Sette uomini vengono rapiti e trattenuti da rapitori mascherati. Il mistero dietro la loro prigionia si svela, devono decidere la loro strada: scegliere uno di loro per morire, o fare un att... Leggi tuttoSette uomini vengono rapiti e trattenuti da rapitori mascherati. Il mistero dietro la loro prigionia si svela, devono decidere la loro strada: scegliere uno di loro per morire, o fare un atto di fede per salvarli tutti.Sette uomini vengono rapiti e trattenuti da rapitori mascherati. Il mistero dietro la loro prigionia si svela, devono decidere la loro strada: scegliere uno di loro per morire, o fare un atto di fede per salvarli tutti.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie totali
Anthony Darrell
- Tommy
- (as Anthony Burns)
Recensioni in evidenza
Once upon a time, when there were video stores, there was, on the shelves, an arrangement of films by genre, but also by popularity. And then, in every video store, at some point, you had a shelf on which there were random movies, which, due to bizarre circumstances, were found in the video store and on which there was a thick layer of cobwebs, because no one ever rented them. Under that shelf, there was often a box with "art" even worse than the one on the shelf in the corner, waiting for the worker not to be too lazy and to finally take them to the dumpster. This, at best, deserves a position in a dumpster-ready box.
There is no way to describe how bad this movie is and how it manages to fail in every possible area. The scenario is catastrophic. For more than 90 minutes of the film, there is practically no action, no meaningful activity. The dialogues are completely meaningless, illogical and so badly written that it's not even funny. A special category is the content of "guardian" sentences, places and the way they are pronounced. The directing is below every category of professionalism. It is especially bizarre that this is a film that supposedly explores essential themes, human interactions, etc. Absolutely laughable. Don't be fooled by the many scores reviewers have given the film.
If you look a little, you will see that only one high rating was given by a reviewer who previously had a comment on IMDB. All other scores and revisions were given by auditors for whom it was the first review, most likely members of the film crew. Skip this nonsense and don't put yourself in a situation where you irretrievably lose ninety minutes.
There is no way to describe how bad this movie is and how it manages to fail in every possible area. The scenario is catastrophic. For more than 90 minutes of the film, there is practically no action, no meaningful activity. The dialogues are completely meaningless, illogical and so badly written that it's not even funny. A special category is the content of "guardian" sentences, places and the way they are pronounced. The directing is below every category of professionalism. It is especially bizarre that this is a film that supposedly explores essential themes, human interactions, etc. Absolutely laughable. Don't be fooled by the many scores reviewers have given the film.
If you look a little, you will see that only one high rating was given by a reviewer who previously had a comment on IMDB. All other scores and revisions were given by auditors for whom it was the first review, most likely members of the film crew. Skip this nonsense and don't put yourself in a situation where you irretrievably lose ninety minutes.
Yeah, very clearly a Christian flick with the 10 star reviews posted by dedicated members of the flock. Repent now. Fight for God's world.kill for peace and justice. Wake up, this is the messenger speaking, you have been chosen. And that's pretty much it. I don't mind Christian flicks but these hidden ones are pretty disingenuous.
Yeah, very clearly a Christian flick with the 10 star reviews posted by dedicated members of the flock. Repent now. Fight for God's world.kill for peace and justice. Wake up, this is the messenger speaking, you have been chosen. And that's pretty much it. I don't mind Christian flicks but these hidden ones are pretty disingenuous.
Yeah, very clearly a Christian flick with the 10 star reviews posted by dedicated members of the flock. Repent now. Fight for God's world.kill for peace and justice. Wake up, this is the messenger speaking, you have been chosen. And that's pretty much it. I don't mind Christian flicks but these hidden ones are pretty disingenuous.
I have been a fan of what David Bianchi has been a part of for years and this movie did not disappoint! It was like a secret hidden camera watching this group of men navigate the mind game to figure out a life-or-death puzzle, and the solution was their freedom.
The character development and intertwining of the lives of those involved expanded beyond the tiny room the bulk of the story takes place in. Watching each face his inner demons in his own way kept me watching and waiting for the next part of the story.
The production is on point. The plot is thick. This movie is definitely worth owning.
