Benedetta

At the age of 83, it is wonderful to see Paul Verhoeven mojo's still on fire after all these years. His latest offering Benedetta (2021), a provocative lesbian affair in a 17th-century nunnery set amidst the bubonic plague is more than erotic drama as Verhoeven manages to mix dogmas of faith & superstition in the narrative. It definitely lives up to its billing as one of his best film, exceptionally well made all around and stays true to form throughout. Along the way, it has a true and sad story to tell, but it is an entertaining film with funny characters and Jesus Christ cameo with a sword-slinging fight sequence. The film might feel inconsistent in its satire on the Catholic Church but it definitely hits hard where it counts. The best is in the 2nd half, there is an intriguing balance between the satire and the obscene, waddling constantly between the two, with wild moments.

The film has few shortcomings, but they are completely outweighed by its main advantage - cinematography, soundtrack and the wacky screenplay. On the acting side we have a stable interpretive work of all those involved, but the one who stands out the most is Virginie Efirahas, some of the best acting of the year.

Overall, 'Benedetta' is an Paul Verhoeven movie at its best. It is a mischievous film in the very spirit of Ken Russell's The Devils (1971) and Nunsploitation classics. It might feel off-putting before becoming entertaining and it succeeds in doing this in all aspects.

Sex and violence are par for the course for a Paul Verhoeven film, but, one rarely expects it in such copious amounts in a film based on a true story account of a 17th century Catholic nun, Benedetta Carlini. The key word is 'based' for Verhoeven and co-writer David Birke have freely adapted Judith Brown's non-fiction book.

Set in Tuscany, Benedetta is a tale of a young Italian woman (the movie is in French) who claimed to have had vivid visions of Jesus from an early age. Once in a Convent in Pescia, Benedetta (played as an adult by a stout Virginie Efira) rises to the rank of Abbess much to the dismay of the former Mother Superior, Felicita (an excellent Charlotte Rampling). Her manifestations continue and become more graphic even reaching the point of stigmata and speaking in tongues. A rumored affair with a fellow nun, Bartolomea (a mischievous Daphné Patakia) brings suspicion, scorn and charges of heresy in the form of Alfonso (Lambert Wilson; relishing his evil side) who comes from Florence to prosecute the case. The plague is raging and Verhoeven's film boils into a bloodier, sexier take on Ken Russell's THE DEVILS. Something of a MARK OF THE DEVIL for the Cannes crowd.

And yet, Verhoeven has created a work of subversive, yet profound, religiousness. Benedetta's devotion to the lord is never in doubt Her fervor, inspired and deeply felt even when not in keeping with the letter of scripture. Only a filmmaker as fervid as his subject could create at once something so sacrilegious while also remaining true to the essence of the character. There is no question that Verhoeven can never be accused of having good taste (and there are times here where if he pulled back even a little, it would have only improved the work), but, sometimes that seeming contradiction is what can create such stirring art. BENEDETTA is a direct challenge to believers and non-believers alike.

It will be called subversive. There will be appreciation. There will be hate and there will be love, but if people took their time to read Paul Verhoeven's book about Jesus of Nazareth as a historical figure, they shouldn't be surprised about this film, which is based on a true story, Judith Brown's study Immodest Acts, about the rise and fall of the lesbian nun Benedetta Carlini.

I had so much fun watching this movie. Great acting, excellent story. Peak Paul Verhoeven, even at the age of 82. Apart from the usual Verhoeven elements, there are profound questions about the State and the Church, especially regarding interpretation of the Bible and the determination of God's will. Benedetta is a believer in a cynical world. For certain reasons, she needs a private place - in a world where 'private' isn't highly appraised and because of that, she'll have to turn to cloister politics. Benedetta is a great film about morals and who decide about them and when. I'll re-watch it very soon.

It's hard to tell if this movie is trying to be realistic while implying some messages on religious hypocrisy, delusion and desires, or if it's just trying to be a fantasy, or even satirical. But it's definitely compelling, exciting and entertaining. It's provocative, crazy and might be annoying to some. Lead performance is solid.

Benedetta is a take on a real life story about a young woman in the middle ages who believes so wholeheartedly in Jezus and the love of God, that around her, mysterious stuff happens. What follows is a film that does not shy away from both controversy and visceral body action, while all the time, keeping the mystery alive, and occasionally even poking great fun at the subject.

Benedetta is put in the House of God with nuns and priests who do not really seem to believe in the divine themselves, setting up for conflict in religion and faith. This being a Verhoeven film, we get to see everything, including sex between nuns, which is not really a spoiler, since it made the film instantly infamous.

For a Verhoeven film, the sex and violence is actually mild, which isn't to say it's not prominent. But it's the underlying story that makes it truly interesting: how does a woman with such devotion, love and sex appeal, fair in the horridly abusive culture of the Church in the middle ages? Does she overcome it? And is she truly blessed by God or not?

I'll leave that for you to discover yourself. I will say without giving anything away, that the acting and directing is done with ferocious passion and conviction, that the film covers all emotions and feels accurate in its depiction of this historic woman her life.

Again, Verhoeven delivers.