I Cavalieri dello zodiaco

If you are not from Central or Eastern Europe, most probably you won´t be familiar with a name of Tomasz "Tomek" Baginski. He was credited for his brilliant work on the "Legendy polskie" ("The Polish Legends"), a series of short movies bringing the old Slavic mythology into a screen with an extremely modern adaptation. If you are a fan of "The Witcher" series you may remember something like "Oh, yeah, isn´t it a guy who produced the first season?" If you are not, the sentence would rather be "Look, I´ve never read fantasy books and I´ve never played any games. So, where the hell this whole "Witcher" thing comes from?"

There is a purpose in this intro: Baginski has been in the movie industry for more than 20 years but "Knights of the Zodicac" is the first ever feature film which he directed.

Apparently, the idea was similar: it is a known fantasy story, so we bring it to the modern time, trying to make a dynamic and fun movie for all kind of spectators. There was only one problem: this is neither any longer the Slavic mythology, nor an adaptation of a fantasy book which plot is based on Europe´s "Dark Ages". It is a story from a completely different culture with completely different traditions and a very different vision on the things. And, for what it worth, you would make it with their money and under Sony, one of their most conservative studios. If Tomek thought they will allow him to do a sort of "The Japanese Legends", I´m afraid he was very mistaken.

We have to greet Sony as well: every time when it looks like they really cannot go lower, they make a new attempt which amazes even the most skeptical. This time they simply have not selected a right person for a right task. And, by the way, I´m not even mentioning this part or the script where "a good man helps an evil woman with kidnapping and killing children". If Sony thinks this will be welcome by parents who will watch "Knights" with their children, they are probably very mistaken.

As for Tomek, I only wish he chooses a right project next time, something where he really can contribute. If you want my opinion, it would be "Twardowski 3.14" and the expansion of the universe based on the Slavic mythology. I´d say the world would welcome these ones much more than yet another re-boot of some old glory which resulted in a questionable script, questionable characters and very questionable future for all involved personnel.

This movie fails to send me back to the anime, and I know it was supposed to be based on the newest properties that are coming out targeting the new generations, but I think it swings and misses at all target groups.

I guess Seiya works well and he kind of has a good chemistry with Saori. His training with Marin is done well and the first fights that don't have the armor are nicely choreographed but everything else is terrible.

I couldn't care more about Famke's character, her motivations are so shallow together with Ikki, who is there mainly so there's a final fight. We have Mitsumasa who isn't Mitsumasa. The VFX looks straight from a 2012 PS3 game. There are so many futuristic ships I didn't know if the movie was supposed to be an alternative world or 20 years in the future.

But the main thing for me is that the movie didn't feel like Saint Seiya, it was like someone who saw the anime 30 years ago tried to explain it to a Hollywood producer who didn't bother to watch the original content and stick to the description given to him. In the end it didn't have the sense of humanity against gods and the sense that even when Seiya lost all his senses he would never give up.

Another poorly made manga adaptation. If you claim it to be adapted from a source, then you should stick to it. Do not change the names, do not change the settings, do not change the plot. I mean, if you take the fairy godmother out of the story, replace the prince with an old man, and then turn the glass slippers into a pair of steel boots, can you still call it Cinderella? You get what I'm saying here? The name changes are atrocious, not to mention the costumes. Seiya's Pegasus armor was supposed to be lean and shiny, not robotic and grim looking. The only thing that's similar to the manga was only Athena's staff. I'm so disappointed, so I'm just gonna give it 5 stars. I should've given it a lower ratings, but I know that a lot of people have worked hard to make this movie. So I'm not gonna be a jerk here.

In ancient times, the Gods treated humans as playthings. Athena is the only one who helped humanity and trained knights to protect them until the age of Gods ended. Sienna (Madison Iseman) is the modern day reincarnation of Athena. Seiya (Mackenyu) is searching for his sister and trains to be a Knight of the Zodiac.

The special effects are fine although unimpressive. The fights are fine. I actually like the wire work and the long fights. It could be filmed better. A lot of this feels inferior. I almost want to say TV Power Rangers, but it's not that bad. It's the designs. It's Flash Gordon with CG glow. I don't know anything about the Japanese manga or the anime. I assume that the designs come from that. The story is rather basic and simplistic. The characters are one dimensional. I wouldn't say any of this is funny. It's a comic book B-movie with a middling budget.

What do I mean by underproduced?

There is no overarching set of quality control for acting skills, special effects, and it makes the movie neigh unwatchable after awhile.

Want to be an indie film? Hire hungry actors and go cheap on effects. Want to be a blockbuster? Hire A-listers and splurge on effects.

This film is jarringly uneven in quality and even though some of the newly faced actors seem to be bent to pour their hearts into their lines and action sequences, others obviously seem to be there just for the check.

This movie would have been better if it had been run a budget 1/10th the size with actors who actually wanted to do their jobs.