The character development and intertwining of the lives of those involved expanded beyond the tiny room the bulk of the story takes place in. Watching each face his inner demons in his own way kept me watching and waiting for the next part of the story.
The production is on point. The plot is thick. This movie is definitely worth owning.
Every once in a while, a film comes along that doesn't just entertain-it challenges, heals, and sparks the conversations we've been avoiding. Catalyst is that film. It's more than just a movie; it's an experience, a reckoning, and ultimately, a reminder of the power of forgiveness in a world that feels more divided than ever.
From the opening scene, Catalyst grips you with its raw, emotional storytelling. The performances are nothing short of breathtaking-each character feels real, flawed, and deeply human. The script doesn't shy away from the hard questions, diving headfirst into the pain of betrayal, the weight of resentment, and the profound struggle of finding common ground. But what makes Catalyst truly remarkable is that it doesn't settle for easy answers. Instead, it walks us through the messy, heartbreaking, yet ultimately transformative process of reconciliation.
In today's cultural climate, where every misstep can lead to permanent division, Catalyst dares to ask: Can we still find it in ourselves to forgive? Can we move beyond the mistakes of the past without erasing accountability? The way it weaves these themes into a compelling, beautifully shot narrative is nothing short of masterful.
What lingers most after the credits roll isn't just the story itself, but the way it makes you reflect on your own life-on the grudges you hold, the conversations you've avoided, and the possibility of healing in places you thought were permanently broken.
Catalyst isn't just timely; it's urgent. It's a mirror held up to society, reminding us that while division is easy, forgiveness takes courage. And perhaps, if we're willing to take that first step, it's not too late to mend what's been broken.
This film is a must-watch. Not just for cinephiles, but for anyone who believes in the power of storytelling to change the world.
From the opening scene, Catalyst grips you with its raw, emotional storytelling. The performances are nothing short of breathtaking-each character feels real, flawed, and deeply human. The script doesn't shy away from the hard questions, diving headfirst into the pain of betrayal, the weight of resentment, and the profound struggle of finding common ground. But what makes Catalyst truly remarkable is that it doesn't settle for easy answers. Instead, it walks us through the messy, heartbreaking, yet ultimately transformative process of reconciliation.
In today's cultural climate, where every misstep can lead to permanent division, Catalyst dares to ask: Can we still find it in ourselves to forgive? Can we move beyond the mistakes of the past without erasing accountability? The way it weaves these themes into a compelling, beautifully shot narrative is nothing short of masterful.
What lingers most after the credits roll isn't just the story itself, but the way it makes you reflect on your own life-on the grudges you hold, the conversations you've avoided, and the possibility of healing in places you thought were permanently broken.
Catalyst isn't just timely; it's urgent. It's a mirror held up to society, reminding us that while division is easy, forgiveness takes courage. And perhaps, if we're willing to take that first step, it's not too late to mend what's been broken.
This film is a must-watch. Not just for cinephiles, but for anyone who believes in the power of storytelling to change the world.
I had to make an account JUST to review this movie. What's been more entertaining than the movie is coming to read some of the 10/10 reviews and doing some research on the creators.
The movie opens with a quote by "Shaman Durek" who, I've discovered, is an "American conspiracy theorist, convicted felon, alternative therapist, and self-professed shaman as a practitioner of Neoshamanism. " which is, to put it mildly, a hysterical way to open your movie.
The story follows a guy named Alek who we see preparing to murder a priest. He fires a shot, leaves the church and is preparing to commit suicide when masked men taze him and pull him into a white van.
They tell him some cryptic things we will hear over and over again throughout the movie. We will keep flashing back to things that previously happened revealing more context each time, or sometimes revealing absolutely nothing new. They were perhaps assuming that since the target audience is your average Joe Rogan listener that they need a reminder of what they saw five minutes ago.
Alek wakes up in the desert next to a car. He finds a jumpsuit in the trunk and puts it on. A phone rings on the ground and he picks it up. A couple of robotic voices give him instructions which he proceeds to not follow and gets tazed again.
Now he wakes up in a room with a bunch of other guys. They're given instructions to "kill the parasite among you" within 60 minutes or they all die. They've been fitted with fancy shock collars and theres some kind of forcefield separating them from their masked captors. They argue for what feels like forever and somehow none of them try to kill one another despite them all being extremely volatile individuals with sordid pasts.
