young adults who are struggling with their identities in a brutally judgemental harsh social world, that is instantaneously connected to everyone. And such displays the disparity between the parents who were raised in a world that does not exist today and the children who grow much faster and more maturer than their parents did thus, they feel disconnected and do not understand their parents as well as their reasonings. And they are dealing with a silent Ghost in their house in their own ways.
It is very well-acted, directed, and written. It may not be everyone's cup of tea because the targeted age group is young adults and it is a film that you can be watch with the entire family.
You will enjoy it surely watching, it will not bore you, though from a very critical point, there are many flaws that could have been covered, but leave that aside, just enjoy.
It's competently directed, acted, and it looks decent. The issue I have is it's waaaaaay long. For what the movie was presented to be, it should've been about and hour and forty five minutes TOPS. With a running time of two hours and six minutes... the film is extremely difficult to get through.
And... the tone is all over the place. Is it a comedy? A drama? A thriller? A mystery? It tried to be all of these things. I've seen a lot of movies on Netflix like this recently. Is it a Netflix thing? Or just something Hollywood is trying on for size. Hopefully they cut the crap because it doesn't work.
The main hero, Kevin, is really likeable. And I appreciate that. Performances are good, but the jumbled mess is not the casts fault. It rests with the filmmakers. Netflix should've advertised this as more of a drama revolving around a family. There ARE funny moments, but the preview makes it seem like this will carry throughout the entirety of the movie and it doesn't.
It's average and gets a higher rating for me because I'm a fan of David Harbour.
Lo sapevi?
- QuizIn November 2017, Legendary won an auction for screen rights to Ernest, a short story by Geoff Manaugh published on Vice.com. Christopher Landon (Auguri per la tua morte (2017)) both adapted the short story into a feature and directed the film.
- BlooperThe size of the interior and the exterior of the haunted do not match at all. The interior shots show a grand double staircase, three rooms abreast on the ground floor, and an attic in which you could play football.
- Citazioni
Joy Yoshino: Everyone says it's haunted. I'm an atheist, so I'm not supposed to believe in that kind of shit, but secretly, I'd love to die and then, I don't know, come back as some fierce ghost and haunt Ted Cruz.
- Curiosità sui creditiThe first part of the end credits has each of the credits fade away in the same particle effect used for Ernest.
- ConnessioniFeatures Vita da strega (1964)
- Colonne sonoreNo More Mr. Nice Guy
Written by Alice Cooper and Michael Bruce
Performed by Alice Cooper
Courtesy of Warner Records
By arrangement with Warner Music Group Film & TV Licensing
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- Tempo di esecuzione2 ore 6 minuti
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- 2.39 : 1