It basically turns into a group therapy session somehow. By the end of the sixty minutes they are taking turns around the circle, confessing their sins and offering words of encouragement. It makes absolutely no goddamn sense and feels extremely forced. I was laughing at the dialogue and pacing of the whole thing.
The camera would NOT stay put for one second. Gratuitous use of digital effects for the tazers, forcefields, computer terminal overlays, etc. The actors were often speaking over each other, seemingly trying to mimic "real" conversations but instead feeling like a badly rehearsed stage play. CONSTANT cuts between them wearing some kind of holo-helmet, past events, current events, reiterating points over and over again that had already been established.
About halfway through the movie, I had "gotten the point" about a dozen times already and was waiting for there to be something, ANYTHING else added to the story or themes. I could see them leading up to a twist but it was telegraphed from a mile away and had essentially no substance.
The thesis of the film is stated from the get go, but it is hilariously summed up at the end when Alek speaks to the organizer/architect of the whole program, group, whatever you want to call it. She LITERALLY quotes the freaking two wolves story. "There are two wolves and they are always fighting. One is darkness and despair, the other is light and hope. Which wolf wins? The one you feed"
Basically their organization kidnaps people and forces them under duress to either become better people or die/be imprisoned forever. And this is unironically offered as an ideal scenario for entering a new and better era of humankind.
Anyways steer clear of watching this if you want something good. If you like bad movies, it might be fun in a group-watch setting but even then I find it too boring to recommend.
The movie opens with a quote by "Shaman Durek" who, I've discovered, is an "American conspiracy theorist, convicted felon, alternative therapist, and self-professed shaman as a practitioner of Neoshamanism. " which is, to put it mildly, a hysterical way to open your movie.
The story follows a guy named Alek who we see preparing to murder a priest. He fires a shot, leaves the church and is preparing to commit suicide when masked men taze him and pull him into a white van.
They tell him some cryptic things we will hear over and over again throughout the movie. We will keep flashing back to things that previously happened revealing more context each time, or sometimes revealing absolutely nothing new. They were perhaps assuming that since the target audience is your average Joe Rogan listener that they need a reminder of what they saw five minutes ago.
Alek wakes up in the desert next to a car. He finds a jumpsuit in the trunk and puts it on. A phone rings on the ground and he picks it up. A couple of robotic voices give him instructions which he proceeds to not follow and gets tazed again.
Now he wakes up in a room with a bunch of other guys. They're given instructions to "kill the parasite among you" within 60 minutes or they all die. They've been fitted with fancy shock collars and theres some kind of forcefield separating them from their masked captors. They argue for what feels like forever and somehow none of them try to kill one another despite them all being extremely volatile individuals with sordid pasts.
It basically turns into a group therapy session somehow. By the end of the sixty minutes they are taking turns around the circle, confessing their sins and offering words of encouragement. It makes absolutely no goddamn sense and feels extremely forced. I was laughing at the dialogue and pacing of the whole thing.
The camera would NOT stay put for one second. Gratuitous use of digital effects for the tazers, forcefields, computer terminal overlays, etc. The actors were often speaking over each other, seemingly trying to mimic "real" conversations but instead feeling like a badly rehearsed stage play. CONSTANT cuts between them wearing some kind of holo-helmet, past events, current events, reiterating points over and over again that had already been established.
About halfway through the movie, I had "gotten the point" about a dozen times already and was waiting for there to be something, ANYTHING else added to the story or themes. I could see them leading up to a twist but it was telegraphed from a mile away and had essentially no substance.
The thesis of the film is stated from the get go, but it is hilariously summed up at the end when Alek speaks to the organizer/architect of the whole program, group, whatever you want to call it. She LITERALLY quotes the freaking two wolves story. "There are two wolves and they are always fighting. One is darkness and despair, the other is light and hope. Which wolf wins? The one you feed"
Basically their organization kidnaps people and forces them under duress to either become better people or die/be imprisoned forever. And this is unironically offered as an ideal scenario for entering a new and better era of humankind.
Anyways steer clear of watching this if you want something good. If you like bad movies, it might be fun in a group-watch setting but even then I find it too boring to recommend.
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Dettagli
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Proporzioni
- 2.35 : 1
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